December 29, 2020
I can’t believe it’s the end of 2020 (a crappy year, as you know, with some redeeming factors), which means there have been, well, 2,020 years plus a few more years of recorded Western history (I’m not here to debate history, and realize I’m generalizing in a big way, but hey, I write about drinks), and in all those years I haven’t had a Cocktail Talk from the immortal Dicken’s classic Little Dorrit! That’s an outrage! What have I been thinking? I haven’t, obviously. While Little Dorrit isn’t my all-time favorite Dickens, it’s definitely in the middle-high range, and as I love most all Dickens books a heck of a lot, that’s saying something! Be sure to read all the Dickens Cocktail Talks to hear more. But be sure to come back, too, cause you don’t want to miss these quotes from Dickens fairly-dark novel that’s unflinching in its views of his society (which is remarkably like ours, in some sad ways), while still being wonderfully comic, character-driven, lyric, and descriptive, with layers of stories that disconnect and then connect again and characters you won’t easily forget. Dickens! And, of course, there are some drinks, as he liked drinks and pubs like few other authors. Our first Little Dorrit Cocktail Talk – and there will be more, don’t you fret – features the hero (in a way of speaking) of the book, Arthur Clennam, sitting down for dinner with a now-much-changed love from his youth, and with her father.
Once upon a time Clennam had sat at that table taking no heed of anything but Flora; now the principal heed he took of Flora was to observe, against his will, that she was very fond of porter, that she combined a great deal of sherry with sentiment, and that if she were a little overgrown, it was upon substantial grounds. The last of the Patriarchs had always been a mighty eater, and he disposed of an immense quantity of solid food with the benignity of a good soul who was feeding some one else.
— Charles Dickens, Little Dorrit
December 18, 2020
Just weeks back, I had a Cocktail Talk from Qiu Xiaolong’s excellent Enigma of China, starring Chief Inspector Chen (be sure to read past Qiu Xiaolong Chen Cocktail Talks), in which we had a quote about classic Chinese poet Wang Xizi and a wine poem games he and other poets played, which is about the most amazing thing! Said poet from many years gone by (and the poets who played the wine poem game described) mostly hung out in the Chinese city (as it’s called today), Shaoxing. Now (and trust me, I’m bringing this all together, somewhat), also a few weeks back, some pals of mine from the wondrous Teacher’s Lounge dropped me off a bottle of what, it turns out, is Shaoxing wine! Also amazing. A fermented rice wine, it’s one of (I’ve read) the most famous of the genre, and one often used for cooking as well as drinking – actually, it’s a key cooking ingredient, due to its herbal-ish, funky-ish, fruit-y taste. But I believe that taste means that it can make a swell cocktail, too, and I think in this drink here, The Orchid Canopy (the name’s a shout out to Wang, too!), proves it. I felt something as personality-rich as Shaoxing wine needed a drinking partner that could stand up to it while mingling, and after some testing, came up with: port! Specifically, Sandeman 10-year-old Tawny port, which is a lush number that’s also fruity, with hint of nutty, too. Those notes, with more emphasis on the “fruity” but stone fruity (equaling a little nuttiness, too), are echoed in our third and last ingredient: Rothman and Winter Apricot liqueur. With these three ingredients, we have a cocktail that’s fit for a gathering of poets. Heck, they might even play a cocktail poem game with it!
The Orchard Canopy
1-1/2 ounces Shaoxing rice wine
1-1/2 ounces Sandeman 10-year-old Tawny port
3/4 ounces Rothman and Winter Apricot liqueur
Orange twist, for garnish
1. Fill a cocktail shaker or mixing glass halfway full with cracked ice. Add our three poetic ingredients, and stir well.
