Once, long ago, in a galaxy far far away (or, in my office barroom), I surfaced a Cocktail Talk quote from the book Lucky at Cards, by master writer Lawrence Block. If you missed, go read it and all the Lawrence Block quotes now, and catch up on what I think and get the full view. Anywho, now that you’re back, I can say that I missed another quote from that book that is perfect for repeating, and which mentions a couple classic Scotches not so in evidence anymore.
The bartender glanced our way. I asked for Cutty Sark on the rocks for both of us. He didn’t have any. I tried him on Vat 69 and Peter Dawson and he didn’t have those fellows either. We settled on Black and White. He brought it over and Joyce and I touched glasses and drank. Most of her Scotch disappeared on the first swallow. She shivered a little, then let out a sigh.
I can’t lie to you, dear readers, so I’m going to admit that I’m not much of a golfer – outside of mini golf, which I do like if it’s one of those courses that has castles and stuff. But, my lack of skills on the links doesn’t keep me from enjoying a classic cocktail named after golfing – oh no, not at all. For example, I recently made the delicious (but sadly not well known) Hole in One Cocktail. However, I used Peychaud’s bitters, for kicks, instead of the traditional orange bitters, and so altered the title. The end result was super tasty, thanks in large part to using Cutty Sark’s new Prohibition Edition blended Scotch. This Scotch has got loads of lovely toffee-and-pepper flavor, with a super smooth and warm (it’s 100 proof) finish, and it mixed dandily with the sweet vermouth and such below.
1. Fill a cocktail shaker half way with ice cubes. Add the scotch, vermouth, lemon juice, and bitters. Shake well, while thinking about the proper place to use a 3 iron.
2. Strain into a cocktail glass.
PS: This photo was taken at Jeremy Holt’s house. He’s a good one to golf and drink with.
Here’s a wee cocktail-spoons-worth of wisdom from the hopefully not completely forgotten American pocket-pulps-and-mysteries writer Harold Q. Masur (sometimes known as Hal). I tend to agree more with the latter sentiment in his first sentence below, though I’m not necessarily opposed to a good morning drink, unless I have a long afternoon meeting (hey, no need to nap in a meeting – I like to nap on the couch). Oh, this book also has one of the finest titles I’ve ever seen. And a great cover, too. Heck, pick it up, have a Scotch, and start reading.
Generally, I don’t like to consume liquor before lunch, but drinking with a man is a good recipe for getting on his right side. Muir was in the mood to talk and I ordered double Scotches to help loosen his tongue. The time of day meant nothing to him.
I’ve been drinking up the Scotch and some Scotch cocktails, too, and just wrote about both for the good ol’ Good Life Report. Specifically, the article’s called Auchentoshan Scotch and the Rob Roy cocktail, cause the latter’s what I give a recipe for, and the former what I put in it. Though I talk about more than that, so why not head on over and read the article. You’ll dig it, and can make yourself a Rob Roy for your evening libation. Which you know you deserve.
I’m not sure if it’s January’s gloom (we’re aching for sun here in Seattle – please send us some if you live anywhere it’s sunny. Please), my continually growing love of Scotch, or the fact that I like people with accents, but I’ve been on a bit of a Rob Roy jag lately. And, funny enough, I’ve been having them mainly at the bar that shares the same name (the Rob Roy, in case you’re feeling a bit slow today). But I’ve had a couple at home, too, using the recipe from Dark Spirits. In honor of that book-I-wrote, I wanna actually quote from it, because I’m self-referential sure, but mainly because I can’t believe the fine folks at Harvard Common Press let me get away with having this in a headnote:
Remember what Fandral said in the Marvel Spotlight on Warriors Three (Marvel Spotlight Issue 30, 1976) to the guy who bugged him when he was drinking a Rob Roy (at least I think he was), “Churl! Hast thou no manners? Never interrupt a man whilst he is drinking!” In the last part of that quote “a Rob Roy” is only implied, but don’t miss the point.
The Rob Roy
Ice cubes
2-1/2 ounces Scotch
1/2 ounce sweet vermouth
2 dashes Angostura bitters
Lemon twist, for garnish
1. Fill a cocktail shaker halfway full with ice cubes. Add the Scotch, vermouth, and bitters. Shake thee well.
2. Strain into a cocktail glass. Garnish with the lemon twist. Methinks you’ll be happier for it.
A Variation: Wanna take a wee trek away from the Rob Roy? Switch Angostura for orange bitters, and skip to a Highland Cocktail.
Welcome back (to me, I suppose, since I haven’t blogged for a bit due to 2012 holiday cheer-ing)! There’s no better way I can think of to return to reality after a lovely holiday season than a couple Raymond Chandler quotes from one of his lesser-known beauties, The Little Sister. It’s all about Hollywood, Manhattan Kansas (really! Let’s go Kansans), ice picks, and weed. Nice, right? Oh, to ease you in, the first quote is booze-ific (or, booze-specific), but the second is just awesomely literary. Not sure, now that I think about it, how that eases you in, but I just wanted to put in the second quote. And, well, I write these posts. Happy New Year!
I went in. A gun in the kidney wouldn’t have surprised me a bit. She stood so that I had to practically push her mammaries out of the way to get through the door. She smelled the way the Taj Mahal looks by moonlight. She closed the door and danced over to a small portable bar. ‘Scotch? Or would you prefer a mixed drink? I mix a perfectly loathsome Martini,” she said. ‘Scotch is fine, thanks.’
‘What’s that?” She tried to throw me out with the point of her chin, but even she wasn’t that good. ‘Browning. The poet, not the automatic. I feel sure you’d prefer the automatic.’
There are times the cover sells me on purchasing a pulp-y pocket-y book (many past Cocktail Talk posts are evidence of such). And then other times when it’s the title. Or, the description on the back cover. Death for a Hussy (by Alywin Lee Martin) has all three. The cover pic is to the left. The title, well, I just mentioned it. And the first line of the description on the back cover reads, “She was very young, very beautiful and . . . very dead!” Now that combination had me hook, line, and sinker. Not a bad little read, really. And it contained the following boozy quote, too:
“I’m one of the bartenders,” he said. “Me helper comes on at ten o’clock. The joint begins jumping then. Whata ya drinkin’?”
“Scotch with a little soda.”
Jocko mixed the drink and put it down in front of Hughes. “Haig and Haig. The real McCoy—outuva an honest-to-God pinch bottle.”
“Have one with me,” Hughes invited.
Jocko pour a tumbler half full of Haig and Haig and threw the whiskey into his mouth. The glass didn’t even touch his lips.
Well, it’s been an interesting season for the Cocktail to Cocktail Hour (in the “may you live in interesting times” fashion). With my much-publicized addiction to velvet jackets becoming public, with director, cameraman, writer, and producer Dr. Gonzo’s less-publicized adventures “down south,” and with us drinking away our sponsorship dollars, the year has spun past. And now here we are, the last episode. But what an episode it is, as we solve one of the most-debated cocktail mysteries: where did The Rusty Nail come from and why isn’t it consumed as much today as in 1952? To help us, we have a very special guest, E.P. Gooks* (or, Goose. It gets confusing), a first-rate historian who we did not pay to come on the show. Watch and learn dear ones, and be ready for the next season—it’s gonna be a doozy.**
* Any resemblance to the long-time Cocktail to Cocktail Hour favorite poet Ed Skoog is purely coincidental. All academics look alike.
**This is no way means we’re legally obligated to have another season, much less a doozy season.