October 27, 2015
I’ve had a Cocktail Talk post from John Farris’ Baby Moll before, but recently I was running late for the bus, and had to grab a book (I can’t ride the bus book-less), and well I couldn’t resist the cover here, and it was well worth reading again. Especially because of the below quote:
In the afternoon some of us, including Macy and Evelyn Rinke, put on suits and went swimming. Taggart, Diane, and Charley Rinke didn’t participate. They sat together on the terrace and drank Planter’s Punch and Salty Dogs. She paid no attention to Taggart. Now and then he would look at her over his lifted glass, a hint of pleasure in his eyes.
–John Farris, Baby Moll
February 1, 2011
It’s hard to believe that there could be two more beautifully booze-y quotes from this Ed McBain book, quotes as good as those below, but I’m going to say, drink in hand raised to the sky, that these may be as good. At least, they manage to mention a whole array of classic mixes—and both mention the Zombie. Is there another book (outside of drink books, duh) that mentions the rum’d out Zombie twice? I have my doubts (but would be happy to be pointed in the direction of another one). Does this mean you should be sure to have rums on hand when you read the Gutter and the Grave? Well, of course.
It was Park Avenue mixed with the slums, it was cocktail parties and pool parlors, theater openings and all-night movies on Forty-Second Street. It was her world and mine, mixed like a Zombie, four thousand kinds of rum, but blended because underneath the exotic name it was all rum.
The man handling our table wondered back. ‘Sir, the bartender says he is not equipped to make hot rum toddies, sir. He suggests, if you care for rum, a Planter’s Punch, or a Cuba Libre, or a Zombie.’
‘I’ll have a rye and soda,’ I said. ‘Toni?’
‘A whiskey sour,’ she said.
—The Gutter and the Grave, Ed McBain
January 28, 2011
Ed McBain is one of those mystery, noir, hard edged, cop story, suspense, and pretty much every other word related to the genre where drinks are had more often than not writers (he writes enough that he has to write under a variety of names, even). He’s had a whole little library of books, many of which I could read anytime I had a shot of whiskey alongside me. This particular book was re-released by the genius back-alley folks at Hard Case crime, and has more drinking (and much more interesting conversation) than the parking lot at the college football game. Heck, there’s enough that I’m going to break the quotes into two parts, starting with these two boozy gems, the first a drinking manifesto (which hopefully will bring back the term “ossified”) and the second a dreamy drinkers dream:
I drink because I want to drink. Sometimes I’m falling down ossified, and sometimes I’m rosy-glow happy, and sometimes I’m cold sober—but not very often. I’m usually drunk, and I live where being drunk isn’t a sin, though it’s sometimes a crime when the police go on a purity drive.
I was sitting in the park thinking of cool civilized drinks, like Tom Collins and Planter’s Punches and then thinking about what I’d drink—an uncool, uncivilized pint of cheap booze.
—The Gutter and the Grave, Ed McBain
September 25, 2009
A quick break from the Chow tips (check ‘em out below, if’n you haven’t seen them), but only enough so I can slip in a quick quote from a book by A.A. Fair, called Some Women Won’t Wait (amen), with only a quick introductory graph, which I am writing quickly (but lovingly), so I can skedaddle out to the Friends of the Seattle Library Booksale (the most wondrous of events). So, quick (he says): A.A. Fair is, actually, Erle Stanley Gardner, who wrote 3 billion Perry Mason mysteries, and who I don’t tend to like (though, oddly, quickly, I love the Perry Mason TV series), but this book I found fun, probably because there’s lots of drinking, and a mysterious woman with eyes the size of orange slices drinking on the cover. I’m not saying I get easily swayed, but . . .. Anyway, check this out, go buy some books, and then make a big boozy punch and slide into the weekend.
The Royal Hawaiian Hotel was saturated with an atmosphere of deep, quiet luxury. The royal palms furnished dappled shade; the air was a combination of ocean tang and the scent of flowers.
I wandered through the lobby and a couple of shops before I found Bertha Cool seated at a table out on a lanai overlooking the ocean.
There was a planter’s punch in front of her, and Bertha was just a little flushed, her eyes just a little watery, her lips pressed in a tight line.
I took a good look and decided that Bertha was just a little bit high and very, very mad.
— Some Women Won’t Wait, A.A. Fair