July 24, 2015

What I’m Drinking: The Oriental

I decided I needed a break from summer cocktails – even though it’s still sweaty time here in Seattle. But even during these sweaty times, some days, darnit, I’m not feeling bubbly. Say it’s the job (it’s the job), or just the first song I listened to today, or that malaise that creeps in like weeds on even the most jolly of us (I am the most jolly), but even in cut-off wearing summer, there are days like this, days when you need something that’s packs more umph, and delivers a respite to the world and the woes. For me, today, it’s the Oriental.

If you haven’t heard me mention it before (as I’ve written about this drink in a couple spots), I originally found the Oriental in the classic Savoy Cocktail Book, and love the drink’s balance, underlying strength, and story. Which goes, as said in that same book, like this:

In August, 1924, an American engineer nearly died of fever in the Philippines and only the extraordinary devotion of Doctor B. saved his life. As an act of gratitude, the engineer gave Doctor B. the recipe of this cocktail (the Oriental).

So, it’s a lifesaving drink – as well as a bad day saver. Get in front of a fan, forget about all the sunshine, laughter, and summertime kicks outside the window, and start sipping.

oriental
The Oriental

Cracked ice
1-1/2 ounce rye (Woodinville’s nice)
3/4 ounces sweet vermouth (I used Punt e’ Mes)
3/4 ounce Pierre Ferrand orange curaçao
1/2 ounce freshly squeezed lime juice

1. Fill a cocktail shaker half way full with cracked ice. Add everything. Shake well (as Rick reminds us in the comments below).

2. Strain the mix into a cocktail glass.

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May 22, 2015

What I’m Drinking: Iollas’ Itch

If you aren’t up on your ancient Greek history (shame on you – or, on us, as my memory keeps getting worse, too, making my ancient Greek, not to mention last week, a little hazy at times), Iollas was the son of a Macedonian general, and a royal youth at the court of Alexander the Great. Heavy. The story goes, when Mr. Great (as he was called) was murdered, many wanted to ascribe it to poisoning, and writers (as they’ll do) laid that serious poisoner-of-Alexander tag on Iollas, who carried the royal sipping cup during the emperor’s last sickness. How does that all tie into this drink, which isn’t poison at all, but a nectar of deliciousness? Well, for one, it utilizes mint, which was a favorite of the Greeks (still is, I suppose), and used to help folks transition into the afterlife. So, that’s a tie in. But also, I tend to think (as many do, nowadays) that Iollas wasn’t actually a poisoner, just in the wrong place at the wrong time. Which means he deserves a strong drink in his honor, and this beauty is that drink.

iollas-itch

Iollas’ Itch, from Dark Spirits

3 fresh mint leaves, plus 1 fresh mint sprig for garnish
Ice cubes
2 ounces rye
3/4 ounce sweet vermouth
3/4 ounce apricot liqueur

1. Rub (carefully but firmly) the 3 mint leaves all around the inside of a cocktail glass. Then discard them.

2. Fill a cocktail shaker halfway full with ice cubes. Add the rye, apricot liqueur, and vermouth. Shake well.

3. Strain into the minty glass from above. Garnish with the mint sprig.

May 5, 2015

Cocktail Talk: The Glass Key

glass-keyI feel sorta weird right now – I swear I’ve put up a Cocktail Talk post from Dashiell Hammett’s The Glass Key before. I swear! But I certainly can’t find evidence of such. Drinking does take its toll! But even if there is some rogue post, it doesn’t matter, cause I recently re-read the book, and found even more swell quotes. If you don’t know (I’m taking it for granted you at least know Hammett a bit, cause who doesn’t) The Glass Key, it’s one amazing little book, packed with politics, punches, and pulchritude. The inspiration (even if not called out directly) for the Coen Bros. movie Miller’s Crossing, it has swagger, smarts, and sass. The dialogue is crisp, the machinations are mapped minutely, and the drinks flow. As evidenced in the below.

A waiter came. Ned Beaumont said: “Rye.” Jack said: “Rickey.”

Jack opened a pack of cigarettes, took one out, and, staring at it, said: “It’s your game and I’m working for you, but this isn’t a hell of a good spot to go up against him it he’s got friends here.”

“Has he?”

Jack put the cigarette in a corner of his mouth so it moved batonwise with his words.

–Dashiell Hammet, The Glass Key

May 1, 2015

What I’m Drinking: The Manhattan

Well, sometimes there’s nothing that needs to be said. The Manhattan. Damn right.

manhattan

The Manhattan

Ice cubes
2-1/2 ounces bourbon (I used Woodinville Whiskey Bourbon. It’s great.)
1/2 ounce Punt e’ Mes sweet vermouth
2 dashes Angostura bitters
Maraschino cherry, for garnish

1. Fill a cocktail shaker halfway full with ice cubes. Add the bourbon, sweet vermouth, and Angostura bitters. Pause a moment, in honor of all the Manhattans drunk before yours. Then stir well.

2. Strain into a cocktail glass. Garnish with a cherry.

A Note: I suggest Angostura bitters with a Manhattan, but if you’d like to experiment with Peychaud’s or an orange bitters, I surely wouldn’t caution against it. Though really, I wonder if that would then need a name change?

A Second Note: I used bourbon here, cause I was feeling it today. I know many of you like a rye Manhattan, and I do myself, too. I would probably switch the vermouth in that case.

