August 27, 2021
It’s funny (to me, if no-one else) to have a very tough drink name like “Fugger’s Revenge” for a light-bodied, friendly, vermouthy (in a way, though I’m not calling this vermouth, cause I don’t want the vermouth board after me), aperitif-style sipper (the aperitif board is much less ferocious). But the backstory really is not so tough, but is one of my fav wine stories (one that some people say isn’t true, is just apocryphal, etc. Some people are also fuddy-duddies and no fun to have a drink with. Avoid them). Anyway, it starts early in the year 1111. A forward-thinking German bishop named Johann Fugger was getting ready to travel to Rome for the Holy Roman Emperor’s coronation (this one was Henry V). Because he was forward-thinking, Fugger sent his assistant along the road first, to scope out the local wine, chalking the pubs or bars or 12th-century what-have-yous that had good wine with the word “est,” which is Latin for “there is” (the full phrase he kept in his wine journal was I believe “vinum est bonum” or “wine is good” basically). When this intrepid wine scout came into the town of Montefiascone, he so enjoyed the wines that he A: had a lot, and B: wrote Est! Est!! Est!!! on the bar’s outside wall to show his enthusiasm. I believe bishop Fugger himself liked these particular wines so well he never made it to the coronation, just stayed in Montefiascone drinking wine, and is buried there today. And, the white wines designated Est! Est!! Est!!! di Montefiascone are still made and enjoyed. And (here’s where it also comes back around), this particular homemade aperitif uses an Est! Est!! Est!!! di Montefiascone wine as it’s base! Neat! Awesome! Story!
There aren’t a wide range of these whites available here, but Pietro Est! Est!! Est!!! tends to be available, and it’s what I used. Light, apple-y, dry, and very refreshing, it provided the perfect platform for building this summertime aperitif (and it won’t set you back too much). The other flavorings almost all came from my yard, including white currants (want to know way more about my white currant bush? Check out the Currant Current liqueur, Strawcurranterry, a white currant strawberry liqueur, and A Particular Friend, a white currant mint number), fresh mint, and fresh marjoram. A little gentian root because life is bitter (but not, one hopes too bitter most days), a little vodka to im-proof things a bit (but not too much, as this is a very light-on-its-feet charmer), and a little simple syrup to round our edges without making it sweet. Altogether, this late summer aperitif rises to the level of the wine story with delicate herbal and fruit notes. Pretty swell on its own, chilled or over ice, but also a pleasant pal in cocktails (heck, though it is not a vermouth, it would make a mean Martini-esque drink when paired with a London-style gin).
1/2 cup white currants
1/3 cup fresh mint
1/4 teaspoon gentian root
1 Tablespoon marjoram
1 750 ml bottle Pietro Est! Est!! Est!! white wine
1 cup vodka
1/2 cup simple syrup
1. Add the currants, mint, gentian, and marjoram to a large glass jar with a good lid. Muddle well, but not wackily (you do want to break up the currants as much as possible).
2. Add the wine and vodka, and stir. Put in a cool dry place and let sit for two weeks, swirling regularly.
3. Open up the jar of joy and add the simple syrup. Stir again, and re-place in that cool dry place. Let sit two more weeks, swirling as you will.
4. Strain – I like to strain once through a fine mesh strainer, then twice (or as needed) through cheesecloth – into a good glass bottle. Store in the fridge (to keep nice and chilled).
May 28, 2021
You know those Fridays when you aren’t sure what to make, cocktail-wise, and you go to the shelves, and pick up the biggest library of cocktails you can get, or, to be specific (both language-wise and title-wise), Il Grande Libro dei Cocktails? Those ones? No? Yes? Well, either answer, this happened to me recently – luckily, I’d picked up said grand library, oh, now a few years back in a swell used bookstore in Sansepolcro (I sure hope that bookstore is still there and open through it all), so on this Friday I could open it, swing over to the “Cocktails del Amore” chapter (cause I’m a romantic, and cause I really like this picture of these cuddly glasses kissing – aren’t they cute!
