June 5, 2018
I talked earlier about this little Signet pocket-sized find and where I found it in The Sunburned Corpse, Part I, post
. There, I also alluded to the rum-talk in the book, even though that
particular quote was about everything (or, some different tipples, at least) but rum. Well, that made me feel sad – this is murder in a tropical paradise after all, and tropical paradises are rum’s bosom buddies. So, a second quote from this little charmer, with rum taking the lead.
Strom went out quietly, stabbing me with his eye. Garel enjoyed the byplay but made no comment. He was content to let me relish my big moment. He brought out some special Puerto Rican rum for me, Battelito, a hot and aromatic drink that did great things for my start of mind.
–Adam Knight, The Sunburned Corpse
March 27, 2018
We started out our Dombey and Son
Cocktail Talk-ing (be sure to read the Dombey and Son Part I
post) with a little Negus and a little overview of the book, and a little Dickens chatter – heck, why not read all the Charles Dickens Cocktail Talk posts
and get an even fuller story. Now that you’re back, let’s dive right in to another Dombey and Son
drinking moment, or at least a drink suggestion, for someone in need of a little pick-them-up (or a large one, or many). It’s sherry and a few friends that do it – heck, you might just call it a Sherry flip, and Dickens probably wouldn’t complain as long as you made him on.
If my friend Dombey suffers from bodily weakness, and would allow me to recommend what has frequently done myself good, as a man who has been extremely queer at times, and who lived pretty freely in the days when men lived very freely, I should say, let it be in point of fact the yolk of an egg, beat up with sugar and nutmeg, in a glass of sherry, and taken in the morning with a slice of dry toast. Jackson, who kept the boxing-rooms in Bond Street – man of very superior qualifications, with whose reputation my friend Gay is no doubt acquainted – used to mention that in training for the ring they substituted rum for sherry. I should recommend sherry in this case, on account of my friend Dombey being in an invalided condition; which might occasion rum to fly – in point of fact to his head – and throw him into a devil of a state.
— Charles Dickens, Dombey and Son
February 20, 2018
Just last week I talked about Charles Williams, Stark House Classic Noir
, past Charles Williams’ Cocktail Talks
, and broken glass in the Nothing In Her Way Part I Cocktail Talk
. Don’t miss it – or be the one person on your block who missed it, and then feel bad for weeks. Weeks! And then pick up the book Nothing In Her Way
(which comes with the also-swell Williams’ page-turner, River Girl
). You won’t be sorry. Just check out the below quote for evidence, where the double-crosses and easy fibs are rolling already (it’s a book about conning folks, after all) as is a classic cocktail:
Was Charlie lying to me, or was she lying to Charlie? Since there was no known record of Charlie’s ever having told the truth about anything, the answer would seem to be obvious, but I wasn’t too sure. Dullness had never been one of her faults.
We sat down again, and she ordered a Ramos fizz. She was on Charlie’s side of the table, directly across from me, and when the drink came she leaned forward a little and said, wide-eyed, “I do hope you’ll help us, Mr. Belen.”
— Charles Williams, Nothing In Her Way
January 23, 2018
Our trip (we’re taking it together, I feel) through some of the Charles Willeford oeuvre, via Willeford Cocktail Talks
, is almost done, and ending with a second from the Floridean funky mess (among other things) Made in Miami
, originally called Lust is a Woman
, which isn’t actually as good, or as accurate, a title in my mind. You’ll need to read the book to see why! And also read the Made in Miami Cocktail Talk Part I
, if you haven’t. You’ll dig it. The below quote isn’t drink specific like many of the Cocktail Talks we have here, but is a great view into bartenders of a certain time period. Or perhaps how some people view or viewed bartenders. You decide.
Ralph sat down on the bench to smoke while he waited for Tommy. Two bald middle-aged bartenders entered the locker room from the back and began to change their clothes. Ralph examined their dour faces with the dawning realization that all of the bartenders he had ever known looked exactly like these two. Not that they were all bad, although most of them were, at that, but their expressions were all alike. All faces, like character actors in the movies; expressive eyebrows, small chins, and large liquid eyes. Ralph pictured these two men later working behind the bar, changing their expression to match the mood of each customer at the busy half-price cocktail hour in the Rotunda Lounge. But right now, in repose, their characterless expressions oddly reminded Ralph of the ex-Presidents born in Ohio.
