November 29, 2010
I swear, this has to be a drink already, with another name. It’s very classically minded, and an obvious relative to drinks such as that which will not be named (but which ends in “tini”). It does use rose’ vermouth, which isn’t as readily available in the U.S. as one would hope (as you might expect, it’s neither as dry as French vermouth or as herbal as Italian vermouth, or dry and sweet vermouth respectively, and light on the tongue like its namesake wine), so it might not yet be named. However, rose’ vermouth has been available then and now, maybe moreso then, even, so some variation of this (maybe with a different bitters, since the Bitter Truth, even with their classical leanings, haven’t been around that long) seems like it has to have been around. I’d check the library, but the library is in Seattle and I’m in the Italy. Some bartender or bar writer out there will, I’m sure correct me. But until then, I’m going with Da Molto Tempo, and having it lots:
Cracked ice
1-1/2 ounces gin
1/2 ounce rose vermouth
1 dash Bitter Truth Aromatic bitters
Lemon twist, for garnish
1. Fill a cocktail shaker or mixing glass with cracked ice. Add the gin, vermouth, and bitters. Stir well.
2. Strain into a cocktail glass. Garnish with the lemon twist.
PS: For those inquisitive ones: it means “a long time ago.”
March 23, 2010
Okay, I’m just thirsty. So thirsty I don’t have the energy to write the full-on over-the-top legendary journey of cocktails blog post I want to write about the weekend before last, a weekend of amazing cocktails that would leave every other blog post in the dusty dust, that would make you want to stroll in my shoes (or at least borrow my throat and tastebuds for awhile), a blog post that would involve at least 74.5% of the top cocktail creators in Seattle, and me tasting their drinks, a blog that would make you drool like George the Animal Steel before a cage match, a blog that might just have you (if you don’t live in Seattle already) running screaming to your suitcase, packing said suitcase, and getting a ticket here poste haste, a blog that if you already lived in Seattle would make you instantly descend to the floor crying tears of joy in front of your liquor cabinet, shelf, or box, happy that you could follow my footsteps in cocktails, a blog that might just cause the whole internet to go silent as a lonely ice cube due to everyone shaking off the electronic shackles to go on a drinks quest, the blog I want to write but just am too thirsty to write (but write it, someday, I will), so instead I’m just writing this post about how much I’d like to be drinking an Athenian at Cicchetti, a drink made with Metaxa, Martini and Rossi Bianco vermouth, and Scrappy’s grapefruit bitters, the very drink pictured below. Look at it, friends, and dream along with me (and if you’re not on the Scrappy’s bitters wagon, then get on it.)
Tags: Almost Drinkable Photo, bitters, Brandy, Cicchetti, Cocktail Art, Scrappy's Bitters, vermouth, What I Wish I Was Drinking
Posted in: Almost Drinkable Photo, Brandy, Cocktail Art, Dark Spirits, What I Wish I Was Drinking
June 23, 2009
When a trusted confidant and drinking pal (in this case, it was Stereolad, alias Senor Crappy) sends an email that says things like the following about a new bar just visited:
“Although it’s a legit establishment, there’s no signage and you have to ring the doorbell to be admitted. But the awesomeness is what’s inside.”
and
“Ben {the bartender} came over and asked us a couple more questions (“Is rye OK instead of bourbon?” “Sweet or dry?”), disappeared briefly and presented us with a Remember The Maine (rye, Heering, sweet vermouth, and absinthe). Lovely. He came back for a follow-up and told us that he’ll do egg white cocktails for any takers.”
I get a little twitchy, partially with excitedness to visit said place, and partially with wondering if it can be true, and partially with thirst. And partially just cause I’m twitchy. It’s like a super power. But a lame one. I digress. The rest of said email was asking if we’d want to stop by the new bar, and so we (in this case wife Nat and I) took him up on it last Sunday and slipped into the Knee High Stocking Company.
By slipped in, I mean somehow managed to find the door, as it’s in a fairly out-of-the-way spot, and only has a very small sign (about knee-high, now that I think about it) next to a door bell with another sign that says “ring.” See, there’s no way in without ringing the bell, and it’s all very hush-hush, and speakeasy-esque, and painted blue (that’s about it for hints). Once we rang said door, above-mentioned bartender (Ben, that is) opened it, peeked out at us, asked how many we had, and then showed up to a table right near the bar. But I’m starting to wander, so let me skip the other atmospherics and say that the space was small, comfortable, dimly lit, and, well, cool in an unassuming and unpretentious kind of way. Which is just the way I like.
