Seattle’s finally in a patch of sunny, summery, weather, which means one thing to wife Nat and I—we go inside to a dark, shady bar to have some drinks. We don’t want any of that sun by golly. No sir-ee. Give us the jazzy (and I don’t mean bubbly, here, but more 1932 jazz den of iniquity) insides of any bar serving them up with either a sneaky grin or a snarl. Cause that happy sunshine is just too much.
Okay, the above paragraph was a kidder, kids. We love the Seattle sunshine. But we also love having cocktails at Seattle’s Rob Roy, which does have a small deck in the sun when it’s sunny, but hey, the seats outside aren’t as comfy. And the inside of the Rob Roy is so groovy, that we decided to sit inside even with sun outside recently, sipping our drinks with pals Rachel and Jackie, and talking to pal Andrew Bohrer (he of the muscular and mighty Cask Strength blog) when he wasn’t making us drinks. The drinks, by the by, we mostly delicious. To start, I had a Pimm’s Cup (which I like to have when in the midst of a patch of sunny days, even when I’m inside):
It was pretty darn good (if maybe a tad too mint-packed for me. But then again I’m vain, and always worrying about getting mint in my teeth). Nat started with one off the Happy Hour menu (she’s deal-oriented), the Oahu Gin Sling (which had gin, Cassis, Benedictine, lime, and soda):
Nice-y nice. For Nat’s second drink, she had Andrew make her an old favorite (of hers, but heck, it may be one of his favorites, too), the Diablo. Tequila, cassis, ginger ale and deliciousness. In this pic, the drink’s a bit blurry, but he, it gives you a sort-of paparazzi view of Rachel and Jackie (who also had nice drinks, but I’ve forgotten what they were. Sue me) as well as showing the sun for those who think I was kidding about Seattle and sunshine:
My next drink was an Andrew special, and for the life of me (honestly, if you held a gun to my classic cocktail book collection I could not remember) I can’t remember the name. But it was cracked ice, gin, a lovely vinegar, lemon, and I think something else. Maybe he’ll come by the ol’ Spiked Punch and let us know the name and if that was, actually the list of ingredients. But isn’t it a looker of a drink:
We had another round, but I put the camera down and focused on the conversation, as that’s more important than taking pics. I did, however, try to snap a snap of bar-tending Andrew actually behind the bar, working, but didn’t have any luck (he’s a blur back there). Instead, here is a final shot of his home-carved tool of ice destruction, his bartender’s Mjölnir if you will (and if you’re not afraid to admit you’re a geek and know what that means):
Be very careful when he’s swinging that hammer around. We don’t want any casualties at the bar.
When they’re talked of (which is a lot, one hopes), the Bronte sisters (Charlotte, Emily, and Anne) aren’t usually referred to as party animals. This is, of course, a crying shame. As their books are filled with well-rounded characters, and usually contain a wee tipple or tippling, or a bar, and mostly entertaining writing that pulls you in, as opposed to pushing you out, my thought is that for the years they lived within the sisters were a rollicking good time, and probably were thought of somewhat in the same way we think of modern party animal writers like J. Robert Lennon and Andrew Greer (at least when those two modern scribes are wearing hoop skirts). In any case, the Spiked Punch is going to dwell for two posts on quotes from Charlotte’s novel Shirley, published in 1849 and as worthy a read (I think) as her much more fawned over Jane Eyre (though admittedly I like me the Jane Eyre, too). This first quote falls into the “bar” shelf in the Cocktail Talk kitchen, and describes lovingly a 1800s watering hole (and I have a confession–I think longingly of whisky-and-water myself on occasion):
He looked for certain landmarks–the spire of Briarfield Church; farther on, the lights of Redhouse. This was an inn; and when he reached it, the glow of a fire through a half-curtained window, a vision of glasses on a round table, and of revelers on an oaken settle, had nearly drawn aside the curate from his course. He thought longingly of a tumbler of whisky-and-water.
It’s hard to believe that there could be two more beautifully booze-y quotes from this Ed McBain book, quotes as good as those below, but I’m going to say, drink in hand raised to the sky, that these may be as good. At least, they manage to mention a whole array of classic mixes—and both mention the Zombie. Is there another book (outside of drink books, duh) that mentions the rum’d out Zombie twice? I have my doubts (but would be happy to be pointed in the direction of another one). Does this mean you should be sure to have rums on hand when you read the Gutter and the Grave? Well, of course.
It was Park Avenue mixed with the slums, it was cocktail parties and pool parlors, theater openings and all-night movies on Forty-Second Street. It was her world and mine, mixed like a Zombie, four thousand kinds of rum, but blended because underneath the exotic name it was all rum.
