May 18, 2010

Be the First on Your Block to Get Drunk and Read Poems

Maybe, just maybe, you live on a block of drinking poetry readers. If so, you’re lucky (and maybe sleepy, too, as poetry and drinking combined lead some to stay up all night). If not, or even (and maybe moreso) if so, then I want to let you know about the book that will change your life, and have you drinking and reading poems for days. The trick is (and this is how you can be a trendsetter, instead of a trend follower) that the book isn’t even out yet, but is pre-orderable, so you can be the first person you know to get it. It’s called In Their Cups: An Anthology of Poems About Drinking Places, Drinks, and Drinkers. I’d tell you about it in detail, but A: I edited it, so am bias’d, and B: I want to save some of my gushing for when it comes out proper, and C: the wonderful poet Richard Jackson already said this about it:

“Souls of poets dead and gone,” goes the line from Keats, but AJ Rathbun’s wonderful In Their Cups brings them back, at least for a few more drinks, and we too are invited in. And what company we enjoy: we can imagine classic poets as diverse as Catullus and Du Fu speaking to polar opposite modernists like Cesare Pavese and Appollinaire, perhaps interrupted here and there by diverse contemporary voices such as Mark Halliday and William Olsen. Rathbun has created a unique imaginary world here, adding a couple of his own fine poems to the conversation, where we can hear, with Richard Hugo, the “dusty jukebox crackling” on every page. This is a book you’ll want to raise a glass to.

 

Now, don’t be scared if you don’t cozy up with poets on an every day basis—you’re going to love it. I promise. Read it with drink in hand, and you’ll probably never put it down, until you fall down. Which is saying something.

 

PS: Want to see an actual poem that’s in the book to get you going? Check out here, and here.

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May 15, 2010

Cocktail Talk: Death at the Bar

Ohh, that title just makes me shudder: Death at the Bar. Perhaps the worst thing possible (well, okay, that’s a bit much—there are, in life, much worse things, but this is just a drinks blog, so give me some leeway), especially if it was a jolly evening. Which, in this book, by Ngaio Marsh (Ngaio is pronounced /ˈnaɪoʊ/ if you were wondering, and is a lady), isn’t 100% true, as the evening at the bar (a little English town bar called the Plume of Feathers. Which is fantastic, especially as it’s not a disco), is a tad contentious, with old fiesty relationships, and reds (in the commie way), and an arrogant lawyer, and more.

 

But it’s still a pretty good night (as the below quote points out, though it also has a bit of foreshadowing), until they decide to play darts. Because one of the characters is killed . . . by a dart. Or is he? You’ll have to read the darn book to find out, because I’m no spoiler.

Watchman had already taken three glasses of Treble Extra and, although sober, was willing to be less so. Parish, suddenly flamboyant, offered to bet Able a guinea that the brandy was not Courvoisier ’87, and on Abel shaking his head, said that if it was Courvoisier ’87, damn it, they’d kill a bottle of it there and then.

 

Death at the Bar, Ngaio Marsh

May 11, 2010

An Alsatian Prayer, with Beer Accents

Was sent the accompanying photo (which I’m hoping was from outside a bar–I mean, it has to be, right?) from pal Pat Jalbert-Levine, who is the wonderful person that ensures that my books from Harvard Common Press get done up right and make it to the printers on time (as well as about a million other things). It happened to be a long day at the salt mines when I got it, so it made my day hugely better (she’s both a geting-books-done superstar and a makes-the-day-better person. That’s a sweet combo). Here’s what she said about it (she sent it to me and boy PR genius Howard Stelzer, who loves himself some beer):

 

“I don’t know why this made me think of you. Oh wait, yes I do! I’m working on In Their Cups right now, and I know someone who’s a beer fanatic…! My mother forwards “joke emails” she gets from her family in France, and a recent one contained this picture. You’d have to know how the Lord’s Prayer goes in French to really get the cleverness, but anyway, here’s my attempt at a translation which would do it justice in English:”

 

