June 17, 2022

What I’m Drinking: Underberg

underbergSometimes, it’s what you need most. As in this Ode to Underberg, a poem about my pal Jeremy Holt’s favorite thing (and one of mine, too – hopefully one of yours as well). It’s pretty good, I gotta say (the Underberg poem, and of course the Underberg itself).

 

Ode to Underberg

 

Walking along on a dusky springtime eve

I heard a noise of a bear starting to grieve–

What was this? I didn’t believe

But it was my own stomach, to which nothing did cleve.

I noticed a candle in a local watering hole,

And headed in to save my soul

(as well as my innards, which seemed a hole

that was collapsing inwards as if chewed by a mole).

I ordered a feast of courses untold,

First bread and cheese filled with blue and mold

Accompanied by flagons of gin made bold

by lime juice, maraschino, violette—served cold.

Next up were plates that would make Hercules strain,

Pastas, ensalatas, empanadas, like rain

Were served alongside even more delicious mains.

I ate more food than any ten men,

The waitress came back and I started eating again

Following greens with green beans and then

Moving on to the sweets, the creams, the puddin’s.

And then, the foods hit my center like a roiling brick.

I groaned, I cursed, my over-eating anything but comic

As I contemplated erupting like a fresh oil derrick.

Was there anything that could undo my stuffed predic-

ament?

 

And then like an angle dressed purely in serge

The waitress appeared or seemed to emerge

From my over-full haze and said through my dirge:

Sir, what you need, is a quick Underberg.

She handled me a bottle, small and in brown paper,

Made a motion of drinking as if in quick prayer,

And I, trusting her angelic look and manner,

Unscrew’d the green cap and turned into a gulper.

The moment the elixir of ‘berg hit my tongue

I felt that perhap’ my indulgence might be undone.

The flavor was of herbs and of spices far-flung,

Backed by a muscular fu tied to a tougher kung

And when the liquid miraculous hit my tum-tum

It cut through the food hitting me like a drum.

It bounced through the sweets all the way to the bottom,

And left me feeling as if I’d barely eaten a crumb.

Oh, Underberg, the god’s must have made you

For people like me, those was are known to

Eat enough at one sitting to turn them near blue.

Oh, Underberg, you’ve made my evening less askew,

And for this I will never forget your wond’rous brew,

Your lovely taste, your dark and magic hue,

Your little bottles, your quick rescue

Of my evening–I’d call it voodoo

Underberg, if I didn’t believe it a higher urge.

And so I left that night without out having to purge,

swearing that, whether in Miami or Pittsburgh,

I would never again be without my savior, my Underberg.

December 15, 2015

Cocktail Talk: On Lending a Punch Bowl

Cups_COVER-9It’s the time of year when everyone wants to borrow your punch bowl – heck, everyone wants to borrow my punch bowl, too, so I completely get where you’re coming from when you don’t want to let said punch bowl out of your sight. But, it’s also the season when we think most kindly, perhaps, of our friends and family. And those are the exact groups that want to borrow punch bowls! So, you probably have to lend it out. I’ll understand if you can’t exactly smile with the lending. But, I do have two ideas to help alleviate the potential pain. First, read the classic Oliver Wendell Holmes poem, “On Lending a Punch Bowl,” so you can know that others through history have gone the same route. Second, pick up the tipsy poetry collection In Their Cups, which features this very poem (and many other great ones). Actually, pick up two, and give one out when you loan the punch bowl. It seems the borrower should be reading it as well.

This ancient silver bowl of mine, it tells of good old times
Of joyous days, and jolly nights, and merry Christmas chimes
They were a free and jovial race, but honest, brave, and true
That dipped their ladle in the punch when this old bowl was new.

