March 5, 2024

Cocktail Talk: The Message on the Sun-Dial

called Murder At the Manor: Country House Mysteries

Here we have another British Library Crime Classics Cocktail Talk. What are the British Library Crime Classics, I can hear you ask? I’m glad you did ask, friend! These are rediscovered novels and short story anthologies brought back from the mists of time for our modern-day reading pleasure. I’ve read a few of the novels, but even more of the short story collections, which are marvelously done (the editor is a chap named Martin Edwards, who also writes his own mystery novels, and does so much editing I doubt he sleeps). The most recently read one for me was called Murder At the Manor: Country House Mysteries, and as with all of them, it’s a delight in the main, with stories from a host of authors known and unknown – really, these are dandy ways to discover authors from the past you may have missed. For me, that includes J.J. Bell, journalist and author, who it seems wasn’t as well known for his mystery output as perhaps he should have been (perhaps more known for comic fiction). The quote below from his story “The Message on the Sun-Dial” features a not-so-savory man named Bolsover. You might not like him by the story’s end, but you have to admire his ability to drink at lunch.

He lunched leisurely at an unusually early hour. He preceded the meal with a couple of cocktails, accompanied it with a pint of Champagne, and followed it with a liqueur. He felt much better, though annoyed by an unwanted tendency to perspire. On his leaving the restaurant, the tendency became more pronounced, so much so that he feared it must be noticeable, and once more he took a taxi, telling the man to go Kensington way.

— J.J. Bell, “The Message on the Sun-Dial”

January 30, 2024

Cocktail Talk: The Prime Minister, Part III

The Prime Minister by Anthony Trollope Cocktail Talk

For our third jaunt into the politics, romance, customs, and (most importantly) drinking in the upper-middle-and-upper-classes as shown in the Anthony Trollope book The Prime Minister, we go on a little vacation. This takes us back into contact with Sexty (!) Parker (for more on Sexty, see The Prime Minister Cocktail Talk Part II), and with his wife, and with Emily Wharton, here using her married name, Mrs. Lopez (for more on Emily and for a brief overview of the whole book, be sure to see The Prime Minister Cocktail Talk Part I, and don’t miss the past Anthony Trollope Cocktail Talks). The below quote is a bit long, forgive me! But I didn’t want to miss the so-called bubbly or the not-called (but still seems to be) whiskey toddy. You deserve both – and deserve to read the book, so do if you haven’t.

It was all his ordering, and if he bade her dine with a crossing-sweeper she would do it. But she could not but remember that not long since he had told her that his partner was not a person with whom she could fitly associate; and she did not fail to perceive that he must be going down in the world to admit such association for her after he had so spoken. And as she sipped the mixture which Sexty called champagne, she thought of Herefordshire and the banks of the Wye, and,— alas, alas, — she thought of Arthur Fletcher. Nevertheless, come what might, she would do her duty, even though it might call upon her to sit at dinner with Mr. Parker three days in the week. Lopez was her husband, and would be the father of her child, and she would make herself one with him. It mattered not what people might call him, — or even her. She had acted on her own judgment in marrying him, and had been a fool; and now she would bear the punishment without complaint.

When dinner was over Mrs. Parker helped the servant to remove the dinner things from the single sitting-room, and the two men went out to smoke their cigars in the covered porch. Mrs. Parker herself took out the whisky and hot water, and sugar and lemons, and then returned to have a little matronly discourse with her guest. “Does Mr. Lopez ever take a drop too much?” she asked.

“Never,” said Mrs. Lopez.

“Perhaps it don’t affect him as it do Sexty. He ain’t a drinker; — certainly not. And he’s one that works hard every day of his life. But he’s getting fond of it these last twelve months, and though he don’t take very much it hurries him and flurries him.

