May 15, 2010
Ohh, that title just makes me shudder: Death at the Bar. Perhaps the worst thing possible (well, okay, that’s a bit much—there are, in life, much worse things, but this is just a drinks blog, so give me some leeway), especially if it was a jolly evening. Which, in this book, by Ngaio Marsh (Ngaio is pronounced /ˈnaɪoʊ/ if you were wondering, and is a lady), isn’t 100% true, as the evening at the bar (a little English town bar called the Plume of Feathers. Which is fantastic, especially as it’s not a disco), is a tad contentious, with old fiesty relationships, and reds (in the commie way), and an arrogant lawyer, and more.
But it’s still a pretty good night (as the below quote points out, though it also has a bit of foreshadowing), until they decide to play darts. Because one of the characters is killed . . . by a dart. Or is he? You’ll have to read the darn book to find out, because I’m no spoiler.
Watchman had already taken three glasses of Treble Extra and, although sober, was willing to be less so. Parish, suddenly flamboyant, offered to bet Able a guinea that the brandy was not Courvoisier ’87, and on Abel shaking his head, said that if it was Courvoisier ’87, damn it, they’d kill a bottle of it there and then.
—Death at the Bar, Ngaio Marsh
May 11, 2010
Was sent the accompanying photo (which I’m hoping was from outside a bar–I mean, it has to be, right?) from pal Pat Jalbert-Levine, who is the wonderful person that ensures that my books from Harvard Common Press get done up right and make it to the printers on time (as well as about a million other things). It happened to be a long day at the salt mines when I got it, so it made my day hugely better (she’s both a geting-books-done superstar and a makes-the-day-better person. That’s a sweet combo). Here’s what she said about it (she sent it to me and boy PR genius Howard Stelzer, who loves himself some beer):
“I don’t know why this made me think of you. Oh wait, yes I do! I’m working on In Their Cups right now, and I know someone who’s a beer fanatic…! My mother forwards “joke emails” she gets from her family in France, and a recent one contained this picture. You’d have to know how the Lord’s Prayer goes in French to really get the cleverness, but anyway, here’s my attempt at a translation which would do it justice in English:”
Our beer who art in vats
Hallowed be thy foam
Let thy glass come
Let thy distribution be done
On the table as it is in the bar
Give us this day
Our daily hops
And forgive us our hangovers
As we forgive those
Who drink coca-cola
Lead us not into temptation
But deliver us from thirst
For thine are the bubbles, and aroma, and freshness
Now and forever
Amen
Isn’t that swell? I think so, and if you do, too, be sure to raise a toast to Pat next time you’re quaffing a cold one (and for that matter, raise a toast to Howie, as well, and to all the folks worldwide who are also, at the moment, drinking a beer. Now isn’t that nice to think about?).
March 2, 2010
Okay, that’s just a catchy headline in most situations, because in most situations I like my bars safe and booze-y and full of cozy chums. But for some reason, the below panel, from a knockout Stan Lee / George Tuska comic called “Acid Test!” printed in the October 1973 issue of Tales of the Zombie #2, (though originally presented in the July 1953 issue of Menace #5 under the title “Nightmare!”–huge props to the amazing pre- and post-code horror comics site The Horrors of It All, which is where I found this, and where I visit every day to get my chill on) made me think of how some days you go to a bar to forget, or try to forget, the murdering you’ve done. That’s all right, too (even if for most of us it’s symbolic murder, one hopes). Especially when the bartender below is such a dead ringer for bartending pal Andrew B. Or is it bartending pal Andrew F? Now that I look at it, a bit of both. The fact that the bartender turns out to be a certain famous evil-doer has nothing to do with it, naturally.