2. Strain into a cocktail glass. Garnish with a good-sized orange twist. Drink, write poems, drink more.
September 29, 2020
Oh, Anthony Trollope, what more can I say? I mean, I’ve had a whole bar’s worth of Anthony Trollope Cocktail Talk posts, with many words unfurled on my love of and like of nearly every book in the Anthony Trollope canon, as I own nearly every single book he wrote, which is saying something as he was prolific as apple pie (whatever that means; he wrote lots of books). But there are still a few books out in the book wild by Trollope that I don’t have, and every time I discover one, I am happy as, oh, a kid at their birthday. And guess what? The other day I did indeed find a Trollope book I didn’t have, the Early Short Stories collection. A couple stories in it I had read (in the Lotta Schmidt and Other Stories collection), but most I hadn’t, and it’s been a treat reading them, a treat! Many take place all-round-the-world, though the one we’re Cocktail Talk-ing today takes place in Ireland, where Trollope lived for years, and set a few early books, and is called “The O’Conors of Castle Conors,” and ends on a happy note and with at tray of . . . well, you’ll see below.
“And Patsey,” said she, “ride for your life; and Patsey, whatever you do, don’t come back without Mr. Green’s pumps—his dancing-shoes you know.”
And in about two hours the pumps did arrive; and I don’t think I ever spent a pleasanter evening or got more satisfaction out of a pair of shoes. They had not been two minutes on my feet before Larry was carrying a tray of Negus across the room in those which I had worn at dinner.
“The Dillon girls are going to stay here,” said Fanny as I wished her good night at two o’clock. “And we’ll have dancing every evening as long as you remain.”
— Anthony Trollope, “The O’Conors of Castle Conors”
March 5, 2019
Let’s have one more from the fine three-novels-in-one-book Fletcher Flora collection from Stark House. We’ve had quotes from the first two books in there (check out all of the Fletcher Flora Cocktail Talks to see those – and more!), and to bring things all full circle and such, wanted to have one from the last book, Take Me Home. While it was probably my least favorite of the three, it, like the others especially when taken all together, shows the versatility and reach of Flora. Take Me Home is definitely still a good read, just leaning more towards noir-ish slice of life of a few characters in, if not desperate, awfully close, states. As opposed to the more mystery-side, or crime side, of the first two books. And the below quote about port is one no-one wants to miss.
“Dark port would be nice,” she said. “It’s not so dry as some of the others, and besides, it’s stronger than most of them.”
“You mean it has more alcohol?”
“Yes. Port has around twenty per cent and most of the dry wines have only twelve or fourteen.”
“That’s a good thing to know. I’ll remember that.”
“Oh yes. Port is six or eight percent stronger.”
“A bottle of dark port, please” Henry said to the clerk.
–Fletcher Flora, Take Me Home
August 25, 2017
Just two short weeks ago (which can seem a lifetime during the savorable days of late summer) I had a drink here on the Spike Punch called the SPF – Silver Port Fizz. It featured Sandeman 10-year-old Tawny Porto, in what may have been an odd move for some, port not being a sunshine-y drink companion for many. But this Sandeman Tawny! It’s so fruity, and so full of flavor that it begs (not literally, as wine, spirits, and liqueurs shouldn’t really be talking to you) to be used in summer drinks, fruit being such a key element of the season’s liquid fare.
It’s so worthy that I couldn’t help myself dreaming up other drinks utilizing Sandeman Tawny Porto 10 to be had when the Mercury has risen and ol’ sol is beating down. And that leads us to Summer’s Charm and Courtesy. Less obviously a summer drink then our last refreshing port number, this drink bring out summer through a wave of fruit notes, all subtle separately but coming together in a rapturous (well, drinks can be rapturous, too, right?) layered lush sip after sip. It starts with the Sandeman, which delivers fruit and jam and a hint of nutty and oak, then moves into Plantation Stiggins’ Fancy pineapple rum (a nice note also between all the recent Dickens’ posts), which is a dream, Pierre Ferrand orange curaçao, Fee Brothers West Indian orange bitters, and a little lime. Then, as the last act of courtesy (and in my mind, one can’t be too courteous), a little fresh mint.
It’s just so darn fruity! And so darn good! Darn, give this a try before another sunrise and sunset pass along past us. You’ll be happy, I’ll be happy, the sun will be happy, and all will be well.