I started up with a Widow’s Kiss after mulling the nicely-balanced menu. It’s a combination of Calvados, Green Chartreuse, Benedictine, and Angostura, stirred up and served with a cherry. Ben filled me in when delivering it that it was from George J. Kappeler, circa 1895 (and not Gabe Kaplan from Welcome Back Kotter, though the joke was, of course, made by me. I’m thinking it was from the book Modern American Drinks, which I sadly don’t have. Yet).
It was delish. Had some backbone, but the Chartreuse and Benedictine and bitters came out with each sip, each bringing a little herbal joy to my afternoon. The other big kick was starting to realize that Ben was a bartender I could trust. He not only brought out a good drink, but a good bit of history. When he said something along the lines of, “I’m working on mastering the old classics, and then slowly working on mixing my own ideas” then I knew he was someone I’d be happy to have pour me many drinks.
Which led to my next choice (oh, wait, first, let me say that Stereolad had, I think it was, a Flor De Jalisco for his first sipper, after telling Ben only that he wanted something refreshing, not bitter-y, and a touch fruity, and that tequila was dandy. It was awesome, too, and hit the notes Stereolad wanted. That picture at the beginning of this post is it, in front of Stereolad’s manly mitts. I believe Ben said it was a Death+Company drink, which is always welcome at my table). Or, led to me asking Ben what he might like to make using the Bitter Truth bitters I saw behind the bar (for those who don’t know, Bitter Truth is a couple of German bitters-heads who make an assortment of tasty stuff, much of which I haven’t even tasted). He whipped up an Opera, tracing back Harry’s Bar, from way back in the 1920s (it’s in Paris), which had gin, Dubonnet Rouge, old compadre Maraschino, and Bitter Truth orange bitters. And a twist. Good golly, that’s enough to make a man like me dance in happiness as if in a touring company doing Breakin’ II: Electric Boogaloo. And I didn’t even mention the twist. Cause I’ve written more than you’ll find on most Christmas letters already. And I still need to mention three more things. First, Mark’s second drink was worthy of song, but I’ve forgotten what exactly it was, so instead of going on and on, I’m just going to show you this picture of our drink off (notice my unshaven-ness due to it being Sunday–I’m a bad man):
Second,and this isn’t about booze at all, but about mac-and-cheese, which was also had, and which was gooey and a smoosh spicy, and had a crisp about the top side: a winning combination by any stretch. Third, Nat was on call for a baby that might never show (darn those babies and their desire to forgo the outside world. Wait, that was sorta like us on Sunday at the Knee High. And yes I’m already truncating the name. I’m that guy), so she wasn’t drinking boozy booze, but Ben was swell enough to make her a ginger ale from scratch, and it was delish, too. Here’s an artsy shot Nat took of the g/a:
The verdict? I wanna go back right now. The Knee High Stocking Company has a speakeasy-woven-ing-with-your-neighborhood-bar vibe that doesn’t show its head all that often, but which is to be revered. Dandy drinks, chops-licking food, out-of-site conversation with good pal and hot wife: that’s the prescription for a perfect Sunday late-afternoon-early-evening, and I feel lucky I got to be there for it.
PS: Ben works Wednesdays, Saturdays, and Sundays at the Knee High Stocking Company. I suggest you make his acquaintance (if you’re in Seattle–if not, find him when you visit). I’m not going to tell you how to get there exactly, cause it’s something you should work a little for. And because I don’t want it to get so crowded they won’t let me in the door.
