July 28, 2017

What I’m Drinking: The Royal Woodinville Yacht Club with the Puget Sound Rum Company’s Amber Rum 47 and broVo’s Lucky Falernum

Not too many weeks in the past, I had a drink here on the Spiked Punch called Afternoon Leaves, featuring Four Leaf Spirits’ Liath Earl Grey tea-infused gin and mentioned they also make rums as the Puget Sound Rum Company (and that they donate a portion of proceeds to cancer research and education-focused non-profits). Because I didn’t want to make the rums jealous, I wanted to have a drink with one of them as well – and decided I’d go with a classical influence. Or, at least, a summer favorite from days of yore. Yore here meaning 1947, and the influencer being a drink from tiki hero Trader Vic called The Royal Bermuda Yacht Club.

As you might expect, this is traditionally made with some tropical rum, but I think Puget Sound Rum Company’s Amber Rum 47 (47 because it was made at the 47th parallel), distilled in a Jamaican-style pot still from Colombian organic unrefined cane sugar and aged for a year in ex-bourbon barrels, works wonderfully, thanks to its caramel and vanilla notes. See, those blend (well, they’re neighbors, so it makes sense) smashingly with the drink’s other ingredients. Starting with Lucky Falernum, which comes from broVo Spirits (a distillery that’s also in Woodinville, just like the Puget Sound Rum Company), and which is a high-proof falernum bursting with spice and fruit goodness, and then from there going into Cointreau and lime juice – though I go a little lighter on the lime than Trader Vic. Changing tastes and all that. I think he’d understand, once he had the first sip of this summer lovely!
woodinville-yacht-clubThe Royal Woodinville Yacht Club

Ice cubes
2 ounces Puget Sound Rum Company Amber Rum 47
1/2 ounce broVo Lucky Falernum
1/4 ounce Cointreau
1/2 ounce freshly-squeezed lime juice

1. Fill a cocktail shaker halfway full with ice cubes. Add everything.

2. Give the Club a good shake, but not so much that it makes you sweat. Strain through a fine strainer into a cocktail glass. Raise cheers in a Woodinville direction.

May 5, 2017

What I’m Drinking: The Walrus

Lumbering across the ice, across the minds of those in its path, driven by a hoard of idiots, all the way from the Nordic realms all the way across Canada, all the way down over the northwest coast, and all the way farther down the coast, farther, farther, the Walrus lumbers, leaving havoc in its wake. Of course, that’s a different Walrus than this drink, which is actually a stitch sweet, in a way, perhaps too much so for some (though it is only a stitch, and anyone who says it’s too much is one of those people who probably think they have something to prove because of inner turmoil around how people perceive them. Yawn), but also well savory, and citrus-y, too, all thanks to how the ingredients come together in a convivial manner. It’s a Walrus to visit again and again. Much different than our original Walrus, who maybe, just maybe, just needed one of these drinks.

walrus
The Walrus

Ice cubes
1-1/2 ounce rye
1/2 ounce Punt e’ Mes vermouth
1/2 ounce Cointreau
1/2 ounce simple syrup
2 dashes Scrappy’s orange bitters

1. Fill a cocktail shaker halfway full with ice cubes. Add everything but the tusks. Shake well.

2. Strain into a cocktail glass. Drink, while looking towards the stars.

March 3, 2017

What I’m Drinking: The Italian Cactus Berry

You know this, I know this, everybody knows this – I believe good drinks should have good names, and when creating drinks you need to create names too. Okay, that’s out of the way. But here, really, the change is so minor! The Cactus Berry is a favorite spring-and-early-summer drink of mine, from Wine Cocktails, and as I was dreaming of spring recently, I decided it would be a perfect fit for today. But, it usually uses Merlot (along with tequila, Cointreau, and lime juice), and I didn’t have such. But I did have a bottle of Donini Settegrappoli, which is an Italian red, rich, lush, full of body, perhaps I think the best red wine in the world. If I can go a little overboard (admittedly, Donini is my favorite winery in the world, too). So, I thought it might be perfect. And guess what? I was right! You can be right, too, if you try this drink.

italian-cactus-berry
The Italian Cactus Berry (mostly from Wine Cocktails)

Serves 2

Ice cubes
1-1/2 ounces Donini Settegrappoli Italian red wine (or another amazing wine)
1-1/2 ounces tequila (blanc, usually)
3/4 ounce Cointreau
1/2 ounce fresh lime juice
Lime wedge, for garnish

1. Fill a cocktail shaker halfway full with ice cubes. Add the wine,  tequila, Cointreau, and lime juice. Shake well.

2. Strain the mix into a cocktail glass through a fine strainer. Garnish with the lime wedge and serve.

April 29, 2016

What I’m Drinking: The Hour Glass

It may have been eight years since I’ve sipped this particular refresher – that’s a long time and a long number of drinks. But we’ve had a bit of northwest spring heat wave lately, demanding that something effervescent like this be unveiled, and I was reading Justice Society (okay, I’m making an Hour Glass to Hour Man leap, but you get me, I know), and, well, one thing led to another. It’s a good drink, too, interesting without being affrontive. If you feel badly about Cognac-ing here, then I’d say don’t be so darn stuffy. Haha, but seriously folks, feel free to sub in a nice brandy as you will. Whatever doesn’t overheat you, friend, and whatever makes the hours pass in a lovely manner.

hour-glass
The Hour Glass

Cracked ice
1 ounce Cognac
3/4 ounce Cointreau
1/2 ounce absinthe
Ice cubes
Chilled club soda
Lemon twist, for garnish

1. Fill a cocktail shaker or mixing glass halfway full with cracked ice. Add the Cognac, Cointreau, and absinthe. Stir well.