–Anthony Trollope, The Prime Minister

September 5, 2023

Cocktail Talk: Vanity Fair, Part II

Vanity Fair

Please, I implore you, read the Vanity Fair Cocktail Talk Part I, so you can hear more about the book, where I land on it, and on what seven glasses of Champagne does to you. Here, we’re not going to get too deep into the book proper, as we have a long Cocktail Talk below, and it’s a good one, funny in a tipsy way, full of eating and drinking, featuring some of the book’s main characters, and highlighted by Rack Punch. Rack Punch! A curious thing, Rack Punch. It’s hard to pin down. I mean, I’m sure a genius cocktail historian like David Wondrich would know without looking up from his drink, but I can’t bother him. It’s either punch made with Batavia Arrack (rum-ish spirit made with sugar cane and a bit of fermented red rice), used in many tiki recipes or Arak, the grape-based anise spirit from the Levant area of the Eastern Mediterranean. You look it up and you’ll see Rack Punch using either one or the other (and even one spot that spells it Arrack but talks about it as if it was Arak!). My feel, my lean, as you might say, is it was made with Batavia Arrack. As it’s rum-y, that would match the time, and I don’t think Arak had made the inroads to Britain that rum and relatives had at the time. Also, the basic punch – sugar, lemon or other citrus, water, maybe some spices – would just pair better with it, as opposed to the anise-side, in my view. Both could be delicious, but that’s my take (btw, both spirits are delicious. The below Cocktail Talk is delicious, too).

The two couples were perfectly happy then in their box: where the most delightful and intimate conversation took place. Jos was in his glory, ordering about the waiters with great majesty. He made the salad; and uncorked the Champagne; and carved the chickens; and ate and drank the greater part of the refreshments on the tables. Finally, he insisted upon having a bowl of rack punch; everybody had rack punch at Vauxhall. “Waiter, rack punch.”

That bowl of rack punch was the cause of all this history. And why not a bowl of rack punch as well as any other cause? Was not a bowl of prussic acid the cause of Fair Rosamond’s retiring from the world? Was not a bowl of wine the cause of the demise of Alexander the Great, or, at least, does not Dr. Lempriere say so?—so did this bowl of rack punch influence the fates of all the principal characters in this “Novel without a Hero,” which we are now relating. It influenced their life, although most of them did not taste a drop of it.

The young ladies did not drink it; Osborne did not like it; and the consequence was that Jos, that fat gourmand, drank up the whole contents of the bowl; and the consequence of his drinking up the whole contents of the bowl was a liveliness which at first was astonishing, and then became almost painful; for he talked and laughed so loud as to bring scores of listeners round the box, much to the confusion of the innocent party within it; and, volunteering to sing a song (which he did in that maudlin high key peculiar to gentlemen in an inebriated state), he almost drew away the audience who were gathered round the musicians in the gilt scollop-shell, and received from his hearers a great deal of applause.

–William Thackeray, Vanity Fair

August 29, 2023

Cocktail Talk: Vanity Fair, Part I

Vanity Fair

Vanity Fair, Vanity Fair, what to do with you? I’m talking here about the book by Thackeray, of course, not the magazine. I’ll leave that to people who have read the magazine, and here we’ll stick to the book, which I recently re-read. And it took me a while, I will fully admit. I’ll also admit that the book is a classic, no matter how long it took. I mean, it’s so rich with stuff, in a way, and such a view into a certain milieu of the times, which is in some ways reflection of ones modern (maybe more than some ways). But it’s also a novel that to me reads completely (well, maybe not every single moment), or nearly completely, as if written in the sarcasm font, to bring it modern again. And if Mr. Thackeray, with respect, just scorns every character. Which means – very funny. Very realized characters. Now, he brings it together at the end in a friendlier way, and manages one of the best last lines ever, and when I was done, I was happy to have re-read it, and no doubt many Thackeray scholars if they read this post would school me! Understandably so. So, let’s change the narrative as they say. And instead let me say that I had forgotten how many swell Cocktail Talking scenes he brought into the book. We need to have at least two, maybe four. It makes sense, as Thackeray was known to enjoy, love, adore the clubs of the time (think port, not pulsating music), and not be ashamed to hit the late night brandy dens, etc. I’m all for it! And here we are! Our first Cocktail Talk. With Champagne! Seven glasses! And cherry brandy! And more!

