February 25, 2020

Cocktail Talk: The Farewell Murder

Image result for the giant collection of the continental op"Well, as I said recently (as I’m sure you recall), I’ve been reading a book every pulp, detective, mystery, American literature lover should read, The Giant Collection of the Continental Op. By dashing (okay, I’m not the first to say this) Dashiell Hammett, author of, well, if you don’t know I feel for you, cause the list includes some of the best works from last century (including The Maltese Falcon, The Thin Man, and The Glass Key, all seminal works of words), in this giant collection, you’ll find a huge host of stories featuring his un-named, pudgy (but tough), old-ish (but tough), work-a-day detective, and all keep the pace up, and often the body-count. A great read, I must say, so great that I had to have two Cocktail Talks from it. If you missed the first (the Golden Horseshoe Cocktail Talk) then go check it. This second one isn’t quite as drunk-y, and includes a lot of food. But I couldn’t miss it, cause it has the Continental Op drinking crème de menthe, which is both awesome and hard to picture.

 

Two men servants waited on us. There was a lot of food and all of it was well turned out. We are caviar, some sort of consume, sand dabs, potatoes and cucumber jelly, roast lamb, corn and string beans, asparagus, wild deck and hominy cakes, artichoke-and-tomato salad, and orange ice. We drank white wine, claret, Burgundy, coffee, and crème de menthe.

 

–Dashiell Hammett, The Farewell Murder

July 19, 2011

Cocktail Talk: Ayala’s Angel

Ayala’s Angel sounds a bit like a not-tawdry-enough romance novel that you’d find in the quarter bin of a bookstore specializing in romance trade-ins and the occasional “art” book. While it does have a bit of romance, if you decided not to read the book solely because of the connotations involved with the title, you’d be one sad reader, pal. Cause it’s an Anthony Trollope number, and while it has its fair share of yucks and laffs (perhaps it is as gently witty towards its main characters as any Trollope I’ve read), they’re surrounded by that eye for everyday detail that makes Trollope (along with the fact that his characters are memorable, his prose is sweet, etc, etc) so enjoyable to read. And the fact that it contains the following quote that references a particular vintage of claret (Trollope was so fond of this winery he bought–as the book’s notes tell us–24 bottles in one go) makes the book even better. Any reverence for a particular booze bears repeating:

 

But before the end of the first fortnight there grew upon her a feeling that even bank notes become tawdry if you are taught to use them as curl-papers. It may be said that nothing in the world is charming unless it be achieved at some trouble. If it rained ’64 Leoville–which I regard as the most divine of nectars–I feel sure that I should never raise it to my lips.

 

Ayala’s Angel, Anthony Trollope

Rathbun on Film