For our second Cocktail Talk from Dickens’ novel of family, riots, and ravens (among other things), we head to a gathering of prentices, as they say. Focusing mostly on one specific apprentice, the Captain of the group, a man of slight size but outsized self-importance, perhaps, and of finely-tuned calves, the swell named Mr. Tappertit. Not the villain of the book (I’d say there isn’t solely one), but not the nobelest of characters, no matter the below quote. Oh, be sure you read the Barnaby Rudge Cocktail Talk Part 1 to learn more about the book (and don’t miss the many other Dickens Cocktail Talks, either).
‘Sound, captain, sound!’ cried the blind man; ‘what does my noble captain drink–is it brandy, rum, usquebaugh? Is it soaked gunpowder, or blazing oil? Give it a name, heart of oak, and we’d get it for you, if it was wine from a bishop’s cellar, or melted gold from King George’s mint.’
‘See,’ said Mr. Tappertit haughtily, ‘that it’s something strong, and comes quick; and so long as you take care of that, you may bring it from the devil’s cellar, if you like.’
‘Boldly said, noble captain!’ rejoined the blind man. ‘Spoken like the ‘Prentices’ Glory. Ha, ha! From the devil’s cellar! A brave joke! The captain joketh. Ha, ha, ha!’
Please, I implore you, read the Vanity Fair Cocktail Talk Part I, so you can hear more about the book, where I land on it, and on what seven glasses of Champagne does to you. Here, we’re not going to get too deep into the book proper, as we have a long Cocktail Talk below, and it’s a good one, funny in a tipsy way, full of eating and drinking, featuring some of the book’s main characters, and highlighted by Rack Punch. Rack Punch! A curious thing, Rack Punch. It’s hard to pin down. I mean, I’m sure a genius cocktail historian like David Wondrich would know without looking up from his drink, but I can’t bother him. It’s either punch made with Batavia Arrack (rum-ish spirit made with sugar cane and a bit of fermented red rice), used in many tiki recipes or Arak, the grape-based anise spirit from the Levant area of the Eastern Mediterranean. You look it up and you’ll see Rack Punch using either one or the other (and even one spot that spells it Arrack but talks about it as if it was Arak!). My feel, my lean, as you might say, is it was made with Batavia Arrack. As it’s rum-y, that would match the time, and I don’t think Arak had made the inroads to Britain that rum and relatives had at the time. Also, the basic punch – sugar, lemon or other citrus, water, maybe some spices – would just pair better with it, as opposed to the anise-side, in my view. Both could be delicious, but that’s my take (btw, both spirits are delicious. The below Cocktail Talk is delicious, too).
The two couples were perfectly happy then in their box: where the most delightful and intimate conversation took place. Jos was in his glory, ordering about the waiters with great majesty. He made the salad; and uncorked the Champagne; and carved the chickens; and ate and drank the greater part of the refreshments on the tables. Finally, he insisted upon having a bowl of rack punch; everybody had rack punch at Vauxhall. “Waiter, rack punch.”
That bowl of rack punch was the cause of all this history. And why not a bowl of rack punch as well as any other cause? Was not a bowl of prussic acid the cause of Fair Rosamond’s retiring from the world? Was not a bowl of wine the cause of the demise of Alexander the Great, or, at least, does not Dr. Lempriere say so?—so did this bowl of rack punch influence the fates of all the principal characters in this “Novel without a Hero,” which we are now relating. It influenced their life, although most of them did not taste a drop of it.
The young ladies did not drink it; Osborne did not like it; and the consequence was that Jos, that fat gourmand, drank up the whole contents of the bowl; and the consequence of his drinking up the whole contents of the bowl was a liveliness which at first was astonishing, and then became almost painful; for he talked and laughed so loud as to bring scores of listeners round the box, much to the confusion of the innocent party within it; and, volunteering to sing a song (which he did in that maudlin high key peculiar to gentlemen in an inebriated state), he almost drew away the audience who were gathered round the musicians in the gilt scollop-shell, and received from his hearers a great deal of applause.
Back a few years now (not a century’s worth, but a few, which over the last decade can feel nearly like a century at time – at other times, barely a second. Time? It’s a strange one), I had a Nightfall Cocktail Talk, and it was peachy! But I just took a re-read into this noir-ish book by David Goodis (nearly the noirish-est). It’s a dandy read, by the way. A twisty-ish, nearly character study in a way. I mean, there’s a murder that’s happened, and a crime (in Seattle! Of all spots. Though the action as it is takes place in NYC). And a beating. And some hidden? Lost? Spent? money around somewhere. And love, too! And maybe camaraderie. It’s interesting, in that (as mentioned in the early Nightfall Cocktail Talking), you feel there is no way it’s gonna work out happily for anyone, I felt that multiple times. but . . . well, I’m not giving it away. Read the book yourself! I will give away the below Cocktail Talk quote, however.
In this particular Village place there wasn’t much doing. Four men at the far end of the bar were having a quiet discussion concerning horses. A young man and a young woman were taking their time with long, cool drinks and smiling at each other. A short, fat man was sullenly gazing into a glass of beer.
Vanning turned back to his Gin Rickey. A peculiar sense of loneliness came upon him, and he knew it was just that and nothing more. He wanted to talk to somebody. About anything.
Decided I needed another quote from The Mourning After, a book written by Harold Q. Masur (see past Harold Masur Cocktail Talks), and starring his lawyer detective man-about-town Scott Jordan, who this time is all tangled up in art, a safety-deposit box bomb, a murder by statue, and more! Be sure to read The Mourning After Cocktail Talk Part I for even more details. And read the below to start craving Martinis.
The dining room at the Banker’s Club was large and ornate, its linens crisp, and there was enough geography between table to prevent eavesdropping. Although I arrived on the dot, Lambert S. Denton was already seated and tinkering with a dry Martini. So dry, I found when he ordered one for me, it seemed as if the vermouth had been applied with an atomizer.
Our second Cocktail Talk from the all-time classic (is that a strange turn of phrase? “All-time” should be inferred in “classic” I suppose) and amazing book of amazingness Bleak House has arrived right here! Be sure you read the Bleak House Part I Cocktail Talk, too, so you feel all caught up and can laugh at my silliness even more. In this here Cocktail Talk below, we are fully-focused on Mr. Tulkinghorn, who is both one of the villains, (there are layers of villainous behavior, but I’d call him the top layer) and then part of one of literature’s first mystery plots. That’s all I’m saying! Read the book. While Mr. T isn’t someone you like, like, his love of old port in the below is for me a tiny redeeming factor in his Dickens-driven makeup. And his name is great, too, like most Dickens names.
In his lowering magazine of dust, the universal article into which his papers and himself, and all his clients, and all things of earth, animate and inanimate, are resolving, Mr. Tulkinghorn sits at one of the open windows enjoying a bottle of old port. Though a hard-grained man, close, dry, and silent, he can enjoy old wine with the best. He has a priceless bin of port in some artful cellar under the Fields, which is one of his many secrets. When he dines alone in chambers, as he has dined to-day, and has his bit of fish and his steak or chicken brought in from the coffee-house, he descends with a candle to the echoing regions below the deserted mansion, and heralded by a remote reverberation of thundering doors, comes gravely back encircled by an earthy atmosphere and carrying a bottle from which he pours a radiant nectar, two score and ten years old, that blushes in the glass to find itself so famous and fills the whole room with the fragrance of southern grapes.
Long ago on this here blog (the ol’ Spiked Punch, around longer than makes any sense, haha), I had a post with two quotes – in one post! What was I thinking? – from the Howard Rigsby book, Kill and Tell, the Pocket Book edition, 1953. Well, recently, I decided to re-read said book, brought back to it by the swell cover and the name, and cause I didn’t remember exactly how it turned out. I’d also forgotten what a, interesting, mid-last-century pocket-y mystery it is, just as the protagonist Tim Wilde is perhaps more thinky, or considered (if that makes sense) then some of his more hard-boiled shamuses of the time. Plus, it ends fairly sadly (not so strange, but the way it gets there I found different enough to be interesting). There are two murders, small town shenanigans, car smacks, monkeys (!!), piano playing, and more. Worth checking out. Plus the nice usage of the word “mottled” in the below!
I went up the stairs and he was standing there on the landing in a dressing gown. He had, as usual, a drink in his hand, a highball. His face looked mottled and feverish. “Well, I made it,” he said. “I made the inquest.”
“How was it?”
“Come in here,” he said. He turned and went into the sitting room and I followed him. He waved a fresh bottle of Scotch. “Pour yourself a drink.”
As a good reporter and editor (much like Rock Rockwell, the intrepid editor of The Record, and hero in this here mystery book from 1950), I’m going to start this Cocktail Talk by referring you to the reference point of the What Rhymes with Murder? Cocktail Talk Part I, where I dig into the idea of reporters/mystery heroes, and a little more about the book as a whole. Here, I wanna just dive into the Cocktail Talking, so the only background on the book I’m putting in this paragraph is the tagline from the back cover, cause it’s one the finest taglines ever: “When a lusty lothario sings his serenade, romance rhymes with death!” Oh, and in the below they talk about overly-bittered Old Fashioneds. Also, memorable. Read it!
A voice at my elbow said, “Cocktail, sir? Old-Fashioneds and dry Martinis.”
“Old-Fashioned,” I said, hardly noticing the neat figure in black and white who spoke.
“Okay, but there’s more bitters in them than whiskey.”
I started and looked around. From under a frilly cap, the face of Amy Race was peering at me impishly. “I’m sticking to straight whisky myself,” she said. “That’s the trend below stairs.”
It’s been 8 years (!!!) since I had the first Cocktail Talk from the George Simenon book My Friend Maigret – which, if memory serves (sadly, it doesn’t serve as well as it once used to, hahaha), was the very first Inspector Maigret book I ever read, after picking up three at once at the now-much-missed Seattle Library Book Sale. Since, I’ve taken many a stroll with the taciturn-at-times slow-moving-at-times always-large always-interesting Maigret, and look to take many more, though my collection is getting nearer and nearer to full. What a treat to go back and read this yarn, which falls into the category of Maigret-outside-of-Paris in the main (there are a number of these, though not as many as in the city proper I don’t believe), as he and a tag-a-long Scotland Yard Inspector (in France to watch the famous Chief Inspector’s methods) end up on the Island of Porquerolles to solve the murder of an ex-con who had been bragging in one of the local bars (where they spend a fair amount of time, drinking the local white wine mentioned below) about his friend Maigret. There are many Cocktail Talk moments as usual with Maigret, don’t miss My Friend Maigret Cocktail Talk Part I’s anisette (and for that matter, check out all the Maigret Cocktail Talks), but the below has both the white wine and marc, the latter always a welcome addition.
“Did he go steal jewels in New York?”
“I rather think he’s in Paris,’ Mr. Pyke corrected him calmly, selecting a toothpick in his turn.
A second bottle of the island’s wine, which Jojo had brought without being asked, was more than half empty. The patron came over to suggest:
“A little marc? After the garlic mayonnaise, it’s essential.”
It was balmy, almost cool in the room, while a heavy sun, humming with flies, beat down on the square.