February 25, 2009
I was looking through my library (which isn’t like the booze Library of Alexandria or something, but which is an agreeable little stack of books about drinks, drinking, and more drinking) the other night for recipes for the Betsy Ross, because my pal Andrew had asked about it (for his new bar, which I talked about below. Really, this is turning into the Andrew Bohrer admiration society). Anywho, the flag-making patriot-in-liquid form as far as I found goes back to 1941 (and by the way, history buffs, I’m not saying I made a complete search of every known record and microfilm and microfiche, but just that I looked through the books in the above mentioned library), to a recipe in one of my favorites, the jolly Crosby Gaige’s Cocktail Guide and Ladies Companion. Which was published in 1941, as you might have surmised. Now, this is a winding road way of getting here, but while tracking down the info, I re-noticed another drink, across the page from Betsy Ross, a drink with the enticing and intriguing name, “Mrs. Solomon Wears Slacks.” Which is one of the top twenty-five drink names. Or, at least, that’s what I’m saying today. In honor of Mr. Gaige’s (or whomever’s) naming prowess, I made the mix, a brandy-based affair, and it was pretty swell. I even sugared the Champagne flute’s rim, as suggested, getting sweetly jiggy with it. I mussed around with the Slacks some (gawd, that’s fun to say), but the basic ingredients stayed the same (I went a snitch higher on curaçao and bitters, and brandy for that matter). I suggest serving it up at those affairs where slacks are worn, or anytime you want to be a bit daring (which slacks were in 1941. And that’s how I’m wearing it).
Ice cubes
Super-fine sugar
2 ounces brandy
1/2 ounce orange curaçao
3 dashes Angostura bitters
Lemon twist
1. Put a good helping of sugar (but not a mound or anything) on a saucer. Wet the outside rim of a Champagne flute (I used a lemon slice, but you could also rotate it through water on a saucer–just don’t get any water in the glass). Carefully rotate the outside rim of the glass through the sugar–but you don’t want to get any sugar on the inside. No, no, not a grain. So, be careful.
2. Fill a cocktail shaker or mixing glass halfway full with ice cubes. Add the brandy, curaçao, and bitters. Stir well.
3. Strain the mix into the flute. Garnish with the lemon twist (making sure now, that you get that swoosh of lemon oils from the twist into the drink and not into the atmosphere at large). Now, dance!
Tags: bitters, Brandy, cocktail, Cocktail Guide and Ladies Companion, Crosby Gaige, Mrs. Solomon Wears Slacks, orange curaçao, recipe, What I'm Drinking Right now
Posted in: Brandy, Crosby Gaige, Recipes, What I'm Drinking
August 12, 2008
When clearing out space in the homemade liqueurs cabinet (for the new bottles from the below post), I realized that I had a few ounces left of some homemade triple sec that I’d constructed during my first liqueur-making frenzy. Not sure why I didn’t completely guzzle it up, cause it ruled/rules–not too sugary and just orange-y enough. Anyway, I wanted to utilize the last drops in making up a new drink (to give that triple sec the honor it deserved), and the Crimson Slippers was the end result. An awfully pretty result, as you can see.
Since I had the Campari bottle at the front of the shelves (from the Negroni-making), I thought I’d play around with it in the drink, even knowing that it can be a dangerous addition to the party because of the bitter undertones. But hey, I love bitter. So much that I ended up adding a dash of some homemade bitters in there as well (I’d made them for a bitters party thrown by no other than bartender Andrew Bohrer, from Cask Strength). These homemade bitters were based on an old “stomach” bitters called Hostetter’s, and take the bitters scale to another level. If I play around with the drink a little further in the future, I might try in other bitters–I think Peychaud’s would work well (and look well, too). Wait, I’m skipping the base liquor. I decided to go with rum, since it’s summertime. Well, and I thought it would be a nice touch, especially the dark variety, which has enough personality to hold its own, and thought it would be enjoyable to work to balance it with the other players.
The Campari uses a disguise to try and sneak away from the scene.
The end result is a touch bitter, but bounces around well due to that touch of triple sec (the homemade kind has such a bright orange-ness that it doesn’t get overwhelmed). The color, with that red glow, seemes like it would fit in at a crime scene, too. Maybe not one of the modern, forensic-equipment-and-fluorescent-y-mood-lit heavy scenes, but an Agatha Christie attic scene, with lots of thinking and sipping and a rocking chair. Here’s the final recipe.
Ice cubes
2 ounces dark rum
1 ounce Campari
1/2 ounce homemade triple sec
1 dash bitters
Lime slice, for garnish
1. Fill a cocktail shaker halfway up with ice cubes. Add the rum, Campari, triple sec, and bitters. Shake well.
2. Strain into a cocktail glass. Squeeze the lime slice over the glass and drop it in.