A Third Note: Here’s a bar challenge to throw out when ordering Manhattans. Who know in what year the now-lost film “Manhattan Cocktail” was released? I believe only a 1-minute sequence from the film survives today, so this can be a bit of a doozy.

March 24, 2015

Cocktail Talk: Martinis and Murder, Part II

martinis-murderI introduced you to the book Martinis and Murder by Henry Kane (originally titled, A Halo for Nobody, by the way, which is nowhere near as good) in an earlier post, and promised, much like old Jacob Marley, that we’d have three different quotes from the book. And here’s the second!

‘Now,’ she said and she produced rye and bitters and cherries and olives and gin and two kinds of vermouth, dry and sweet, and then she backed up against a table and put her hands behind her and clasped the edge of the table and watched me, her body tight against her dress.

I mixed drinks. And set them up on the washtub and I looked at her and she didn’t move and I looked again and I don’t know which of us was breathing more heavily.

–Henry Kane, Martinis and Murder

December 6, 2013

What I’m Drinking: Atta Boy

People, like you (yes, you!) who have read this blog for a while, or at all, know that I’m what people call an equal-opportunity-drinker. Meaning – I tend to like almost all families of imbibables, and am open to trying pretty much everything. This doesn’t translate into me sipping on anything that tastes like gutterfied gasoline. But it does mean that I, for example, really like sherry, but also really like rye, and lemon, and etc. Also, it means that I’m not afraid to try non-traditional items in cocktails. For another example, I’ve tasted more cocktails with vinegar lately, and loving them, and have wanted to make a few myself. Luckily, I recently came into possession (thanks to Corinne from the LEG, or the Lisa Ekus Group, the finest folks in the land) of a bottle Boyajian balsamic fig vinegar, an all-natural combo that seems ideal for a dressing or a drizzle, but for me also screamed – cocktail! And thus the Atta Boy was born, which combines the beautiful Boyajian vinegar with rye, sherry, and a lemon twist. The result is fantastic, savory but with a nice rye base, a tiny bit tangy and a smidge sweet, all topped by the zing of citrus. Give it a whirl and your tastebuds will thank you.

atta-boy

Atta Boy

Cracked ice
2 ounces rye (I used Woodinville rye)
1/2 ounce Boyajian balsamic fig vinegar
1/2 ounce dry sherry
Wide lemon twist

1. Fill a cocktail shaker halfway full with cracked ice. Add the rye, vinegar, and sherry. Stir really well.

2. Strain into a cocktail glass. Garnish with the wide lemon twist, draped over the side.

July 5, 2011

The Oriental Cocktail and the Good Life

It’s July, so I’m not going to lie (really, I just wanted to make that rhyme. No, wait, really, I’m not lying. Really)—I have a strong affection for not only the Oriental Cocktail (a beaut of an unburied treasure utilizing a party power pack: rye, sweet vermouth, orange curaçao, and lime juice) but for pretty much all cocktails that come with a good story. Want to learn more? Check out this short-but-swell article on the Oriental Cocktail I wrote that was recently in a special summer cocktail e-issue of the Good Life Report (the article does have the full recipe, too—if you’re thirsty). If you don’t know about the Good Life Report, and yet feel you are someone who does, indeed, want a good life, then, well, sign up for gosh sakes.

 

PS: I almost forgot–that article also talks about Mark Butler’s genius drink the Occidental, too! How can you miss it?

April 20, 2011

Cocktail Talk: Pearls Are a Nuisance, Take 1

I like (as maybe detailed before on this blog) Mr. Raymond Chandler, though some noir revisionists aren’t as high on him as, say, Dashiell Hamnett. I say pooey on them—why not read both authors, as well as the many others writing in the pulpy pulp era (at least the other good ones, of which there are many). I’ll admit there are one or two Raymond Chandlers that don’t rise as high as, say, The High Window, but I’ve gotten at least a kick and usually more from every book of his, which is why I was jazz’d recently to find, in Italy of all places, a copy of a Chandler book called Pearls Are A Nuisance, which collects three short stories of his that I hadn’t read (at the time this paperback was published, the book was only available in this British version). In honor of the find, and of Mr. Chandler’s usually hard-drinking leading men, I’m going to have three Cocktail Talks with quotes from the book, one day for each story in the book. These first two are from the title story, with one being the beginning of a drinking bout (around the narrator getting his, um, tail kicked), and the next a charming description of the after-effects.

A wet towel began to slap at my face. I opened my eyes.

‘Listen, kid. You got two strikes and no balls on you. Maybe you ought to try a lighter bat.’

‘Brandy,’ I croaked.

‘You’ll take rye.’ He pressed a glass against my lips and I drank thirstily. Then I climbed to my feet again.

At five o’clock that afternoon I awoke from slumber and found that I was lying on my bed in my apartment in the Chateau Moraine, on Franklin Avenue near Ivar Street, in Hollywood. I turned my head, which ached, and saw that Henry Eichelberger was lying beside me in his undershirt and trousers. I perceived that I was also as lightly attired. On the table near by there stood an almost full bottle of Old Plantation rye whisky, the full quart size, and on the floor lay an entirely empty bottle of the same excellent brand. A cigarette had burned a hole in the brocaded arm of one of my easy chairs.

 

Pearls Are A Nuisance, Raymond Chandler

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