), and decide to make a drink I’ve never made, called Baciami Subito, which was so intriguing, and which really shouldn’t have, to me at first glance at least, made sense: I mean, dark, rich, intriguing Cognac with light, springy, dry vermouth, and then bitter Angostura with it, too? On the flip side, it does sound good, now that I type it out, and, you know what, it is! Those lighter notes from the vermouth really start to accent the Cognac once mixed. But is it right for the romance chapter, which here (and otherwheres) tends to lean to sweeter liquid fare? However! If you realize or remember that Baciami Subito means “kiss me right now,” well, then, it’s a twist (no twist here though, but a cherry), because this drink does have a tasty kick that not only could induce rapid kissing, but also can me you feel fun-oozy like a good quick kiss. So, there we are, smooches all around!
2-1/4 ounces Cognac
1-1/2 ounces dry vermouth
2 dashes Scrappy’s Aromatic bitters (the book suggests Angostura, which is dandy I’m sure, but I had the also-dandy Scrappy’s Aromatic neat. The book also suggests three dashes, but I found two enough)
Cherry, for garnish
1. Fill a mixing glass or cocktail shaker halfway full with cracked ice. Add the Cognac, vermouth, and bitters. Stir well, or “vigorosamente!”
2. Add a cherry (or two if feeling flirty) to a cocktail glass. Strain the mix from Step 1 into the glass and over the cherry. Sip, and kiss at will.
July 14, 2017
There are times, when the Mercury’s rising and that big ol’ ball of heat in the sky is high overhead, when you want a classy drink, but one that isn’t too tough. A drink that has all kinds of flavor, but without involving any sweat (or little sweat) to make. A drink you could sip after a long day of work while the sun starts its long slow trip down westward, as well as during a family brunch on Sunday when you’re waking up slowly.
Well, this is that drink friend! It covers all those bases, though admittedly it might be best during the Italian aperitif hours, those beautiful moments before dinner (let’s say 5 to 7, though they can arrive a stitch earlier or later) when you want to have something a little effervescent and light, but still with character and taste. All those characteristics come together here with just two ingredients – and a lemon twist – starting with Mionetto Prosecco, specifically the DOC Treviso brut version (though all the Mionetto Proseccos, made since 1887, are worth tracking down). The Treviso brut is nice and dry and crisp, with apple and peach and flowers lingering on the tongue, along with a hint of honey.
Here, it’s mixed with another Italian number, the newest sibling of renowned Galliano (the L’Autentico golden liqueur in the memorable bottle), Galliano L’Aperitivo, just recently becoming available stateside. An amaro, or bitter, it boasts over 50 ingredients, including a bouquet of citrus – orange, bergamot, tangerine, grapefruit, others – and a mix of herbs and spices like cardamom. The flavor’s rich, with all those orange-y citrus notes, herbaliciousness, and a hint of bitter.
Together, these two Italian stalwarts come together beautifully – with lots of fruit flavor, but with a dryness that is swell in summer, when you want to keep the cloying nature of some drinks far away. The color is also rather amazing, adding another welcome touch.
3/4 ounce Galliano L’Aperitivo
4 ounces chilled Mionetto Prosecco DOC Treviso brut
Lemon twist, for garnish
Ice cube, if wanted
1. Add the L’Aperitivo to a flute or comparable glass. Top with the prosecco.
2. Carefully stir in a manner that brings everything together without being wacky. If your prosecco isn’t really chilled, or if it’s extra hot out, add an ice cube.
3. Garnish with the twist. Give a toast to the sun, and to Italy.
March 22, 2013
So, I’m in Italy. And since it’s springtime, and sunny, I’m sitting outside of Bar Pina (which is outside of Umbertide), one of the finest spots anywhere to sit in the sun and have a beer. I mean, it’s in Italy. Which means that this Friday Night Cocktail isn’t as fancy as others, but I wouldn’t trade it for any of them. And if you want to feel jealous about it all, well, that’s up to you. But a better impulse might be for you to just come on over to Pina your-own-self. It’s pretty darn fun.
PS: Yeah, Dr. Strange drinks with me when I’m at Pina. And you thought it couldn’t get any better.