–Charles Willeford, Made in Miami
January 9, 2018
Decided on thinking it through that I needed one more quote from Charles Willeford’s one-time underground classic (still classic, just not really “underground” as you can pick it up easily enough, and you should), Pick-Up
. Be sure to read the Pick-Up, Part I Cocktail Talk
, and then come back – if you already haven’t read it, that is – and catch the below quote, about a drink called The Dolphin Special. Which I’ve never seen on a menu, but which sounds pretty neat, and boozy.
“Just bring us two of the Dolphin Specials,” I told him
He nodded solemnly and left for the bar. The Special is a good drink; it contains five varieties of rum, mint, plenty of snow-ice, and it’s decorated with orange slices, pineapple slices and cherries with a sprinkling of sugar cane gratings floating on top. I needed at least two of them. I have to build up my nerve.
–Charles Willeford, Pick-Up
December 19, 2017
Please be sure to read the latest Cocktail Talk
from the early Trollope classic The Three Clerks
, entitled Part I
, as well as one from much earlier
, so you can get a little background-ing about me and Trollope and the book and not miss some other swell quotes. Then come back and place your peepers on the below, which highlights the bouncing Bishop.
‘I’ll leave you, Scott,’ said Alaric, who did not enjoy the society of Mr. Manylodes, and to whom the nature of the conversation was, in his present position, extremely irksome; ‘I must be back at the Bedford early.’
‘Early–why early? Surely our honest friend can get himself to bed without your interference. Come, you don’t like the brandy toddy, nor I either. We’ll see what sort of a hand they are at making a bowl of bishop.’
‘Not for me, Scott.’
‘Yes, for you, man; surely you are not tied to that fellow’s apron-strings,’ he said, removing himself from the close contiguity of Mr. Manylodes, and speaking under his voice; ‘take my advice; if you once let that man think you fear him, you’ll never get the better of him.’
Alaric allowed himself to be persuaded and stayed.
— Anthony Trollope, The Three Clerks
November 14, 2017
Last week, I put up perhaps my favorite Cocktail Talk
of all time – or darn close! It’s so good (you’ve read it right? If not, get you there
), that I figured it’d be the only quote here from Colin Dexter’s sixth Inspector Morse book, The Riddle of the Third Mile
. But then I remembered (much like Morse remembering another obscure fact) that there was a second quote, also amazing. Not quite as amazing, but darn good, and has such a sweet phrase for what I’m thinking is more-or-less (Morse-or-less) a Martini. Check it out:
‘What’ll it be, Morse? No beer, I’m afraid but gin and tonic, gin and French?’
‘Gin and French-lovely!’ Morse reached over and took a cigarette from the well-stocked open box on the table.
The Master beamed in avuncular fashion as he poured his mixtures with a practiced hand.
— Colin Dexter, The Riddle of the Third Mile
October 24, 2017
I thought about having just one Cocktail Talk from this mighty book, just because it seemed fitting, and I did go on a tiny bit – heck, go read The Way We Live Now, Part I, Cocktail Talk and see what I mean. Good, you’re back. However, when thinking on it, I decided I wanted another. Because this other has such a good line about curaçao, that I had to spread it around. The characters here aren’t main characters per se (though the book is big and vast enough in its ambitions and scope that there are many important characters), but they are important, and this scene, near the end, shows them grabbing a little deserved happiness, and some welcoming curaçao.
She and Herr Croll had known each other for a great many years, and were, she thought, of about the same age. Croll had some money saved. She had, at any rate, her jewels, — and Croll would probably be able to get some portion of all that money, which ought to be hers, if his affairs were made to be identical with her own. So she smiled upon Croll, and whispered to him; and when she had given Croll two glasses of Curaçao, — which comforter she kept in her own hands, as safeguarded almost as the jewels, — then Croll understood her.
–Anthony Trollope, The Way We Live Now