Summer’s Charm and Courtesy
1-1/2 ounces Sandeman 10-year-old Tawny Porto
1/2 ounce Plantation Stiggins’ Fancy pineapple rum
1/2 ounce Pierre Ferrand orange curaçao
2 dashes Fee Brothers West Indian orange bitters
1/4 ounce freshly squeezed lime juice
Fresh mint sprig, for garnish
1. Fill a cocktail shaker halfway full with ice cubes. Add everything by the mint. Shake well.
2. Strain through a fine strainer into a cocktail glass. Garnish with the mint. Enjoy.
June 20, 2017
My love of Anthony Trollope
is much documented on the many pages of this blog (so many, many pages). You probably are sick of hearing me go on and on, in my spot as the Trollope standard bearer for this here century. But maybe you aren’t – I’m going to believe that, and drop another Trollope quote in, this time from The Claverings
, which, as the back cover tells you, is one of Trollope’s “three faultless books.” They all seem fairly faultless to me (well, okay, maybe that’s overstating), but I do wonder what the back cover blurber thought the other
two were? I’ll never know, but I do know that I don’t drink enough port, so if you want to bring me a bottle (as in the below) I won’t turn it down.
When dinner was over, Burton got up from his seat. “Harry,” said he, “do you like good wine?” Harry said that he did. Whatever women may say about wild fowl, men never profess an indifference to good wine, although there is a theory about the world, quite as incorrect as it is general, that they have given up drinking it. “Indeed I do,” said Harry. “Then I’ll give you a bottle of port,” said Burton, and so saying he left the room.
“I’m very glad you have come to-day,” said Jones, with much gravity. “He never gives me any of that when I’m alone with him; and he never, by any means, brings it out for company.”
“You don’t mean to accuse him of drinking it alone, Tom?” said his sister, laughing.
“I don’t know when he drinks it; I only know when he doesn’t.”
The wine was decanted with as much care as had been given to the concoction of the gravy, and the clearness of the dark liquid was scrutinized with an eye that was full of anxious care. “Now, Cissy, what do you think of that? She knows a glass of good wine when she gets it, as well as you do Harry, in spite of her contempt for the duck.”
— Anthony Trollope, The Claverings
October 4, 2016
Published originally in 1838 (that’s when it started publication, at least, as it was a serial as many books were back then), Nicholas Nickleby hasn’t yet been featured in a Cocktail Talk post, which is a little surprising, since I’ve had a fair amount of Dickens Cocktail Talking. While it’s not my favorite Dickens, and maybe is considered second tier, that just means it’s amazing. It’s a little more romantic in a way then many Dickens books, and has a more Trollopean ending (if that makes sense), but I sorta like that. It’s a long read, too, which for many today in our rush-rush world is tough (wimps), but well worth reading, and sticking with, as it really starts to roll and then you get completely involved with our eponymous hero and his family, and enemies. But while it’s here, of course, is because like most Dickens (all, probably, would be safe) books, there’s a fair amount of times in pubs, at punch bowls, and just folks sipping this and that. Enough so that I’m planning a number of quotes from it here, maybe even the whole month! Let’s see how it goes, shall we? Dickens would be happy about it, I think (he’s probably one of the most, be-fun-to-have-a-drink-with authors throughout history). I’m going to start with one from a fair of sorts, where there’s a tent with a rouge-et-noir table with a loud barker, bringing people in to play with the promise of bubbly and more.
‘Gentlemen, we’ve port, sherry, cigars, and most excellent champagne. Here, wai-ter, bring a bottle of champagne, and let’s have a dozen or fifteen cigars here–and let’s be comfortable, gentlemen–and bring some clean glasses–any time while the ball rolls!–I lost one hundred and thirty-seven pound yesterday, gentlemen, at one roll of the ball, I did indeed!–how do you do, sir?’ (recognising some knowing gentleman without any halt or change of voice, and giving a wink so slight that it seems an accident), ‘will you take a glass of sherry, sir?–here, wai-ter! bring a clean glass, and hand the sherry to this gentleman–and hand it round, will you, waiter?–this is the rooge-a-nore from Paris, gentlemen–any time while the ball rolls!–gentlemen, make your game, and back your own opinions–it’s the rooge-a-nore from Paris– quite a new game, I brought it over myself, I did indeed–gentlemen, the ball’s a-rolling!’
— Charles Dickens, Nicholas Nickleby