“I think she’s going,” said the Rector’s wife. “She was very red in the face when we left dinner. I was obliged to unlace her.”

“She drank seven glasses of champagne,” said the reverend gentleman, in a low voice; “and filthy champagne it is, too, that my brother poisons us with–but you women never know what’s what.”

“We know nothing,” said Mrs. Bute Crawley.

“She drank cherry-brandy after dinner,” continued his Reverence, “and took curacao with her coffee. I wouldn’t take a glass for a five-pound note: it kills me with heartburn. She can’t stand it, Mrs. Crawley–she must go–flesh and blood won’t bear it! and I lay five to two, Matilda drops in a year.”

— William Thackeray, Vanity Fair

August 4, 2023

What I’m Drinking: The Lavanda

While I wouldn’t say our front yard in the north Seattle area is the prettiest – I tend to shade towards the scraggly when it comes to the grass, for one, cause over-watering is a problem, ya’ know – it is blessed with an abundance (or over-abundance as neighbors might say) of lovely, bee-utiful, lavender. When it flowers in summer, the air smells delish, the flowers hide the dead grass, and the bees are buzzing happily. But what, if anything, to do with it? I mean, pretty for pretty-ness’ sake is swell! All for it. Art for art’s sake, too. And making bees buzz jollily is a state of being we should aim for, cause bees rule. But, but, it’s also quite fun to utilize a little of that lavender in making lavender simple syrup (recipe below), which can then be mixed with gin and Prosecco into this very cocktail, the Lavanda (which sounds like a sultry dance, but isn’t. Not saying you can’t have a few of these and dance btw. Cause that, that you should do). The combo is classy in a summertime way, fragrant in a floral way, and makes an ideal accompaniment to a summer’s late afternoon or evening. Thinking more, what a crowning glory of a drink this would be at a summer wedding. You should get married! You can serve this – I have lots of lavender to spare.

Lavanda lavender proscecco cocktail

The Lavanda, from Champagne Cocktails

Ice cubes

2 fresh lavender sprigs

1 1/2 ounces gin (see Second Note

3/4 ounce lavender simple syrup (see First Note)

Chilled Prosecco

1. Add the flowers from the top of one lavender sprig, gin, and lavender simple syrup to a cocktail shaker. Using a muddler or wooden spoon, muddle well.

2. Fill the cocktail shaker halfway full with ice cubes. Shake like dancer.

2. Strain into a flute. Top with chilled Prosecco, and garnish with the second lavender sprig.

First Note: To make lavender simple syrup, add 1/4 cup chopped fresh lavender, 2 cups sugar, and 1 1/2 cups water to a medium-sized saucepan. Heat over medium-high heat until it reaches a low boil, stirring regularly. Once it reaches that low boil, reduce the heat to medium- low and keep the syrup at a simmer, still stirring, for 5 minutes. Remove from the heat and let cool completely.

Second Note: For gin here, you could go traditional London style (like, Broker’s gin, which wouldn’t be a bad choice), as the juniper plays with lavender well. But you could also go something less traditional,

April 21, 2023

What I’m Drinking: The Ponce de León

Does one, when one is older, feel oldest in the Spring (as opposed to the other seasons)? I could see an argument being made for Winter, as the cold chills old bones, and perhaps Fall as well, as that’s the season when things (trees and their ilk) shed leaves and begin to go dormant, which points to getting old. In Summer, all are young, for some moments at least. I lean Spring, I have to say, as it’s when youth begins to be so evident after Winter, what with buds on the trees and shorts on or above the knees. Not to maudlin naturally, but mulling it, and placing that point as a reason why I’m having this delicious number today, a drink names after the explorer who went looking for the fountain of youth. Cause when the old bones yearn for being younger, that ol’ fountain sounds mighty fine. As it’s not, ya know, real, this drink (which will make you feel younger, for moments if not forever) will have to suffice, for now!

