February 25, 2020
Well, as I said recently (as I’m sure you recall), I’ve been reading a book every pulp, detective, mystery, American literature lover should read, The Giant Collection of the Continental Op. By dashing (okay, I’m not the first to say this) Dashiell Hammett, author of, well, if you don’t know I feel for you, cause the list includes some of the best works from last century (including The Maltese Falcon, The Thin Man, and The Glass Key, all seminal works of words), in this giant collection, you’ll find a huge host of stories featuring his un-named, pudgy (but tough), old-ish (but tough), work-a-day detective, and all keep the pace up, and often the body-count. A great read, I must say, so great that I had to have two Cocktail Talks from it. If you missed the first (the Golden Horseshoe Cocktail Talk) then go check it. This second one isn’t quite as drunk-y, and includes a lot of food. But I couldn’t miss it, cause it has the Continental Op drinking crème de menthe, which is both awesome and hard to picture.
Two men servants waited on us. There was a lot of food and all of it was well turned out. We are caviar, some sort of consume, sand dabs, potatoes and cucumber jelly, roast lamb, corn and string beans, asparagus, wild deck and hominy cakes, artichoke-and-tomato salad, and orange ice. We drank white wine, claret, Burgundy, coffee, and crème de menthe.
–Dashiell Hammett, The Farewell Murder
February 18, 2020
We’ve had a small handful of delectable Dashiell Hammett Cocktail Talks here on the Spiked Punch, but probably not near as many as he deserves, being one of the undeniable pulp greats and all that. Perhaps he’s so in the firmament that it’s almost like all the Cocktail Talks of his are already known? Or perhaps I’m just behind on my Hammett-ing? Could be! But I recently read (behind on this, too), the Giant Collection of the Continental Op, which is downright demanded for any pulp-er. Most of the stories were originally printed in the legendary Black Mask magazine, and really show Mr. Hammett figuring out his style, the character, and things like pace and place – just things that would help define the genre, no biggie. The stories take the un-named protagonist hither and yonder, too, including for a spell at least down Tijuana way in the story called “The Golden Horseshoe,” where the Op tracks an English fella, and when he finds him, gets down to some serious drinking and Cocktail Talking:
He brought in a bottle of Black and White, a siphon and some glasses, and we settled down to drinking. When that bottle was empty there was another to take its place. We drank and talked, drank and talked, and each of us pretended to be drunker than he really was – though before long we were both as full as a pair of goats.
It was a drinking contest, pure and simple. He was trying to drink me into a pulp – a pulp that would easily give up all of its secrets – and I was trying the same game on him.
–Dashiell Hammett, The Golden Horseshoe