March 22, 2022
First, before taking in all or even another word, don’t bypass the Killer Take Call Cocktail Talk Part I, to not only find out more about this pulp-tastic thrill and kill ride by James O. Causey (an author I didn’t know before reading this page-turner, but who I am excited to track down more from), but to also find a stitch more about (and be pointed to even more information about) the book that shares a spine with this in my version, The Deadly Pick-up by Milton K. Ozaki. That’s right, I myself picked up a double book book with both of these deadly delights! Which somewhat describes the bar below, too, where the narrator (who gets in a whole peck of trouble, and then more of the same, in the book) orders of all things a Pernod, not something found in too many pulp fictions.
The bar was a murk of red light and cigarette smoke. The erotic sob of invisible violins counterpointed hushed giggles from the booths. It was like a hall of mirrors, the garish light distorting expressions, accenting the slyness, the moist smiles, the shamed hunger.
The bartender drifted over, soundless as a snake. He looking like the doorman’s twin brother.
“Pernod,” I said.
He gave me a half-moon grin and moved down the bar. That order had branded me as one of the boys. I belonged.
–James O. Causey, Killer Take All
March 15, 2022
Just a week ago I talked about the double book book I’d recently picked up, talked about in The Deadly Pick-up Cocktail Talk post, that is, and therein mentioned the second book of the one-book duo, Killer Take All, by James O. Causey. And you know what? Today we are Cocktail Talking from that very book. It’s a swell piece of pulp pleasure, too, hitting the same pace and at least near the style of longtime fav Day Keene (read more Day Keene Cocktail Talks while you’re here why dontacha). By that I mean, our hero/narrator (who happens to be a golfer! Of all pulpy things) gets into trouble, then more trouble, then trouble piles on another layer of troubles, and troubling on and on until you feel there is no way he can get outta the trouble hole. Plus: some mobsters and ex-mobsters, an ex-girlfriend who may be untrustworthy, a cop who may be the opposite, loads of other shady intriguing figures, and (if that wasn’t enough) an old master painting playing a big part. Plus booze! And bars! A dandy, dandy read.
Stephen reached into his jacket pocket and brought out a pint of bonded bourbon. “Open it, Tony? We could both stand some anti-freeze.”
I took a deep slug. It was good whiskey. Stephen kept his eyes on the compass as he reached for the pint and downed almost half of it.
“Hey, you’re driving, remember?”
He took another slug and grinned, showing even white teeth. “Breakfast, man.”
–James O. Causey, Killer Take All
Tags: bonded bourbon, bourbon, bourbon for breakfast, Cocktail Talk, James O. Causey, Killer Take All, Part I, pulp, two-books-in-one, Whiskey
Posted in: Cocktail Talk, Whiskey
March 8, 2022
I recently picked up (hahaha) a type of book I dig, and one you don’t see as much anymore (though maybe they’re making a small comeback? Here’s hoping): the double book book. The two-complete-novels-under-one-spine book, the a-cover-on-each-side book, the take-the-awesome-and-twice-it (in the best circumstances) book! I love the idea of having two books at once, so was stoked to get the Armchair Fiction (a publisher it seems I need to look out for) double book book that combines a pulsating pulp twosome: The Deadly Pick-up, by Milton K. Ozaki, and Killer Take All, by James O. Causey. Were these two noir-sters put together cause they both utilize that middle initial so well? Maybe? But I think it’s mainly cause both of these books hit that pulpy, noiry, sweet spot of fast pace, seemingly inescapable problems for our narrators, some swell and shady characters (and often trouble deciding which is which), some trouble, some dark nights, and some booze-y boozing. Today’s Cocktail Talk is from The Deadly Pick-up, which is about as straightforward a title as you could imagine: recent Chicago transplant Gordon Banner offers a ride to a blond beauty, who then is murdered in her apartment while salesman Mr. Banner is waiting in his car downstairs, leading to him being the prime suspect, gangsters, other ladies and gentlemen who help, hinder, and harass him, and stops at many bars, including the one below.
It was 8:30 when I entered the Flask Club and wormed my way past a long crowded bar where four white jacketed bartenders were performing feats of alcoholic interest. At the rear was a huge room littered with closely spaced tables and chairs. The walls looked as though a whirlwind had flung huge gusts of newspapers against it and plastered them there, permanently imbedding their headlines in the calcimine. A dark-haired red-mouthed girl in black slacks and tight white blouse swung toward me and lead the way to a tiny table against a wall. She leaned against my shoulder, giving me a whiff of her body odor and glimpse of the dep V between her breasts while she lit a stub of candle, which projected from a wax-dappled Ehrlenmeyer flask set between the salt and pepper shakers. That rite duly performed to her satisfaction, she straightened and asked, “What’ll ya have?”
“Something to eat,” I told her.
“Okay. I’ll get a menu. Drink?”
“You might bring me an Old Fashioned.”
“Sure thing.”
— Milton K. Ozaki, The Deadly Pick-up
