October 26, 2010
Chester Himes is one fantastic and fantastically varied writer. He’s written novels a plenty, known for their rigorous politics, but never getting bogged down by them, more rollicking stories, and pure polemics. But he’s probably best known for his series of Harlem crime books, which star two unforgettable police detectives, Coffin Ed Johnson and Grave Digger Jones. These books, for me, manage what most “crime” books don’t, which is to create a universe so complete and entertaining and real that the mysteries or crimes become, not secondary, but only a part of the whole, instead of the only thing tying a book together. The fact that many characters hit a variety of bars and have drinks a’poppin’ doesn’t hurt either. This quote is from The Crazy Kill, and if you don’t always want your drinks ice-cold, you’ll appreciate it (really, you’ll appreciate it no matter what I’ll bet).
When Johnny sat down the waitress came with the menu, and PeeWee brought in a big glass pitcher of lemonade, with slices of lemons and limes and big chunks of ice floating in it.
‘I want a Singapore Sling,’ Dulcy said.
Johnny gave her a look.
‘Well, brandy and soda then. You know good and well that ice-cold drinks give me indigestion.’
–Chester Himes, The Crazy Kill
October 16, 2010
Before leaving for Italy (detailed on my blog Six Months In Italy), I went through and re-read almost all the Easy Rawlins books by Walter Mosley. I think Mosley is one of the finest writers living today, and think the Easy Rawlins books are the best Mosley books (and too often talked about only as detective fiction, which is silly as they transcend genre by the end of the first page, if not the first sentence, of the first book, Devil in a Blue Dress). These books are, like Dickens in a way, imaginative tour de forces due to their ability to summon up a specific time and place (LA is the place for Easy Rawlins, with the times starting in the 50s and moving on up) so completely you become completely immersed in it, and in the characters, which feel real in their motivations and feelings and actions and thoughts, as real as people who walked the earth at any time in history. So, if you haven’t read Mosley, get after it. Black Betty is a book in the middle part of the Easy Rawlins collection, and this quote is one of the best I’ve read about whiskey, the soul of it and the underlying personality whiskey carries with every sip.
There are few things as beautiful as a glass bottle filled with deep amber whiskey. Liquor shines when the light hits it, reminiscent of precious things like jewels and gold. But whiskey is better than some lifeless bracelet or coronet. Whiskey is a living thing capable of any emotion that you are. It’s love and deep laughter and brotherhood of the type that bonds nations together.
Whiskey is your friend when nobody else comes around.
And whiskey is solace that holds you tighter than most lovers can.
–Walter Mosley, Black Betty
September 24, 2010
For the last poem in In Their Cups week 2010 (celebrating the release and release party this Sunday for In Their Cups and the drinking poems contained therein, as if you didn’t know), I wanted to highlight one of the two poems in book by Ed Skoog (I should mention though, that he also has translations in the book from three languages–you’ll have to look to find out which languages). Without Ed, In Their Cups would have been called “Cups with Holes” and been awfully leaky, cause he not only let me put poems and translations of his own in the book, but helped me track down more poems that made the cut and are in the book, gave advice on ordering of poems and sections, drank a lot with me during the putting together of the book, and was generally helpful in every way you can think of plus a few more you’d forgotten.
If you don’t know already, Ed is one of the best poets anywhere alive today–buy his book Mister Skylight and you will be changed–but is also a drink maker of some renown, a drink consumer of much renown, and a sweet banjo player to boot who can sing the high lonesome like few others (even after a few–let’s say 5-to-10–shots). If you ever are going into a bar for the long haul (which I’m guessing you will be, probably soon), bring him along. Or at least bring this poem of his about New Orleans’ Saturn Bar, a truly divine dive, along with you as an Ed sub.
The Last Saturn Bar Poem
Around the art barn, Mike Frolich’s bar-tab
bartered paintings hang the hell that rose with him
from the Gulf of Mexico floor too fast, torturing
blood with air: maniac fish, demon in a diving bell,
and then from cadmium sunset through marsh comes
the boat bearing forward in grand roving the name
O’Neal, our bartender. Theirs are the dreams we enter,
entering the Saturn Bar’s owly heat re-tooled for unlovely
loss, the rattled corner leaning away from Chartreuse, neat,
and when I’m able to dream jukebox damaged warbling,
a Saturn-like-thing opens within me, but this is the last
Saturn Bar poem–I’ll try, I’ll try–to stop singing
shadows of St. Claude and Clouet on security camera
pavement grays we keep talking about with increasing
reluctance, ready to move on to fresh bewilderments,
spiraling neon, neon that lights up my nameless shot.
—The Last Saturn Bar Poem, Ed Skoog
Tags: Bars, Cocktail Talk, drinking poems, Ed Skoog, In Their Cups, The Last Saturn Bar Poem
Posted in: Bars, Cocktail Talk, drinking poems, Drinking Writer, Ed Skoog, In Their Cups
September 23, 2010
Continuing on with our week of poems from In Their Cups (in honor of the upcoming release reading which you already know lots about, and have told your friends about, and that hottie you see at the bus station) comes the poem with maybe my favorite title in the book: “Oh, For a Bowl of Fat Canary.” It’s by John Lyly, a writer in the late 1500s who had a way with words and drinks, and seems like someone you (and me) would want to spend a rowdy evening with, drinking and becoming jolly. “Canary” does not mean he was boozy enough to eat birds though. “Canary” was actually a type of sack from the Canary islands (with sack being an old term for a fortified white wine). Now, that makes it all a bit less unfriendly to our feathered friends.
Oh, For a Bowl of Fat Canary
Oh, for a bowl of fat Canary,
Rich Palermo, sparkling Sherry,
Some nectar else, from Juno’s dairy;
Oh, these draughts would make us merry!
Oh, for a wench (I deal in faces,
And in other daintier things);
Tickled am I with her embraces,
Fine dancing in such fairy rings.
Oh, for a plump fat leg of mutton,
Veal, lamb, capon, pig, and coney;
None is happy but a glutton,
None an ass but who want money.
Wines indeed and girls are good,
But brave victuals feast the blood;
For wenches, wine, and lusty cheer,
Jove would leap down to surfeit here.
—Oh, For a Bowl of Fat Canary, John Lyly
September 21, 2010
In Their Cups week continues here at Spiked Punch, with another poem from the raddest collection of drinking and drinkers poems I’ve ever been associated with up to date (if you missed it, it’s a week celebrating In Their Cups because of a certain reading this Sunday). For today’s pick, I’m going with a poem celebrating one of my favorite drinks, and the drink to have the first Saturday in May–the Mint Julep of course. This poem about the legendary birth of the Mint Julep is by Charles Fenno Hoffmann, who was a New York writer, editor, and critic in the 1800s. If you’ve ever had a truly well-made Mint Julep (on May 1st or any other day), you’ll understand why he’d write such a ringing and singing and immortalizing number about the drink (and if you haven’t had a Mint Julep that matches the below, maybe we need to get you a better recipe or point you to a different watering hole).
The Mint Julep
‘Tis said that the gods on Olympus of old
(And who the bright legend profanes with a doubt?)
One night, ’mid their revels, by Bacchus were told
That his last butt of nectar had somehow run out!
But determined to send round the goblet once more,
They sued to the fairer immortals for aid
In composing a draught which, till drinking were o’er,
Should cast every wine ever drank in the shade.
Grave Ceres herself blithely yielded her corn,
And the spirit that lives in each amber-hued grain,
And which first had its birth from the dew of the morn,
Was taught to steal out in bright dewdrops again.
Pomona, whose choicest of fruits on the board
Were scattered profusely in every one’s reach,
When called on a tribute to cull from the hoard,
Expressed the mild juice of the delicate peach.