2. Fill a highball glass three-quarters full with ice cubes. Strain the mixture over the ice, and then fill the glass with club soda (unless it’s a large-ish highball, then just go up three-quarters of the way).

3. Squeeze the lemon twist over the glass and drop it in.

January 26, 2016

Cocktail Talk: I Should Have Stayed Home

i-should-haveI don’t know much about pulp-y early-and-mid-1900s author Horace McCoy, best known probably for a book called They Shoot Horse, Don’t They?, and a few other hits. It’s always nice to delve into a new noir-y legend though – just opens up more lovely hours of reading. I started with his shorter book, I Should Have Stayed Home, which was maybe less noir-y then the title made me think, but a really good look at Hollywood from the less-bright-lights side in the 1930s-ish time frame. It made me excited for more McCoy’s, and the below made me thirsty.

She had coffee and brandy in the living room and she poured Cointreau for me. It was sweet and pleasant. She taught me how to drink this too. She was patient and quiet and very nice. I couldn’t believe this was the same woman who had been so wild that afternoon in Mona’s bungalow, that time with Lally.

–Horace McCoy, I Should Have Stayed Home

August 21, 2015

What I’m Drinking: Lucien Gaudin

Before you say anything – I know I’ve featured this drink-named-after-an-Olympic-fencer on the Spiked Punch blog before! I know it, and that’s okay, me thinks, because it’s such a fine drink that naturally it would be What I’m Drinking more than once. Also, a reader and drinker named sassy Scott has been hankering after more Campari drinks (even if he hasn’t directly requested it, he has talked about his love of Campari drinks, and from that I surmised he probably needs some other options). So, with all that said, here we are, the Lucien Gaudin. En garde!

lucien-gaudin
Lucien Gaudin

Cracked ice
1 ounce gin
1/2 ounce Cointreau
1/2 ounce Campari
1/2 ounce dry vermouth
Orange twist, for garnish

1. Fill a cocktail shaker or mixing glass halfway full with cracked ice. Add the gin, Cointreau, Campari, and dry vermouth. Stir well.

2. Strain into a cocktail glass. Garnish with the orange twist.

March 31, 2015

Cocktail Talk: Martinis and Murder, Part III

martinis-murderWe are now onto the third Cocktail Talk post featuring drinky talk from a book by Henry Kane. Please, please, for the love of all that’s dear to you, go back and read Part I and Part II, because you’ll only kick yourself when you miss them. Though the below may be my favorite, just cause you don’t see Sidecars come up in literature that often – and you need to savor them when they do!

I pursed my lips. I said, ‘Two sidecars.’

We sipped and looked at each other and set them down.

‘Let’s pay and leave,’ Edith said. ‘Mine stinks. And you look like yours does, too. Sacrilege. I’m going home. Got work.’

I put her into a taxi.

‘Bye, Red. Be seeing you.’

I walked home and went straight to the kitchen and fused lemon and Cointreau and cognac and in the living room I lapsed into beautiful beatitude.

–Henry Kane, Martinis and Murder

March 3, 2015

Cocktail Talk: The Wrong Venus

wrong-venusI’ve had three different Charles Williams Cocktail Talk posts, and you should go read them all. All of them! Both cause you’ll be able to learn a little more about this master of thriller/pulp/mystery writing, and cause then I don’t have to go through it all again. You don’t want me to be repetitive, right?  Anywho, I have a fair amount of Charles Williams’ books, enough that I’m always worried I won’t be able to find more – but then super happy when I do, as I  recently when I picked up The Wrong Venus. It’s a rollicking read, which starts on a high note and never really lets up until the last page. What does that mean? If you like books that move fast, this one’s for you. And it also has a great scene with both Cointreau and crème de menthe. Really!

‘Do you have any Cointreau?’

‘Cointreau?’ It was obvious she thought he was crazy.

‘You do sell liquor on these flights, don’t you?’

‘Yes, of course . . . But with this turbulence, naturally we couldn’t bring the cart through. And we don’t have any Cointreau anyway.’

‘Then crème de menthe?’

‘Y-e-e-s, I think so. But I’m afraid only the white . . .’

He was conscious again of time hurtling past him, but managed a reassuring smile. ‘It’s all right. I only drink in the dark.’

–Charles Williams, The Wrong Venus

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