Our beer who art in vats

Hallowed be thy foam

Let thy glass come

Let thy distribution be done

On the table as it is in the bar

Give us this day

Our daily hops

And forgive us our hangovers

As we forgive those

Who drink coca-cola

Lead us not into temptation

But deliver us from thirst

For thine are the bubbles, and aroma, and freshness

Now and forever

Amen

 

Isn’t that swell? I think so, and if you do, too, be sure to raise a toast to Pat next time you’re quaffing a cold one (and for that matter, raise a toast to Howie, as well, and to all the folks worldwide who are also, at the moment, drinking a beer. Now isn’t that nice to think about?).

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April 27, 2010

Colt 45 Is Blowing My Mind

Okay, I don’t usually like to post two old booze ads in a row, but I could not skip this Colt 45 add, because it is one of the strangest I’ve ever seen. I did not cut it weirdly in photoshop, or leave anything out. It actually says “Introductory offer: try this completely unique experience and we will send you.” That’s just freaky to me. Send me where? Another dimension? Mars? To a ditch? To a place where miniature women’s heads float around Colt 45 cans? To the pokey (this is my real guess)? To Colt 45 land? On a trip inside my own consciousness? That latter idea is obviously what’s happened, but I’m interested in hearing if any other folks have thoughts? As a side note: I’ve consumed some Colt 45 in my time. Usually when I wanted to prove my gangster cred (of which I have none, really, but I thought Colt 45 was tough) or when it was the only option. So, I’m not coming down on it (completely). I am feeling mind-blown by their ad, though, so much so that I might need to drink some Colt 45 soon. Which means, I guess, that the ad works.

 

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April 20, 2010

Metaxa: Yummy, but Deadly

It’s not often (read that as: never) that I’ll try to shy someone away from trying a new type of booze or liqueur. Especially one that’s as good as Metaxa (which is a blend of brandy and wine and mythology). And I sure don’t want the ghost of Spyros Metaxas (he who created Metaxa) haunting me. But if Metaxa starts causing people to die or instantly pass out at the table, and then carom off of the sip of it into their dining companions, thereby ruining the date, then hey, maybe those sad people should stay away. Or, at least, don’t show up so drunk that you can’t enjoy the Metaxa, but just pass out into someone’s forehead as in the below. At least it’s a happy death/passing out (but why wouldn’t it be–by my count, they’ve emptied at least six different drinks). Looking at the smiles, I’m taking back my earlier warning. We’ve all got to go, so why not go with a grin and a good buzz brought on by intriguing Greek beverages?

 

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April 16, 2010

To Gin (Yes, You Get to Read a Poem)

This was originally published in the Spring 2010 Issue of the Khaos Apocrypher (a magazine you can sign up to receive, if you’re interested. Just email Dr. Gonzo, who I’m hoping doesn’t care that I’m putting this poem up here. But if he does, I’ll just buy him some gin. And, speaking of, I suggest sipping a gin cocktail while reading this. So, go shake or stir one up. Okay, you back? Let’s continue).

 

To Gin

 

It’s 10 am, and the word gin spills

out accompanied by a gentle twitch, Junipers communis

and I’m stuck in office chairs and prickly socks

distilled to only a toast: here’s to brisk bottles

 

and hosts, a soldiery row at ease waiting

for another vested soul  to pull them down,

to start gin’s accented engine. Where to begin,

in my dream of gin? I’ll open with noon’s

 

luncheon sin, a Martini made on dry’s couth

side, winnowed twist, skip the olive, its briny mistake

like the sobering taste in your mouth

from a long-forgotten  first date,

 

then I say amble into another kick in short pants,

a opaque smile designed for those desiring  lack,

gin’s pocket compass, the Gimlet camped

in cocktail glass freshly limed, please, or take

 

it back and listen to me swear, thirsty.

And then there’s the way I lisp, like a trout,

after three Bronx in row, orange blessing

and fraternal vermouths, gin within and without

 

while I’ve lost another hour, now, absent gin’s zoo,

gin’s mill, gin’s soak, boots, piano, truth,

gin burn and gin singe, tingle and curaçao

blossoming into caraway and angelica root.