The Ponce de León, from Dark Spirits

Ice cubes

1 ounce Cognac

1/2 ounce white rum

1/2 ounce Cointreau

1/2 ounce freshly squeezed grapefruit juice

Chilled brut Champagne or sparkling wine

1. Fill a cocktail shaker halfway full with ice cubes. Add the Cognac, rum, Cointreau, and grapefruit juice. Shake well.

2. Strain into a cocktail glass. Fill the glass not quite to the top with the Champagne. Sip wisely.

March 10, 2023

What I’m Drinking: Bombay Punch

March is a celebratory month (as is every month, I would hazard to hypothesize), and celebratory months deserve punches, as you can celebrate by your lonesome, but it’s not really the same as celebrating with a passel of pals or a flock of family. Is it? I don’t feel it is. Those sole celebrators, don’t get up in it. You can have your own stance. Anywho, following along the celebratory-and-punches track, here’s one to consider: Bombay Punch. I have to admit, I’m not sure why it’s called “Bombay,” as it doesn’t contain to my eye any ingredients from the Bombay region – though there are I believe some good brandies made in India, so you could go that route! Brandy being the base here, onto which grape-derived goodness is added nutty maraschino, orange-y Cointreau, apricot-y apricot liqueur, some tangy oj, and some bubbly bubbles. It’s a fruity, bumping, sparkling treat, one ideal for any celebration – though if it is a solo one (as we chatted about above), don’t drink this all at once by yourself.

bombay-punch

 

Bombay Punch, from Dark Spirits

 

Serves 10 to 12

Ice cubes

10 ounces brandy

5 ounces maraschino liqueur

5 ounces Cointreau

5 ounces apricot liqueur

10 ounces freshly-squeezed orange juice

2 750-milliliter bottles brut Champagne or sparkling wine

10 to 12 orange slices

1. Fill a large punch bowl halfway full with ice cubes. Add the brandy, maraschino, Cointreau, apricot liqueur, and orange juice. Using a ladle or large spoon, stir briefly.

2. Slowly, slowly, pour the Champagne into the punch bowl. Again, this time a bit more slowly, stir briefly.

3. Add the orange slices, stir once more, and serve in punch glasses, trying to get an orange slice in each glass.

 

January 31, 2023

Cocktail Talk: Pit of Screams

guilty-creaturesThis quote’s from another story featured in one of the British Library Crime Classics anthologies, edited as always by the indefatigable Martin Edwards (see a couple past British Library Crime Classics Cocktail Talks). This particular collection is called Guilty Creatures, and is roaming with mysteries that circle or feature or highlight or spotlight animals in some way. Being an animal-lover myself, it was an ideal mix of stories for me. Not a lot of Cocktail Talking as you might expect, and (also as you might expect in a collection featuring a range of stories from early-to-middle last century) with a few stories that don’t hit such a high mark, though many, many do. This particular story actually wasn’t one of my favs, but was fun in a way, and has the amazing title “Pit of Screams,” and has snakes playing a big part, and a warning on brandy and Champagne in the below quote that while I can’t agree with, I can certainly understand!

In Togarapore to this day they will tell you that the snakes hypnotized the Rajah so that he fell. But what do you think?

He was giddy from the drink and the sun? Yes, that’s another possible explanation. It is bad to drink brandy and Champagne at midday. But neither is correct. What really killed the Rajah was a tear running down the cheek of that girl wife.

I was a young man in those days, very strong and with hot blood. When I saw that tear I bent, unnoticed, and jerked his ankles so that he somersaulted like the rat he was into the Pit of Screams.

— Garnett Radicliffe, “Pit of Screams”

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