October 19, 2012
This is quite a continental moment here on the Spiked Punch. First, tonight, like I usually do on the continent, I ate too much. Then, to combat my over-indulging, I had a healthy dose of Elisir di Salvia, a digestif I made from a recipe taken out of a simply-named book, Tisane, Liquori and Grappe. I have no idea who it’s by, but it’s from the Demera Company and is Italian (which means I translated the recipe. Yeah, I do everything for you. But you deserve it). I picked it up in a little tucked away bookstore in Sansepolcro’s historic center, called Arca Dei Libri. Nice place, really. Only blocks from the can’t-miss-it restaurant Fiorintino. Anywho, Elisir di Salvia is a curious mix of stuff, and the taste reflects it: herb and spice sweetness at the beginning, mellowing Marsala middle, totally different backend flavor and kick. At first, I wasn’t sold, but now I think it’s a weird kind of genius drink. And yes, I felt better after having it after eating too much. Oh, when in the jar cooling its heels, it looks like this:
Elisir di Salvia
1 liter Marsala
1 cup fresh sage leaves
1 orange rind
2 cups high proof vodka or grain alcohol
1/2 cup warm water
1.6 cups sugar
1. Add the Marsala, sage, and orange to an airtight glass container airtight. Let sit for 10 days to two weeks. Shake at least once a day.
2. Dissolve the sugar in the water to make a syrup, let cool, and then add it and the vodka.
3. After 24 hours of rest (or a week, if you’re lazy like me), filter and transfer to a glass bottle. Take 1 shot from the liqueur in all cases of difficult digestion.
March 30, 2012
Sometimes, I’m almost too sad to write more than one sentence. Or six. This is one of those times, because we recently finished our last bottle of Bindolo, the wine from Donini we drank a fair amount of when we lived in Italy. You can read more about Bindolo and Donini in this past post, and then get on a plane and go pick some up (and tell Diego hello for us). Me, I’m going to look at the picture and tear up (though the sadness is partially offset by the fact that we shared that last bottle with pals Rebecca, who makes the great Deluxe jams and cocktail syrups, and Eric, who owns the best bike shop in Seattle, JRA. At least we had that last bottle with awesome folks).
May 23, 2011
If you haven’t read Part 1 of our Branca Distiller tour, well, do so now. It talks lots about company history, the Collezione Branca, the Branca philosophy of novare serbando (renew but conserve), and much more. Go read it. Okay, are you back? Now we’re ready for Part 2, in which we actually get to walk around the distillery and see where the magic happens. Still with our tour guides Elisa, Marco, and Valeria, we last stopped at the Carpano area of the museum, where we learned more about Branca’s purchase of Carpano Antica (and the full Carpano family of vermouths), had a quick drink of Carpano Antica, and then got ready to hit the distillery proper. But first, as we’re walking into delicate areas, we had to suit up (attractive, aren’t we?):
Check out the wonderful Carpano ad in the background, too. Yet another piece of Branca-related advertising I wish I had framed in my house. After suiting up, we started by going through a few doors into the Borghetti coffee liqueur room. Now, here’s where I have to admit one downside for you, dear readers, in this Part 2 of the tour post. We couldn’t, in most areas of the distillery, take pictures. As mentioned in Part 1, having delicious liqueurs, vermouths, and amaros means that folks are always wanting to know how you make them. Which means even someone as un-spy-ish as me (though I could be a spy, I suppose–I have that look, right?) can’t snap snaps. Borghetti, if you don’t know (and you might not, as it’s sadly not readily available in the States) is the coffee liqueur made by the Branca company. It’s a staple in Italy (all the everyday bars/cafes we’d visit had it, usually in both big bottles and in these small, 3-inch-ish, portable bottles), and I’m not 100% sure why we don’t have it in the U.S., as it’s scrumptious. Normally, I’m not either a big coffee liqueur fan or a big coffee drinker (a lot of coffee liqueurs taste ickily chemical to me), but I really love the Borghetti, and after seeing where it’s made, I know why. It only contains coffee (freshly roaster and made there), liquor, and a natural sweetener. Walking into the room where it’s made is somewhat like walking into the best coffee roaster inside Willy Wonka’s chocolate factory, as there’s a perfect sweet/coffee aroma—which matches Broghetti’s taste. Here’s what the bottle looks like, if you want to scoop some up on your travels:
From there, we saw where the ingredients in Fernet Branca are treated during production (where the secret processes mentioned in Part 1 happen), including the big iron pot (pictured in Part 1) where the spices and more are stirred up. Amazing stuff, really, as it’s partially mechanized, but still there are always workers in attendance, watching over the process. We next went to perhaps my favorite part of the whole tour (well, just hanging out with our awesome tour guides was my favorite part, but this coming up was a close second), the cask where Stravecchio Branca spends time before bottling. Stravecchio Branca is the brandy made by the Branca company, and is another item I wouldn’t mind seeing more of over here (again, it’s in most bars/cafes in Italy and is a really good, full-bodied brandy). Here’s the bottle if you ever want to try some and you see it:
But the cask (or flask, as they referred to it as) in question we could take pics of, but we didn’t have a wide enough angle lens to do it justice. See, it’s the biggest cask in Europe, and was built over a two month time period way back in 1892. And it’s massive and astounding to stand in front of:
Stravecchio was originally called “Vieux Cognac,” but they had to change the name due to the Cognac rules (about it having to be made in the Cognac region of France, that is). Today, the brandy spends some time in other casks, but each batch spends a least some time in this massive cask–which is never empty, as some is always left in to ensure that the brandy stays consistent (a nice little touch). On the back of the ginormous cask, there’s a chart that tells how full it is (somewhat like the little marks made on the wall as kids get taller), alongside a little chalkboard notepad (which is alongside my head):
My favorite part of the photo (and another reason why I loved this cask so much) is right above the “B100” where the cask looks like it’s sweating. This is a slight oozing out that happens, about which Marco said, “it is crying.” He even wiped some off on a fingertip to taste, and encouraged us to do the same–which I, naturally did. It was super-brandy-charged, and I dug it so much I went back for more (hey, I have a hard time seeing anything cry). After the Stravecchio, we wandered down into the cellars, where we viewed wooden cask after wooden cask, rows of them (all lovely, by the way), first more brandy (they start here in smaller casks before moving to the biggest cask in Europe), then the wooden casks Fernet Branca is aged within. Fernet Branca has to be aged at least a year, and the brandy for three, so you can imagine that there are tons of casks (not to mention that Branca Menta is also made with aged Fernet Branca, on to which is added pure peppermint oil, sweetening, and love). All these hundreds of casks, the giant cask, the production facilities upstairs, the museum from Part 1, and the offices live in this one building, in the center of Milan, a bustling city. There’s something almost otherworldly about it, especially when wandering through the building’s many rooms and passages. One could easily get lost down here—you’d never go thirsty, luckily. Also luckily, we didn’t have to worry about getting lost, because we were with our friendly and knowledgeable (and fun) tour guides. Check them out, aren’t they great:
After seeing the casks, and saying our goodbyes, we walked out in Milan craving a little Fernet Branca or Branca Menta. Of course, we had a four-and-a-half hour drive ahead of us, so the cravings just became sharper, until we were back in our home Italian neighborhood, where we could indulge our Branca thirst at Bar Fizz. Thanks again Fratelli Branca Distillerie, we had a great time.
May 20, 2011
Back in April (when still living in Italy), wife Nat and I took the road north from our Italian pre-tirement home, driving up to Milan so we could make a visit to the Fratelli Branca Distillerie, where Fernet Branca and many other delicious drinkables are made. When we showed up in the morning for our tour, we weren’t sure at all what to expect—a little talking, a little walking around the building, we just didn’t know. But it ended up being an amazing day, where we learned a ton and had some fun (huge props to Laura Baddish for helping to set it up, too). Once past the guards (serious liqueurs always need guards at the gates, cause secret formulas are too tempting to weaker minded individuals), we were met by three swell Italian folks: Elisa, Marco, and Valeria. Marco gave most of the tour, with tons of expert translating (his English is better than our Italian, but not by enough to carry on in-depth conversations) and more touring by Elisa, with Valeria filling in the cracks.
