June 17, 2025

Cocktail Talk: The Dancing Girl

Final Acts: Theatrical Mysteries

This is another Cocktail Talk found in an older mystery story featured within one of the wonderful British Library Crime Classics collections (you can read more by perusing past British Library Crime Classic Cocktail Talks, a phrase rather fun to say). In this case, the collection is Final Acts: Theatrical Mysteries, so, as you might gather but in case you didn’t, all mysteries circling around the theater in one way or the other, some closer to the stage, so farther away. The collection was put together by the indefatigable writer and editor Martin Edwards, and contains works by lesser-known and widely-known UK authors from the late-1800s, early-1900s. Somewhat in the middle of the “known” ranges falls the writer Anthony Wynne – aka Robert McNair Wilson – who penned both with this penname and under his own a whole bunch of books, while also being a surgeon and politician and probably more things, too. Quite popular I believe in his time, if not as well known today. The beautiful below wine quote (and the inclusion in the British Library Crime Classics collections) will hopefully re-balance his rep.

He raised his glass to his lips and sipped the exquisite wine, which it contained, very slowly. It was white Clos Vouget, the pale sister of the immortal red Burgundy of that name. Golden points of light shone from its clear depths. He set the glass down again and once more turned to Lalette; in some mysterious fashion she resembled the wine. It might even be possible to call her insipid if one had developed a taste for more exuberant gaiety. Men who drank red wine habitually, he reflected, were ignorant as a rule of the profound simplicity of white, that quality which transcends all the vintners’ descriptions.

— Anthony Wynne, “The Dancing Girl:

September 7, 2021

Cocktail Talk: Owls Don’t Blink, Part II

owls-dont-blinkDon’t miss the weird (!) Owls Don’t Blink Cocktail Talk Part I, or you’ll be sorry (in little ways, maybe, but probably not losing sleep, which would make me sad), which not only has a strange New Orleans-y quote, but more info on this book by Erle Stanley Gardner, though writing as A.A. Fair. And, while being thorough about your research, check out all the Erle Stanley Gardner Cocktail Talks, to get the skinny of how I feel (hmm, is this too much all about me? You’ll get good cocktail quotes, too) about his famous creation Perry Mason, and private investigators Donald Lam and Betha Cool, who star in this particular mystery yarn. In the below quote, Lam is taking one of the potentially murderous (!) female characters in the book out for a ginormous dinner. I can’t imagine eating this much, but in the 40s, people were heartier.

 

The waiter brought our daiquiris. We touched glasses, took the first sip.

The waiter stood by our table, exerting a silent pressure for our orders.

“Could you bring some oysters on the half shell with a lot of cocktail sauce, some horseradish and lemon?” I asked. “Then bring us some of those cold, peppered shrimp, some onion soup, a steak about three inches thick, done medium rare, some French-fried onions, shoestring potatoes, cut some French bread, put on lots of butter, sprinkle on just a trace of garlic, put it in the oven, let it get good and hot so the butter melts all through the bread, put some sparkling Burgundy on the ice, and after that bring us a dish of ice cream, a huge pot of coffee, and the check.”

The waiter never batted an eyelash. “I could do that very nicely, sir.”

 

–Erle Stanley Gardner (writing as A.A. Fair), Owls Don’t Blink

February 25, 2020

Cocktail Talk: The Farewell Murder

Image result for the giant collection of the continental op"Well, as I said recently (as I’m sure you recall), I’ve been reading a book every pulp, detective, mystery, American literature lover should read, The Giant Collection of the Continental Op. By dashing (okay, I’m not the first to say this) Dashiell Hammett, author of, well, if you don’t know I feel for you, cause the list includes some of the best works from last century (including The Maltese Falcon, The Thin Man, and The Glass Key, all seminal works of words), in this giant collection, you’ll find a huge host of stories featuring his un-named, pudgy (but tough), old-ish (but tough), work-a-day detective, and all keep the pace up, and often the body-count. A great read, I must say, so great that I had to have two Cocktail Talks from it. If you missed the first (the Golden Horseshoe Cocktail Talk) then go check it. This second one isn’t quite as drunk-y, and includes a lot of food. But I couldn’t miss it, cause it has the Continental Op drinking crème de menthe, which is both awesome and hard to picture.

 

Two men servants waited on us. There was a lot of food and all of it was well turned out. We are caviar, some sort of consume, sand dabs, potatoes and cucumber jelly, roast lamb, corn and string beans, asparagus, wild deck and hominy cakes, artichoke-and-tomato salad, and orange ice. We drank white wine, claret, Burgundy, coffee, and crème de menthe.

 

–Dashiell Hammett, The Farewell Murder

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