May 23, 2023

Cocktail Talk: The Mourning After, Part II

The Mourning After Harold Q Masur

Decided I needed another quote from The Mourning After, a book written by Harold Q. Masur (see past Harold Masur Cocktail Talks), and starring his lawyer detective man-about-town Scott Jordan, who this time is all tangled up in art, a safety-deposit box bomb, a murder by statue, and more! Be sure to read The Mourning After Cocktail Talk Part I for even more details. And read the below to start craving Martinis.

The dining room at the Banker’s Club was large and ornate, its linens crisp, and there was enough geography between table to prevent eavesdropping. Although I arrived on the dot, Lambert S. Denton was already seated and tinkering with a dry Martini. So dry, I found when he ordered one for me, it seemed as if the vermouth had been applied with an atomizer.

–Harold Q. Masur, The Mourning After

May 16, 2023

Cocktail Talk: The Mourning After

The Mourning After Harold Q Masur

Harold Q. Masur (also pubbed as Harold Masur, Hal Masur, Hal Q. Masur, and perhaps some other variations on his name) has made a fair number of appearances on the old Spiked Punch. Heck, just check out the past Harold Masur Cocktail Talks for evidence. Funny to mention evidence, as his protagonist (his only one as far as I’ve read) is a lawyer named Scott Jordan, who is on the straight and narrow when it comes to lawyering in court, but isn’t opposed to a little breaking and entering if needed, and especially isn’t opposed to the drinks and nightlife and ladies. And he solves murders and stuff, too. In The Mourning After, the affairs are around art, which adds a nice cultured touch – how many mysteries mention or revolve around lesser-known (at least in relation to Matisse) fauve-ist artist Maurice de Vlaminck? Not too many! It’s not all art, however, as Jordan finds times for drinks, too. And one of them is Campari! Seeing that in a mystery makes my day. And near the word “agog,” a word I love and one not used as much modernly? Amazing.

At the Carlyle, seated at a small table, sipping a Campari and soda, Angela was still agog at the thought of a one-man show at the Maxim Gallery for Carl Baum.

“Never heard of the chap,” I said. “Tell me about him.”

“Deft brushwork, but a painter without vision.”

–Harold Q. Masur, The Mourning After

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