The tour started in the Collezione Branca, which is a museum created by the Branca family, a museum in the distillery (the aromas of Fernet Branca and other drinks waft up as you wander the museum), collecting Branca historical items, memorabilia, and more. It really serves as a tangible history of the company in many ways, and was full of intriguing artifacts. Right at the beginning are portraits of those family members who were there at the beginning, with a picture of Bernardino Branca in the middle:
Bernardino was the original creator of the famous Fernet Branca, developing the formula with Dr. Fernet, a Swedish doctor, to assist malaria and cholera patients. With this aim, it was first tested in hospitals (where it was shown to help patients) and first sold in local farmacias, or pharmacies (quick aside: Italian pharmacists have a lot more leeway than those here in the States, in prescribing and diagnosing). The first cask that Bernardino made this herbal health mixture in is also in the museum, and lives right under his portrait:
When walking through the museum, we learned more about the Branca family, which still runs the company today (the head of the company, Count Niccolo Branca, is the 5th generation of the family to make Fernet Branca). The family focus isn’t just with the Brancas, either, as our tour guide Marco is the 4th generation of his family to work at Branca (he’s been there since 1972). This lengthy dedication and devotion is quite remarkable, and shows in the end results: the liqueurs. There are lots more interesting family stories, such as those about Maria Scala, who married the third son of Bernardino and eventually became one of the first women in charge of a large company, and who originally developed the focus on continually creative Branca advertising—the company has always been on the forefront of advertising and advertising trends. One of my favorite, and a somewhat obscure, piece of marketing is this Branca suitcase:
I would carry one of those in an instant (if you have one you’re tired of, please let me take it off your hands). The museum also has loads of production implements from the past, and some that were used in the past but are still utilized today, which points towards the Branca philosophy of novare serbando, or renew but conserve. For one example, Marco showed us these giant iron pots for herb maceration and heating, which are still used today, though the stirring is done mechanically instead of by hand:
The pots were at one point stirred with both iron and wood stirrers (depending on the spices), and as the iron sticks were “cleaning” the pots, many thought that Fer-net came from some rendition of “clean iron.” Which is, I have to say, a great story. Fernet Branca gets its signature bitter, herbal, rich taste from an wide assortment of herbs, roots, spices, and other ingredients, and there’s a giant, mind-blowing, round table in the museum where you can see the complete layout of ingredients:
I knew (hey, I’ve done a little research before) that there were around 40 ingredients, and that the list included such far-reaching items as gentian root, rhubarb, myrrh, cinchona bark, galanga, saffron, and others, but I learned while there that all the products used are completely natural, and that all the suppliers have to sign a code of sorts, that says the products were obtained in a non-exploitive way. Another (and this was fascinating to me, but hey, I’m interested in odd things) fact I learned is that the real secret in the secret recipe for Fernet-Branca is how the ingredients are treated in production. Only the family knows, and the Count himself still does the treating (which means he has to go to the other distillery, in Argentina, regularly). Cool, isn’t it? After spices, we got to see tons of hip old Fernet-Branca ads, including the first one to use the eagle-over-the-world logo:
This logo was created in 1895, due to the large amount of Fernet Branca imitations being shuffled out of back alleys—always look for the eagle bringing the Branca over the world to ensure you get the real thing. There are a number of side rooms along the museum’s main path, where you can get a better picture of how Branca workers worked back in the day (as they say), with an herbalist’s room, chemist’s room:
and more. The museum is persistent in remembering not just what was made, but those who made it—not to mention that the museum itself was built by current workers at the plant. Again, there’s that whole atmosphere of devotion to people and product, to stories and to history. After looking over the production process, the spices, and hearing about the history contained within, we walked into a room full of bottles, whole tables of old Fernet Branca bottles, and bottles of other products brought out by the company, including older bottles of Branca Menta (a minty-er and sweeter version of Fernet Branca released in 1965), bottles of Carpano Antica (Branca bought the Carpano company years ago in a particularly astute moment—Carpano Antica being the first Italian vermouth, and one still made partially by hand, and the Carpano company also making Italian vermouth Punt e’ Mes), and more bottles. There’s even a whole cabinet of Fernet Branca impersonators (I suppose success always leads to imitation):
Then we stopped in the bar room (of course the museum was going to have a bar at some point), talked a bit more about advertising, had some Carpano Antica (which I loved even before stopping, and which I was happy to have a glass of even at 11:30 AM), and saw a host of happening ads for the non-Fernet-Branca-Branca brands. If the tour ended now, I would have been more than happy–but we still had the actual distillery to see! Which I’ll talk more about in Part 2, so come on back. Oh, first, check out this sweet and colorful Punt e’ Mes ad (one of about, say, 96, that I wished I had on my walls at home):