In case you missed (somehow, since they’ve been on rerun in a seemingly endless loop) an episode of the last season of the Good Spirits’ Cocktail to Cocktail Hour, well I, for one, feel sorry for you. Cause it was the rootin’est, tootin’est, drinkin’est, laughin’est, stylin’est, lovin’est, season yet! And you shouldn’t be expected to go another evening, no, not another hour without catching up on every last second (even the second where my tie is slightly off kilter. That one second). And you know what? I’m going to make sure you don’t miss a second, with a quick list of links to all the season’s episodes right here, in easy-to-read bulleted fashion. Thanks again for your Cocktail to Cocktail support, and thanks (of course) to director and co-writer Dr. G and the fine production, advertising, marketing, design, and support staff at AK TV. Now, on with the show:
If you’ve read this blog longer than, well, last week, or have read any of my books, you probably know that I dig Dickens (Charles, that is. I don’t like Pudgie Dickens at all). I’ve had a quote or two on here from his books, and probably have rambled enough that if he were here, he’d say “shut yr yap Rathbun.” Or, he’d buy me a drink. I like Dickens so much that I even have posts about his up on other worthy blogs—well, at least one. See, I recently wrote about have drinks with Dickens on Michael Green’s blog. Head on over to learn more about drinks in Dickens time, why you should be toasting him, and how to make a few drinks mentioned in his book: the Dog’s Nose (pictured left) and the Purl. So, head on over and get your Dickens on.
As our producer and director owns stock in the BBC, our “season” lasts a mere six episodes (much like the Snuff Box). Which means (grab those hankies now) this is the last episode in this new season. And, if I can preen the feathers a bit, it’s a humdinger. In this finale, I’ll not only sing and dance (really!), I’ll also teach you to make the somewhat sultry Bedroom Eyes, a fine number that puts I think I delicious cocktail capper on another season of the show about cocktails and drinking and good times, the Good Spirits Cocktail to Cocktail Hour. But wait! Before clicking on the “play” button and icing up the shaker though, I must take another moment to thank our sponsors in writing (it’s a contractual thing—hey, every little helps). So, raise your glasses in a cheer for Holt’s Hangover Helpers, Fuller’s Homemade Liqueurs, Cash and Harley’s Fund for Young Bartenders, Butler’s House of Garnishes. And of course, raise another glass in a cheer for yourself, our viewers. Without you, well, we’d have to drink more ourselves.
Another from Eric Ambler (following up the Coffin for Dimitrios below), from another of his political thrillers. Now, the political thrillers don’t get me all giddy as much as other books that sometimes share the same shelves (no-one says “dame” in a political thriller for one thing), but the Amblers (as I’m affectionately calling them) are written well, and, well, the characters tend to have lots of cocktails, drinks, and booze (in various forms). And the plots are never that bad, either. The Levanter‘s all Middle East terrorist business, and tends to roll heavy on the brandy. Much like this quote, which also demonstrates how to use cocktails to your advantage in serious discussions:
I gave him a champagne cocktail with plenty of brandy in it, which he drank thirstily as if it were water. I gave him a cigar and lit it for him. He sat back in his chair and looked around. Though he was clearly impressed, he seemed perfectly at ease. This suited me. I wanted him relaxed and in as expansive a mood as possible. All the stiffness was going to be on my side. I continued to address him respectfully as Comrade Salah, and fussed a little. As soon as he had finished his first cocktail I immediately gave him another in a fresh glass.
It’s a Valentine’s Special (though not just to be imbibed on that particular day, or watched) here on the Cocktail to Cocktail Hour, as wife Nat drops by the studios for a bit of charming banter as she teaches you how to make the Princess, a tall, delicious, limeoncello-backed number that’s ideal both for serving to that someone closest to you and for having every day when the heat’s risen. It’s a romantically bubbly episode of the new season of the show about cocktails and drinking and good times, the Good Spirits Cocktail to Cocktail Hour.
It’s hard to believe that there could be two more beautifully booze-y quotes from this Ed McBain book, quotes as good as those below, but I’m going to say, drink in hand raised to the sky, that these may be as good. At least, they manage to mention a whole array of classic mixes—and both mention the Zombie. Is there another book (outside of drink books, duh) that mentions the rum’d out Zombie twice? I have my doubts (but would be happy to be pointed in the direction of another one). Does this mean you should be sure to have rums on hand when you read the Gutter and the Grave? Well, of course.
It was Park Avenue mixed with the slums, it was cocktail parties and pool parlors, theater openings and all-night movies on Forty-Second Street. It was her world and mine, mixed like a Zombie, four thousand kinds of rum, but blended because underneath the exotic name it was all rum.
The man handling our table wondered back. ‘Sir, the bartender says he is not equipped to make hot rum toddies, sir. He suggests, if you care for rum, a Planter’s Punch, or a Cuba Libre, or a Zombie.’
Ed McBain is one of those mystery, noir, hard edged, cop story, suspense, and pretty much every other word related to the genre where drinks are had more often than not writers (he writes enough that he has to write under a variety of names, even). He’s had a whole little library of books, many of which I could read anytime I had a shot of whiskey alongside me. This particular book was re-released by the genius back-alley folks at Hard Case crime, and has more drinking (and much more interesting conversation) than the parking lot at the college football game. Heck, there’s enough that I’m going to break the quotes into two parts, starting with these two boozy gems, the first a drinking manifesto (which hopefully will bring back the term “ossified”) and the second a dreamy drinkers dream:
I drink because I want to drink. Sometimes I’m falling down ossified, and sometimes I’m rosy-glow happy, and sometimes I’m cold sober—but not very often. I’m usually drunk, and I live where being drunk isn’t a sin, though it’s sometimes a crime when the police go on a purity drive.
I was sitting in the park thinking of cool civilized drinks, like Tom Collins and Planter’s Punches and then thinking about what I’d drink—an uncool, uncivilized pint of cheap booze.
It’s the second appearance this season from imbibing magician Andrew Bohrer, who makes his newest special guest manifestation to teach you to make the Bitter Handshake, a Fernet Branca-based cocktail Andrew created (and one that’s become a huge hit).You’ll also see hypnotic ice ball carving, hear about Andrew’s mystical spirit animal, view Andrew’s enchanted locks, and enjoy more supernatural shenanigans in this episode of the new season of the show about cocktails and drinking and good times, the Cocktail to Cocktail Hour.
In case you missed (somehow, since they’ve been on rerun in a seemingly endless loop) an episode of the last season of the Good Spirits’ Cocktail to Cocktail Hour, well I, for one, feel sorry for you. Cause it was the rootin’est, tootin’est, drinkin’est, laughin’est, stylin’est, lovin’est, season yet! And you shouldn’t be expected to go another evening, no, not another hour without catching up on every last second (even the second where my tie is slightly off kilter. That one second). And you know what? I’m going to make sure you don’t miss a second, with a quick list of links to all the season’s episodes right here, in easy-to-read bulleted fashion. Thanks again for your Cocktail to Cocktail support, and thanks (of course) to director and co-writer Dr. G and the fine production, advertising, marketing, design, and support staff at AK TV. Now, on with the show:
