February 19, 2019
Well, when I posted an earlier Leave Her to Hell Cocktail Talk, I should have mentioned (or at least alluded to) that there might be more, but I wasn’t sure. However, in hindsight, why would I only want one, when there are multiple swell drinking scene in this book (which, as you learned when you read the earlier post, which you did read, right? but whichin you learned I’m reading via a you-should-own-it collection of three Fletcher Flora novels, said collection put out by Stark House). Heck, I’m guessing now that I’ll have even more from Kansas-born Mr. Fletcher (sadly gone from us a few years now), so you have that to look forward to (and if you need even more, see past Fletcher Flora Cocktail Talks, too). However, with that said, and with my admiration for said writer, I can’t completely agree with his final assertion in the below quote, which has three classic drinks in it. Three! Though, with novelists, you never know that the protagonist’s point of view is the authors, so really, maybe Mr. Flora loves an Alexander, and is having one right now at whatever afterworld bar he’s hanging at. Here’s hoping!
I looked right. A cocktail lounge was over that way, beyond a wide entrance and down a step. A number of people were drinking cocktails. There was no music. I recognized a Martini, which was all right, a Manhattan, which was better, and an Alexander, which you can have. Everything was very elegant, very sedate. Maybe someone saw me, maybe not.
–Fletcher Flora, Leave Her to Hell
September 18, 2018
Our re-visit to the Trollope late-period romantic comedy Ayala’s Angel continues (be sure to dip your toes into Part I, as well as our first Ayala’s Angel Cocktail Talk from years ago, so that you get a little more background on the book, as well as adding a few more smiles and cocktail-ing to your day), with a little sherry and bitters and some nice ranting about sherry and bitters.
Sir Thomas went on, with a servant at his heels, chucking about the doors rather violently, till he found Mr. Traffick alone in the drawing-room. Mr. Traffick had had a glass of sherry and bitters brought in for his refreshment, and Sir Thomas saw the glass on the mantelpiece. He never took sherry and bitters himself. One glass of wine, with his two o’clock mutton chop, sufficed him till dinner. It was all very well to be a Member of Parliament, but, after all, Members of Parliament never do anything. Men who work don’t take sherry and bitters! Men who work don’t put their hats in other people’s halls without leave from the master of the house!
—Ayala’s Angel, Anthony Trollope
August 14, 2018
The memorably-titled, Wichita-based, PI-featuring, crime-and-criminals riddled, mystery and murder-packed pocket-style book Hot Summer, Cold Murder
by Gaylord Dodd had too many Cocktail Talk moments to just have one post from it (if you missed Hot Summer, Cold Murder Part
I, then please read it now, as it’ll give you more background). I actually like this quote even more than the first, though it doesn’t feature muscatel, our hero’s (hero of sorts, that is) favorite summertime tipple. But the below quote is a fabulous one, summing up a certain type of bar at a certain time period perfectly:
Tom Silver’s big red and white face swam in an ocean of bar glasses hanging from a rack above the bar. He was the perfect bartender. He spoke when spoken to and otherwise stood leaning against the counter with his arms folded across the massive pad of his enormous gut. The drinks he made were clean and when you ordered call-booze you got what you called. When some woman you were with ordered a Gin Fizz or a Gold Cadillac, Tom made it quickly, correctly, and without the condescending leer of the bartender whose only desire is to stir a jigger of whiskey into a six-ounce tumbler with Seven-Up.
“Waddle it be, Mr. Roberts?”
“Old Grandad with water back, please Tom.”
— Gaylord Dodd, Hot Summer, Cold Murder
June 5, 2018
I talked earlier about this little Signet pocket-sized find and where I found it in The Sunburned Corpse, Part I, post
. There, I also alluded to the rum-talk in the book, even though that
particular quote was about everything (or, some different tipples, at least) but rum. Well, that made me feel sad – this is murder in a tropical paradise after all, and tropical paradises are rum’s bosom buddies. So, a second quote from this little charmer, with rum taking the lead.
Strom went out quietly, stabbing me with his eye. Garel enjoyed the byplay but made no comment. He was content to let me relish my big moment. He brought out some special Puerto Rican rum for me, Battelito, a hot and aromatic drink that did great things for my start of mind.
–Adam Knight, The Sunburned Corpse
March 27, 2018
We started out our Dombey and Son
Cocktail Talk-ing (be sure to read the Dombey and Son Part I
post) with a little Negus and a little overview of the book, and a little Dickens chatter – heck, why not read all the Charles Dickens Cocktail Talk posts
and get an even fuller story. Now that you’re back, let’s dive right in to another Dombey and Son
drinking moment, or at least a drink suggestion, for someone in need of a little pick-them-up (or a large one, or many). It’s sherry and a few friends that do it – heck, you might just call it a Sherry flip, and Dickens probably wouldn’t complain as long as you made him on.
If my friend Dombey suffers from bodily weakness, and would allow me to recommend what has frequently done myself good, as a man who has been extremely queer at times, and who lived pretty freely in the days when men lived very freely, I should say, let it be in point of fact the yolk of an egg, beat up with sugar and nutmeg, in a glass of sherry, and taken in the morning with a slice of dry toast. Jackson, who kept the boxing-rooms in Bond Street – man of very superior qualifications, with whose reputation my friend Gay is no doubt acquainted – used to mention that in training for the ring they substituted rum for sherry. I should recommend sherry in this case, on account of my friend Dombey being in an invalided condition; which might occasion rum to fly – in point of fact to his head – and throw him into a devil of a state.
— Charles Dickens, Dombey and Son
February 20, 2018
Just last week I talked about Charles Williams, Stark House Classic Noir
, past Charles Williams’ Cocktail Talks
, and broken glass in the Nothing In Her Way Part I Cocktail Talk
. Don’t miss it – or be the one person on your block who missed it, and then feel bad for weeks. Weeks! And then pick up the book Nothing In Her Way
(which comes with the also-swell Williams’ page-turner, River Girl
). You won’t be sorry. Just check out the below quote for evidence, where the double-crosses and easy fibs are rolling already (it’s a book about conning folks, after all) as is a classic cocktail:
Was Charlie lying to me, or was she lying to Charlie? Since there was no known record of Charlie’s ever having told the truth about anything, the answer would seem to be obvious, but I wasn’t too sure. Dullness had never been one of her faults.
We sat down again, and she ordered a Ramos fizz. She was on Charlie’s side of the table, directly across from me, and when the drink came she leaned forward a little and said, wide-eyed, “I do hope you’ll help us, Mr. Belen.”
— Charles Williams, Nothing In Her Way
January 23, 2018
Our trip (we’re taking it together, I feel) through some of the Charles Willeford oeuvre, via Willeford Cocktail Talks
, is almost done, and ending with a second from the Floridean funky mess (among other things) Made in Miami
, originally called Lust is a Woman
, which isn’t actually as good, or as accurate, a title in my mind. You’ll need to read the book to see why! And also read the Made in Miami Cocktail Talk Part I
, if you haven’t. You’ll dig it. The below quote isn’t drink specific like many of the Cocktail Talks we have here, but is a great view into bartenders of a certain time period. Or perhaps how some people view or viewed bartenders. You decide.
Ralph sat down on the bench to smoke while he waited for Tommy. Two bald middle-aged bartenders entered the locker room from the back and began to change their clothes. Ralph examined their dour faces with the dawning realization that all of the bartenders he had ever known looked exactly like these two. Not that they were all bad, although most of them were, at that, but their expressions were all alike. All faces, like character actors in the movies; expressive eyebrows, small chins, and large liquid eyes. Ralph pictured these two men later working behind the bar, changing their expression to match the mood of each customer at the busy half-price cocktail hour in the Rotunda Lounge. But right now, in repose, their characterless expressions oddly reminded Ralph of the ex-Presidents born in Ohio.
–Charles Willeford, Made in Miami
January 9, 2018
Decided on thinking it through that I needed one more quote from Charles Willeford’s one-time underground classic (still classic, just not really “underground” as you can pick it up easily enough, and you should), Pick-Up
. Be sure to read the Pick-Up, Part I Cocktail Talk
, and then come back – if you already haven’t read it, that is – and catch the below quote, about a drink called The Dolphin Special. Which I’ve never seen on a menu, but which sounds pretty neat, and boozy.
“Just bring us two of the Dolphin Specials,” I told him
He nodded solemnly and left for the bar. The Special is a good drink; it contains five varieties of rum, mint, plenty of snow-ice, and it’s decorated with orange slices, pineapple slices and cherries with a sprinkling of sugar cane gratings floating on top. I needed at least two of them. I have to build up my nerve.
–Charles Willeford, Pick-Up