The liquids were mingled while Venus looked on
With glances so fraught with sweet magical power,
That the honey of Hybla, e’en when they were gone,
Has never been missed in the draught from that hour
Flora, then, from her bosom of fragrancy, shook,
And with roseate fingers pressed down in the bowl,
All dripping and fresh as it came from the brook,
The herb whose aroma should flavor the whole.
The draught was delicious, and loud the acclaim,
Though something seemed wanting for all to bewail,
But Juleps the drink of immortals became,
When Jove himself added a handful of hail.
— The Mint Julep, Charles Fenno Hoffmann
September 19, 2010
With the release reading for In Their Cups: An Anthology of Poems about Drinking Places, Drinks, and Drinkers just around the corner (and by “just around the corner” I mean Sunday, September 26th, at 3 pm, at the almighty Open Books), I wanted to prime the proverbial poetic drunken pump with a couple choice selections from said book. To get things started, much like the book itself gets started, here’s Keats’ rollicking reverie to his favorite bar, the Mermaid Tavern. It’s somehow weirdly (well, maybe it’s not weird–what do you 
think, bar lovers?) reassuring to me that Keats had a favorite drinking spot in the early 1800s that he wrote about, and by his writing I think I might have enjoyed sitting there with pals having pints (and the occasional Dog’s Nose, as they did at the time). So, take a step back with Mr. Keats before all this internet-y-ness, when folks actually did their talking and drinking face-to-face.
Lines on the Mermaid Tavern
Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
Have ye tippled drink more fine
Than mine host’s Canary wine?
Or are fruits of Paradise
Sweeter than those dainty pies
Of venison? O generous food!
Drest as though bold Robin Hood
Would, with his maid Marian,
Sup and bowse from horn and can.
I have heard that on a day
Mine host’s sign-board flew away,
Nobody knew whither, till
An astrologer’s old quill
To a sheepskin gave the story,
Said he saw you in your glory,
Underneath a new old-sign
Sipping beverage divine,
And pledging with contented smack
The Mermaid in the Zodiac.
Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?
— Lines on the Mermaid Tavern, John Keats
August 6, 2010
Dorothy Sayers isn’t an author I’ve read a lot of, even though she’s a mystery grande dame, whatever that means. I think it’s cause I don’t like her name (well, honesty hurts), or that having a love for one English drawing room mystery writer is enough (and I’m a Christy guy). All of which is stupid, cause not only have I enjoyed the few stories of hers that I’ve read, but she also wrote the poems, translated the divine Divine Commedia, was a generally nice lady, and her most well-known sleuth’s name is Lord Peter Wimsey. Lord Peter Wimsey is a fantastic name. So, Dorothy, here’s to me finally taking the plunge with you in a larger way, starting with this quote from her story “The Queen’s Square,” a quote I give to you cause it’s about gin and the youth of today (or everyday) who can’t get enough of that juniper stuff.
“You could,” retorted the old lady, “if you looked after your stomach and your morals. Here comes Frank Bellingham–looking for a drink, no doubt. Young people today seem to be positively pickled in gin.”
–Dorothy L. Sayers, “The Queen’s Square”
June 25, 2010
These days, everyone wants to go Hollywood (welcome to Hollywood, what’s your dream). Or is it Bollywood? I get confused now and again. Of course, I also picture Hollywood as filled with Carole Lombards and not a bunch of over-tanned floozies, so I may be a little out of touch. But no matter, because either way you serve it up, Wine Cocktails is making a summertime hit in the land of lovelies. Not via a Greyhound bus tour, as you might expect, but via a very nice article entitled “Cocktails bring the beach home” that was in the O.C. Register. The article, by the witty and friendly Cathy Thomas, isn’t just about the W.Cs., but does have a lot of drinks from it, as well as quotes from yours truly. So, why not transport yourself by going and reading it. Right now. Or very soon after now.
PS: I fully realize that Hollywood isn’t in the O.C. But how much fun would we have just had in the above paragraph if I would have started it by saying “These days, everyone wants to go to Santa Ana?” Not nearly as much.