 

Give me the Rickey’s twentieth century sass,

bubble my black suspenders with Vespers nightly

losing sleep with Lillet before breakfast,

get me a big tray made from lime’s core, a White Lady

 

up on the chaise, Cointreau cornered

by gin and it’s 2 pm, somewhere eyeballs eye

 Italians, gin’s Florentine mourner

wreathed in orange oil, bitter and red. But I

 

almost left the Campari out of the stanza

during my reverie of Negronis. I like mine up

but won’t turn gin away, even if tepid

I’ll take any highball, rocked and passed abruptly

 

across the room, a dimly lit gin sashay,

where the Last Word slips beneath sheets,

gin cuddling Marschino, Chartreuse, and lime swaying

into another ménage, making  gray sky incomplete

 

unless someone, me, you, drinks them penitent 

for what we will now receive: pass the gin, please,

echoes over cubes or neat, penitentiary

pleats or double strained, petticoated , and greased

 

with Angostura. The preference of ladies, Pink.

The gin, after three straight rounds, speaks:

Old Tom, London Dry, Hollands, Genever, Plymouth.

Thinking Englishly, I’ll be round in an hour, work

 

winks at shaker boys, undress cocktail waitresses

of cocktail napkins, blame gin, naturally,

and gin will soak it all in, knows it takes us places

we long to live within, from the Cornwall’s

 

coast to the furnace room under my Pierre St.

pied-à-terre where I tipped a bottle with soda

and a sliver of scotch (gin’s not afraid to meet

another as it turns the dark to stars), a comma

 

to New Orleans, Henry C. Ramos, and gin’s comfortable

motion, full conjunction between juices lime and lemon,

sugar, cream, egg, divine orange flower water,

an afternoon’s worth in one glass and time,

 

time, time, there’s never enough gin

or enough balance on my credit card, it’s not even

the end of the day, but I won’t delay gin’s hard choices

longer, a sip here and there like a bartender’s grin,

 

I’ve finally reached the bar and the words I’ve lingered

until five to hear–what’ll it be friend

come without stopping. I breathe, unbend,

and say, finally, for me, make it gin.

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April 14, 2010

Come Have a Drink with Me at IACP

The International Association of Culinary Professionals (an organization of which I am a card- carrying member) is having its annual hoo-haw this month in pretty Portland, OR, the latter part of the week of the 19th. You can read more about the whole conference here, but I want to specifically tell you about (in case you’re going to be there, or in Portland at all that weekend) a cosmically coolerific cocktail party that the happening heroes at Harvard Common Press are throwing that week, on Friday, the 23rd, from 4:30 to 7. The HCP is the press that has put out my little volumes of lore, and so I get to be at the party. And best of all (as if that wasn’t enough)? This wing-ding is at the Teardrop Lounge, Portland’s penultimate cocktail palace. And if that’s not enough? Other sweetheart HCP authors are going to be there (including high rollers Fred Thompson, Paul Abercrombie, Linda Ziedrich, and Karen Adler & Judith Fertig) and the party is co-hosted by the world’s bestest booziest magazine, Imbibe. Jiminy! I don’t know how I won’t burst from excitement. So, come on by, have that drink, say hello, and have that second drink. I’ll be happy to see you there.

April 13, 2010

They Taste as Good as They Look (Awful)

Sometimes, an image just speaks for itself. Other times, there’s a rubber hand in the image, and it does the talking. On yet other times, there are two drinks that have colors you might expect to see if you hit your head on a rock—on Mars. On yet other times, you catalog bad ideas just by seeing them in print (Bacardi, a once brilliant brand, making premade cocktails that obviously must only be touched with fake hands). On yet other times, all of the above happens at once. It’s a wonder, to me, that the world didn’t implode. At least, as the ad says, “they taste like fresh tropical beauties should taste” on Mars. Well, that’s what they meant.

Rathbun on Film