January 5, 2010
Okay, full disclosure straight up: the bar manager at the new (as opposed to the older version from a few years ago) Mistral Kitchen in Seattle is a pal of mine. A good pal, even. His name’s Andrew Bohrer, and I’ve blogged about him before, cause he makes damn good drinks, and isn’t all snooty about it (and his blog Cask Strength is full of booze and cursing, which is nice). Heck, I’ve heard him praise PBR as casually as Pappy’s 15-Year bourbon. Here he is, getting busy with pouring:
This all means that when wife Nat and I went to Mistral recently (during the “soft opening” phase) we were probably going to be pretty forgiving, if needed. But to get around the whole “of course you’ll say nice things, you know them” I’m going to keep commentary at a minimum, and go the photogenic route (which is great for me, cause I’m, well, hot and so inclined to like the photogenic route). The quick summary, though, before the photos (did you think I’d back out of editorializing completely?): the savory food was still being worked out, but solid ingredient choices, if pretty straightforward preparations (this on the veggie side); the dessert-y food was interesting and delicious and architectural and a step above the savory right now; the cocktail food was, well, great. Now, onward. We had some roasted veggies, but they weren’t as good as the wood-roasted mushrooms:
And we had a vinaigrette’d green salad (good, but pretty spare), which wasn’t as good as the cheese plate:
With the meal, Nat had an Aviation cocktail (we both went classically at first, picking off the old-school short bar menu), which was dreamy and cloudy like a cloudy dream:
I had the Mint Julep, which was made just right, with the right crackity-cracked ice, the right metal julep cup, and the right healthy amount of bourbon. Pretty, even:
For dessert, we had the Ultra Brownie, and it was ultra creamy chocolate goodness, but topped, I felt, by the Walnut Honey Cake (the desserts, made by chef Neil Robertson, both kicked sugary ass though), which came with rich figs and homemade (natch) chestnut ice cream:
With desserts, Nat had a fresh cocktail that Andrew had recently been working on (as an aside: isn’t it always swell to be able to be one of the first to taste a new drink? I think it’s swell), which mixed 1 ounce gin, 1/2 ounce kirsch, 1 ounce blanc (not dry) vermouth, and 1/2 ounce orgeat. It was really jumping (or frolicking) with the balance of dry to sweet right on. And, he called it the Tauntaun. Geeks, rejoice:
For my last drink, I had a Fernet Old Fashioned, which Andrew had been telling me about, and about who originally created it, but now I can’t find the email. Maybe he’ll be so kind as to leave the info and the instructions in the comments. Though he is busy. But not that busy (so get to it, Andrew). Anywho, before starting an online booze war, let me say that I dig Fernet, and this drink was the tops. I love the phat orange rind, and the ice ball, and the bitter-after-dinner experience that is summed up in this glass:
That’s the Mistral Kitchen kids, well worth a visit, especially if you belly up to the bar and let the cocktails roll. Just be sure to order a drink with an orange peel:
October 6, 2009
Gawd bless the hard-boiled folks at Hard Case Crime. I may not have fallen in head-over-guns love with every single one of their books (that I’ve read), but enough of them hit me square in my noir-loving solar plexus that I’ve been known to fall on the hard cold concrete yelling their praises. And that’s just for the covers. No, no, it’s for the innards of the books they publish, too, and for their deadly devotion both to newly minted murderous/suspenseful/chilly/mysterious/etc novels and to reprinting hard-to-discover classics on the genre/s. For example, I just wrapped up John Farris’ (writing as Steve Brackeen–they’re great at printing up stuff from writers’ various and sundry nom de plumes, too) Baby Moll, a book that pulls no punches and revs up quickly into a mash up of twists, turns, smacks, sips, hips, and your general “guy-wants-to-go-straight-with-hot-babe-on-beach-but-gets-pulled-back-into-underworld-activities-by-once-beloved-boss” plot. No messing around, solely good, rapid, action of all sorts. And boozing. Which, as you know, I’m fond of (excessively? Maybe). First one’s a bar quote (for my bar-working chums), and the second’s a hard-drinker’s quote (for my hard-drinking chums).
The Rendezvous was a charming basement beer hall near the ship channel. It stank of spilled brew, dirty clothing, and the elusive scent of rare sin. The rest of the building was a honeycomb of rooms for furtive meetings, the exchange of smuggled goods, the viewing of strange sex acts. I had been there often in my fledgling days with Macy.
‘You go on to bed,’ Macy told Rudy. ‘Better get a hot bath.’ Rudy went out. ‘You want a drink, Pete?’
‘God, yes.’
He waved me to a small bar. I chose a bottle. ‘Give me some whisky,’ he said.
‘What do you want in it?’ I said.
‘I don’t want nothing in it!’ he said peevishly.
I gave him some whisky. He held it as somebody else might hold a flower. He drank it slowly. In between sips, I could hear the breath in his throat.
—Baby Moll, John Farris
September 8, 2009
Hey, happy Mon-Tuesday. Just hold off before calling me calendarily challenged. I know today is really Tuesday, and that there is no Mon-Tuesday day. But as it’s the day after a Monday holiday, all of us working slobs (those who work the regular work-week at least) going back to work feel like it’s a Monday, cause it’s the first day of the week with the good times that entails (sing it now, good times, any time you need a favor), but it’s actually Tuesday. Hence the Mon-Tuesday. What does this mean in the world of boozing and spiking of punches? That it’s a fine time for a quote by Hal Masur (who in his full name is Harold Q. Masur, as seen in this post about Suddenly a Corpse), from a book in his Scott Jordan series. Scott’s a lawyer, see, when that meant more than a bad film adaptation and a southern accent. What it means is he drinks hard, rumbles with jerky DAs, snuggles up with any number of hourglass figures, and then solves mysteries and murders. The kind of lawyer a boy or girl can admire, and aspire to being (or hiring). You know, as it is Mon-Tuesday, here are two quotes from Tall, Dark and Deadly: one martini one, and one bar one. Enjoy them, and then go litigate yourself something cold and strong (whatever that means).
“Thirsty Scott?”
“Parched. I’d like a martini, very dry.”
She went to a portable bar. “One martini, coming up.”
“May I help?”
“I know the formula,” she declared loftily. “Gin, vermouth, and cyanide.” She prepared the ingredients in a chrome shaker, applying the vermouth with an atomizer, and substituting a twist of lemon peel for the cyanide. I drank. It was very dry indeed and the gin left me a trifle lightheaded.
“Another?” she asked?
“Not unless you can handle me.”
“Does that mean I have to get you drunk?”
“Helps. I’ve very shy.”
I entered and perched on a bar stool. The place was humming with activity. Regardless of the hour or the temperature, it seems that a large number of citizens continuously suffer from parched throats. In order to accommodate this drought the city has spawned a thousand watering holes that serve no water. This one was indistinguishable from its cousins.
I ordered Canadian ale and got a glass of Milwaukee stout.
—Tall, Dark and Deadly, Hal Masur
August 19, 2009
Hello . . . hello . . . is it Wine Cocktails you’re looking for? If it is, you’re in luck, cause as I alluded to below (in the S.F. Part I post), I’m making a few wine cocktails from the book of the same name this Thursday at a sweet bar called Poco here in Seattle (which is named in full Poco Wine Room, but which has recently expanded to be Poco Wine and Cocktails Room, making it the ideal match up for above-mentioned book). The basics are thus (and you can see more on this Facebook page, if that’s your thing):
When: This Thursday, August 20th
Where: Poco, 1408 East Pine Street, near the intersections of Pine, 15th & Madison, Seattle
What: Wine cocktails demos, copies of the book, actually wine cocktails to drink
Who: You, one hopes. And me.
It’s $20 to get in, but for that you get your very own copy of the book (which I’ll of course sign if you want) and two drinks, so it’s a dandy deal. And, Poco is a really nice spot. All of which means you should, as the song says, come on down, have that drink. I’ll be happy to see you for sure. And while the below isn’t one of the featured drinks, it should at least whet your wine cocktails appetite.
July 31, 2009
Happy last day of July, 2009. And, happy last day of the hottest work week Seattle’s ever had (that’s what the weather people are going on about at least). You know what really hot weeks like this lead to? Drinking, naturally. But you know what else hot weeks like this lead to? You got it: murder. And mayhem. And mangling. And mauling. And muzzles. All those devious and deadly “m” words. Which is why I thought there’d be nothing better to start the weekend then a quote or two from Richard Sale’s Benefit Performance. Not that this is the most murderous of Dell pocket-sized book (which are about the same size as Pocket Books), but it does take place in Hollywood, which is of course also hot, matching up with the theme of murder and temperature (or something along those lines–really, I just like the quotes).
To the left was the bar. The bar looked as good as the band sounded. “We’ll have a drink,” Kerry said.
“We’ll go up to the office and wait,” said Willie.
“You heard what the Bull of the Pampas said,” Kerry replied. “Clam isn’t here yet. I’ll buy you a drink.”
Willie nudged him with a round hard muzzle.
Kerry said meaningly, “Shoot me in front of all these people. It’s good for business and it stretches your neck.” He pushed the muzzle away boldly. Then he walked into the bar and ordered a Scotch old fashioned. When he glanced around, Willie had joined him, looking mad and frustrated. “You’ve been seeing too many movies,” Kerry said, amused.
A night club in the daytime is full of phantoms.
He took a breath and passed through the dusty light shaft as if it had depth and breadth. When he reached the bar, there was no daylight, and the dust danced invisibly. The bartender was working patiently behind his bar, designing his architecture of inebriation. He was cutting his lemons, putting his olives and cherries in their receptacles, anticipating Manhattans and Martinis.
–Richard Sale, Benefit Performance
