April 2, 2012

Cocktail Talk: The Mamelukes May Love

It’s now just about a year since the beginning of wife Nat and I’s last month of Italian pre-tirement (if that makes sense–we came back May of last year). Which is, if not tragic, at least personally sad. Luckily, there’s wine here–even if it does come packing a lot of markup. But it’s here, and brings some of Italy along with it. And luckily there’s Francesco Redi. Who was a physician (to some of those Medici dukes), scientist, and poet. Those days you could be more of everything (and by those days, I mean the 1600s). He was also from Arezzo (where I spent a few fun days when living there) and wrote the poem “The Mamelukes May Love,” all about wine (said poem translated in In Their Cups). The bottom is just the poem’s finale—hey, you can buy the book for the whole thing and help me get back to Italy.

Sweet ladies,
for a moment, do not drink,
but run your  fingers like garlands
through my hair. I won’t crave your
sugary egg punch, or golden
sorbets, a thousand fragranced waters,
because these indolent drinks are only
for your sweet lips. Wine, wine
is for those desire euphoria,
to forget their fears. But be not shy about it–
I tip my glasses crazily, happily,
at least six times a year.

— Francesco Redi, The Mamelukes May Love

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March 30, 2012

The Last Bottle of Bindolo

Sometimes, I’m almost too sad to write more than one sentence. Or six. This is one of those times, because we recently finished our last bottle of Bindolo, the wine from Donini we drank a fair amount of when we lived in Italy. You can read more about Bindolo and Donini in this past post, and then get on a plane and go pick some up (and tell Diego hello for us). Me, I’m going to look at the picture and tear up (though the sadness is partially offset by the fact that we shared that last bottle with pals Rebecca, who makes the great Deluxe jams and cocktail syrups, and Eric, who owns the best bike shop in Seattle, JRA. At least we had that last bottle with awesome folks).

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January 8, 2012

Cocktail Talk: A Case of Two Cities

In an earlier Cocktail Talk post, I had a quote from Qiu Xiaolong’s book Death of a Red Heroine (which I highly recommended then and still do now), and talked a bit about the author and his main character in the series, Shanghai poet and Chief Inspector Chen (though Chen’s second-in-command Detective Yu gets a lot of deserved face time on the page, too, with chapters often switching off with the two as alternating protagonists). So, for more background, go read that post. Cause here I just want to get straight into this quote, which is from a book in the series called A Case of Two Cities, which takes place not only in late 20th century Shanghai but also Los Angeles and St. Louis. This quote is actually Chen remembering “a short poem by Wang Han, an eighth-century Tang dynasty poet,” and would have made a dandy addition to In Their Cups: An Anthology of Poems About Drinking Places, Drinkers, and Drinks had I known of it.

 
Oh the mellow wine shimmering
in the luminous stone cup!
I am going to drink
on the horse
when the army Pipa starts
urging me to charge out.


Oh, do not laugh
if I fall dead
drink in the battlefield.
How many soldiers
have really come back home
since time immemorial?

–Wang Han, quoted in Qiu Xiaolong’s A Case of Two Cities

July 19, 2011

Cocktail Talk: Ayala’s Angel

Ayala’s Angel sounds a bit like a not-tawdry-enough romance novel that you’d find in the quarter bin of a bookstore specializing in romance trade-ins and the occasional “art” book. While it does have a bit of romance, if you decided not to read the book solely because of the connotations involved with the title, you’d be one sad reader, pal. Cause it’s an Anthony Trollope number, and while it has its fair share of yucks and laffs (perhaps it is as gently witty towards its main characters as any Trollope I’ve read), they’re surrounded by that eye for everyday detail that makes Trollope (along with the fact that his characters are memorable, his prose is sweet, etc, etc) so enjoyable to read. And the fact that it contains the following quote that references a particular vintage of claret (Trollope was so fond of this winery he bought–as the book’s notes tell us–24 bottles in one go) makes the book even better. Any reverence for a particular booze bears repeating:

 

But before the end of the first fortnight there grew upon her a feeling that even bank notes become tawdry if you are taught to use them as curl-papers. It may be said that nothing in the world is charming unless it be achieved at some trouble. If it rained ’64 Leoville–which I regard as the most divine of nectars–I feel sure that I should never raise it to my lips.

 