– Oliver Wendell Holmes, On Lending a Punch-Bowl

May 8, 2012

Ode to Underberg

Walking along on a dusky springtime eve
I heard a noise of a bear starting to grieve—
What was this? I didn’t believe
But it was my own stomach, to which nothing did cleave.
I noticed a candle in a local watering hole,
And headed in to save my soul
(as well as my innards, which seemed an empty bowl
that was collapsing inwards as if chewed by a mole).
I ordered a feast of courses untold,
First bread and cheese filled with blue and mold
Accompanied by flagons of gin made bold
by lime juice, maraschino, violette—served cold.
Next up were plates that would make Hercules strain,
Pastas, ensalatas, empanadas, like rain
Were served alongside even more delicious mains
and a giant bucket of chilled Champagne.
I ate more food than any ten men,
The waitress came back and I started eating again
Following greens with green beans and then
Moving on to the sweets, the creams, the puddin’s.
And then the foods hit my center like a roiling brick.
I groaned, I cursed, my over-eating anything but comic
As I contemplated erupting like a fresh oil derrick.
Was there anything that could undo my stuffed predic-
ament?

And then like an angel dressed purely in serge
The waitress appeared or seemed to emerge
From my over-full haze and said through my dirge:
Sir, what you need, is a quick Underberg.
She handled me a bottle, small and in brown paper,
Made a motion of drinking as if in quick prayer,
And I, trusting her angelic look and manner,
Unscrew’d the green cap and turned into a gulper.
The moment the elixir of ‘berg hit my tongue
I felt that perhap’ my indulgence might be undone.
The flavor was of herbs and of spices far-flung,
Backed by a muscular fu tied to a tougher kung
And when the liquid miraculous hit my tum-tum
It cut through the food pounding me like a drum.
It bounced through the sweets all the way to the bottom,
And left me feeling as if I’d barely eaten a crumb.
Oh, Underberg, the god’s must have made you
For people like me, those was are known to
Eat enough at one sitting to turn them near blue.
Oh, Underberg, you’ve made my evening less askew,
And for this I will never forget your wond’rous brew,
Your lovely taste, your dark and magic hue,
Your little bottles, your quick rescue
Of my evening—I’d call it voodoo
Underberg, if I didn’t believe it a higher urge.
And so I left that night without out having to purge,
swearing that, whether in Miami or Pittsburgh,
I would never again be without my savior, my Underberg.

September 24, 2010

In Their Cups Week: Ed Skoog, The Last Saturn Bar Poem

For the last poem in In Their Cups week 2010 (celebrating the release and release party this Sunday for In Their Cups and the drinking poems contained therein, as if you didn’t know), I wanted to highlight one of the two poems in book by Ed Skoog (I should mention though, that he also has translations in the book from three languages–you’ll have to look to find out which languages). Without Ed, In Their Cups would have been called “Cups with Holes” and been awfully leaky, cause he not only let me put poems and translations of his own in the book, but helped me track down more poems that made the cut and are in the book, gave advice on ordering of poems and sections, drank a lot with me during the putting together of the book, and was generally helpful in every way you can think of plus a few more you’d forgotten.

 

 If you don’t know already, Ed is one of the best poets anywhere alive today–buy his book Mister Skylight and you will be changed–but is also a drink maker of some renown, a drink consumer of much renown, and a sweet banjo player to boot who can sing the high lonesome like few others (even after a few–let’s say 5-to-10–shots). If you ever are going into a bar for the long haul (which I’m guessing you will be, probably soon), bring him along. Or at least bring this poem of his about New Orleans’ Saturn Bar, a truly divine dive, along with you as an Ed sub.

 

The Last Saturn Bar Poem

 

Around the art barn, Mike Frolich’s bar-tab

bartered paintings hang the hell that rose with him

from the Gulf of Mexico floor too fast, torturing

blood with air: maniac fish, demon in a diving bell,

and then from cadmium sunset through marsh comes

the boat bearing forward in grand roving the name

O’Neal, our bartender. Theirs are the dreams we enter,

entering the Saturn Bar’s owly heat re-tooled for unlovely

loss, the rattled corner leaning away from Chartreuse, neat,

and when I’m able to dream jukebox damaged warbling,

a Saturn-like-thing opens within me, but this is the last

Saturn Bar poem–I’ll try, I’ll try–to stop singing

shadows of St. Claude and Clouet on security camera

pavement grays we keep talking about with increasing

reluctance, ready to move on to fresh bewilderments,

spiraling neon, neon that lights up my nameless shot.

 

The Last Saturn Bar Poem, Ed Skoog

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September 23, 2010

In Their Cups Week: John Lyly, Oh For a Bowl of Fat Canary

Continuing on with our week of poems from In Their Cups (in honor of the upcoming release reading which you already know lots about, and have told your friends about, and that hottie you see at the bus station) comes the poem with maybe my favorite title in the book: “Oh, For a Bowl of Fat Canary.” It’s by John Lyly, a writer in the late 1500s who had a way with words and drinks, and seems like someone you (and me) would want to spend a rowdy evening with, drinking and becoming jolly. “Canary” does not mean he was boozy enough to eat birds though. “Canary” was actually a type of sack from the Canary islands (with sack being an old term for a fortified white wine). Now, that makes it all a bit less unfriendly to our feathered friends.

 

Oh, For a Bowl of Fat Canary

 

Oh, for a bowl of fat Canary,

Rich Palermo, sparkling Sherry,

Some nectar else, from Juno’s dairy;

Oh, these draughts would make us merry!

 

Oh, for a wench (I deal in faces,

And in other daintier things);

Tickled am I with her embraces,

Fine dancing in such fairy rings.

 

Oh, for a plump fat leg of mutton,

Veal, lamb, capon, pig, and coney;

None is happy but a glutton,

None an ass but who want money.

 

Wines indeed and girls are good,

But brave victuals feast the blood;

For wenches, wine, and lusty cheer,

Jove would leap down to surfeit here.

 

Oh, For a Bowl of Fat Canary, John Lyly

September 8, 2010

In Their Cups Release Reading, Open Books, 9-26, 3 PM

Calling all drinkers, drink-makers, poets, poetry-readers, and anyone who is friends with anyone who fits in the above categories–which means, calling everyone. I was lucky enough to spend a chunk of the last year or so editing up a collection of poems about drinking places, drinks, and drinkers, and you’re lucky because said collection is coming out this month, and we’re having a big reading/party to celebrate. It’s going to be September 26th, at 3 pm, at Open Books here in Seattle (Open Books is at 2414 N. 45th St. Seattle, and the full reading listing is here).

 

Wait, though, jump back–I haven’t even told you the name yet. The anthology is called In Their Cups, and it features poets from hither and yon, poets who wrote in ancient times all the way up to poets who wrote a line yesterday. The whole idea behind the book (in a way) was to populate one giant bar with poets from throughout history, give them all some cocktails, and let them start spouting poems that would encompass the experiences of all drinkers. Did it work? You can find out by coming to the reading (or picking up the book, if you can’t make it). The reading will feature four of Seattle’s finest poets (and me) reading the poem they have in the book, plus a couple others from poets who couldn’t make it because they don’t live nearby, or don’t live at all anymore. The line-up includes:

  • Effervescent Emily Bedard
  • Action-packed Allen Braden
  • Jumpin’ jolly James Gurley
  • Awfully excited to be in such company A.J. Rathbun
  • One giant mystery guest

If you still aren’t sold, the full-on listing of poets who have poems on the pages of In  Their Cups is: A.J. Rathbun, Henry Aldrich, Thomas Bailey Aldrich, Guillaume Apollinaire, Emily Bedard, Bridget Bell, Allen Braden, Henry Carey, Richard Carr, Catullus, John Clare, Jaime Curl, Emily Dickinson, Philip Dow, Paul Laurence Dunbar, Stephen Dunn, Amy Fleury, Philip Freneau, Du Fu, Thomas Godfrey, Jeff Greer, James Gurley, Mark Halliday, Robert Herrick, Charles Fenno Hoffman, Oliver Wendell Holmes, Elizabeth Hughey, Richard Hugo, Christopher Janke, Jonathan Jonson, John Keats, J. Robert Lennon, John Lyly, William Maginn, Tod Marshall, Robert Hinkley Messinger, Dan Morris, Joseph O’Leary, William Olsen, Cesare Pavese, Li Po, Francesco Redi, Arthur Rimbaud, Ed Skoog, Gerald Stern, George Walter Thornbury, Chase Twichell, and Royall Tyler.

 

See you on the 26th friends and neighbors and local poetic drunkards.

Rathbun on Film