Ayala’s Angel, Anthony Trollope

October 29, 2010

Hey Importers! Bring Donini to Seattle by April

I was pal-ing around with my pal Keith here in Italy the other day (he and his wife, pal Tashsa, were visiting here recently–you can read more about it either now or soon on my blog Six Months In Italy), and we randomly stopped by this winery/wine-tasting place in Trestina while wife Nat and Tasha were shopping in the Eurospar next door. The winery, called Donini, was dark, but we thought we saw some lights on in back, and so tried the door. Which opened, but it just looked closed when we peered further inside, and we didn’t see anybody in the front room, though the lights were on in the wine room (meaning, the room with big vats of wine in it), and so we shut the door and started walking away. We got about ten feet when the door re-opened behind us and a friendly-looking fella walked out, giving us a hollar and an invite to c’mon back in and look around. The space inside was really cozy, with stacks of wine from Donini in front, and then tables and lots of other wines and boozes in back. The Donini wine was incredibly reasonable, and we were browsing it when the gentleman who let us in said “would you like to taste some?” We, naturally, jumped like thirsty dogs at the chance, and Diego (which is what the gentleman’s name turned out to be) starting setting us up, bringing us glasses and bottles and crackers and bread and loads of smiles. Before long, Nat and Tash caught up with us, and so we sat around with Diego tasting wines and telling stories for a bit. All of which was great, but even better was that the wines were fantastic, and when considering the prices—super fantastic (we’re talking single digit Euros for a bottle, from two euro fifty for a frizzante summer sparkler to a mere nine euro for a 3 year aged vin santo that I’d serve the Queen, if I knew her). Perhaps Nat and I’s favorite (and a fav with Keith and Tash, too) was the Bindolo. It was a very young wine, meant to be consumed now, and had a flavor and personality that matched its name: naughty little boy. Very light on the tongue, very bouncy, and very bursting with berry accents and a schools-out style. We liked it enough that we bought 6 bottles (as well as some of that vin santo mentioned earlier, and that ultra-reasonable sparkler) and will probably get more; it’s just so easy going, an ideal dinner wine when you don’t want to be all stuffy and serious. Now, the only problem is this: Donini is impossible to get in the states at the moment. Diego said there was one spot in NY, but that’s a long way from Seattle. So, importers or wanna be importers, get on it! I want Donini available by the time I return in late April.

 

September 23, 2010

In Their Cups Week: John Lyly, Oh For a Bowl of Fat Canary

Continuing on with our week of poems from In Their Cups (in honor of the upcoming release reading which you already know lots about, and have told your friends about, and that hottie you see at the bus station) comes the poem with maybe my favorite title in the book: “Oh, For a Bowl of Fat Canary.” It’s by John Lyly, a writer in the late 1500s who had a way with words and drinks, and seems like someone you (and me) would want to spend a rowdy evening with, drinking and becoming jolly. “Canary” does not mean he was boozy enough to eat birds though. “Canary” was actually a type of sack from the Canary islands (with sack being an old term for a fortified white wine). Now, that makes it all a bit less unfriendly to our feathered friends.

 

Oh, For a Bowl of Fat Canary

 

Oh, for a bowl of fat Canary,

Rich Palermo, sparkling Sherry,

Some nectar else, from Juno’s dairy;

Oh, these draughts would make us merry!

 

Oh, for a wench (I deal in faces,

And in other daintier things);

Tickled am I with her embraces,

Fine dancing in such fairy rings.

 

Oh, for a plump fat leg of mutton,

Veal, lamb, capon, pig, and coney;

None is happy but a glutton,

None an ass but who want money.

 

Wines indeed and girls are good,

But brave victuals feast the blood;

For wenches, wine, and lusty cheer,

Jove would leap down to surfeit here.

 

Oh, For a Bowl of Fat Canary, John Lyly

May 28, 2010

Cocktail Talk: Kill and Tell

After the longish (or just plain long) Tom Waits post below, I thought I’d slip in a short couple of quotes from a book that almost echoes Waits (a book which is definitely the inspiration for the “ethics” scene in the Coen brothers’ film Miller’s Crossing, too), in that there are some shady and weird characters and everyone ends sad, dead, or drunk–a book called Kill and Tell. The first one’s about going into a bar, and the second about drinking at home (cause I wanted to cover the bases).

The bar was a fine old piece of imitation mahogany, and there was a fine old imitation Irishman in a white coat behind it.

We lifted our glasses to each other; the wine was cool and dry. I kept refilling our glasses while we ate, and when Jake brought the coffee Catherine asked him for some brandy. We were celebrating; each of us understood that.

“I think I’m drunk,” she told me.

“I’m drunk, too,” I said.

 

Kill and Tell, Howard Rigsby

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August 25, 2009

Wine Cocktails and Washington Spirits Article in Wino Magazine

If you don’t already know, Wino magazine is not a magazine catering solely to drunken reprobates. Though they probably are okay with that readership, too. It’s really a magazine all about Washington wines. And it’s free, and you should pick up every copy you can, cause the guys that put it out are fine fellows and very devoted to their wines (so devoted they drink about a cask a week. Ba-dump-bump). After a few glasses with Doug, the editor-in-chief, this summer, I convinced him that wine lovers would also be wine cocktails lovers with the right edging on, and also convinced him that the magazine should highlight a few of the fantastic new Washington spirits distilleries in an upcoming issue, because they’re new and deliver delicious product and need to be more known.

 

Little did I know that he’d be okay with me writing the article (I was okay with it, because it meant I got to visit the Pacific and Soft Tail distilleries and hang out with Mark and Dennis, the friendly and super knowledgeable distillers) and that he’d put a big review of the new book Wine Cocktails in the same issue as the article. Holy booze-tastico friends, that makes for a heck of an issue. Now, this doesn’t mean you shouldn’t have a hard copy (it’s free), but Wino also puts most of the articles on their site, so you can read the Wine Cocktails review and Be Still My Heart (the article about Pacific Distillery and Soft Tail Distillery) right from the safety and comfort of your work desk, or home desk, or couch if you’re all wireless’d up. There is also a recipe using Pacific’s Voyager gin and Absinthe Pacifique and a recipe using Soft Tail’s grappa after the article (forget the recipe header that says “Wine Cocktail recipes”–these aren’t necessarily that, but are necessarily tasty). While at the Wino site, I suggest checking every nook and cranny out, especially the online only A Bottle a Week feature (cause wine is healthy and you need more). But enough of me–head on over to Wino and start swilling.

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