The man handling our table wondered back. ‘Sir, the bartender says he is not equipped to make hot rum toddies, sir. He suggests, if you care for rum, a Planter’s Punch, or a Cuba Libre, or a Zombie.’
People who know me, know that I dig the Trollope (the Anthony Trollope, that is, and not some other author trying to ride the coattails of his last name—and not the trollops this time, though I don’t have anything against a hooker with a heart of gold). I have pretty much (I’m missing one) the complete Trollope collection of novels and sometimes think I could subside on a reading diet of Trollope, Dickens, and Mosley (and maybe a couple pocket books for balance). Especially fine, and worth reading and re-reading, are the Palliser novels, where he takes on a combination of politics and upper crust foibles in the age when everyone had a ladies maid, had tongues sharp as Wustofs, and wore really puffy outfits. The Eustace Diamonds is the third of six Palliser novels, and while not my fav of the bunch is pretty darn fine. Especially fine is this quote where the drink of choice is Negus, the party hit of the late middle 1800s.
‘My dear, Mr. ‘Oward’ he said, ‘this is a pleasure. This is a pleasure. This is a pleasure.’
‘What is it to be?’ asked Gager.
‘Well;–ay, what? Shall I say a little port wine Negus, with the nutmeg in it rather strong?’ This suggestion he made to a young lady from the bar, who had followed him into the room. The Negus was brought and paid for by Gager, who then requested that they might be left their undisturbed for five minutes.
That’s not the only quote, though, cause on the very same page is this gem:
‘Six penn’orth of brandy,–warm if you please, my dear,’ said the pseudo-Howard, as he strolled easily into an inner room, with which he seemed to be quite familiar. He seated himself in an old-fashioned wooden arm-chair, gazed up at the gas lamp, and stirred his liquor slowly.
For the last poem in In Their Cups week 2010 (celebrating the release and release party this Sunday for In Their Cups and the drinking poems contained therein, as if you didn’t know), I wanted to highlight one of the two poems in book by Ed Skoog (I should mention though, that he also has translations in the book from three languages–you’ll have to look to find out which languages). Without Ed, In Their Cups would have been called “Cups with Holes” and been awfully leaky, cause he not only let me put poems and translations of his own in the book, but helped me track down more poems that made the cut and are in the book, gave advice on ordering of poems and sections, drank a lot with me during the putting together of the book, and was generally helpful in every way you can think of plus a few more you’d forgotten.
If you don’t know already, Ed is one of the best poets anywhere alive today–buy his book Mister Skylight and you will be changed–but is also a drink maker of some renown, a drink consumer of much renown, and a sweet banjo player to boot who can sing the high lonesome like few others (even after a few–let’s say 5-to-10–shots). If you ever are going into a bar for the long haul (which I’m guessing you will be, probably soon), bring him along. Or at least bring this poem of his about New Orleans’ Saturn Bar, a truly divine dive, along with you as an Ed sub.
The Last Saturn Bar Poem
Around the art barn, Mike Frolich’s bar-tab
bartered paintings hang the hell that rose with him
from the Gulf of Mexico floor too fast, torturing
blood with air: maniac fish, demon in a diving bell,
and then from cadmium sunset through marsh comes
the boat bearing forward in grand roving the name
O’Neal, our bartender. Theirs are the dreams we enter,
entering the Saturn Bar’s owly heat re-tooled for unlovely
loss, the rattled corner leaning away from Chartreuse, neat,
and when I’m able to dream jukebox damaged warbling,
a Saturn-like-thing opens within me, but this is the last
Saturn Bar poem–I’ll try, I’ll try–to stop singing
shadows of St. Claude and Clouet on security camera
pavement grays we keep talking about with increasing
reluctance, ready to move on to fresh bewilderments,
spiraling neon, neon that lights up my nameless shot.
With the release reading for In Their Cups: An Anthology of Poems about Drinking Places, Drinks, and Drinkers just around the corner (and by “just around the corner” I mean Sunday, September 26th, at 3 pm, at the almighty Open Books), I wanted to prime the proverbial poetic drunken pump with a couple choice selections from said book. To get things started, much like the book itself gets started, here’s Keats’ rollicking reverie to his favorite bar, the Mermaid Tavern. It’s somehow weirdly (well, maybe it’s not weird–what do you think, bar lovers?) reassuring to me that Keats had a favorite drinking spot in the early 1800s that he wrote about, and by his writing I think I might have enjoyed sitting there with pals having pints (and the occasional Dog’s Nose, as they did at the time). So, take a step back with Mr. Keats before all this internet-y-ness, when folks actually did their talking and drinking face-to-face.
Calling all drinkers, drink-makers, poets, poetry-readers, and anyone who is friends with anyone who fits in the above categories–which means, calling everyone. I was lucky enough to spend a chunk of the last year or so editing up a collection of poems about drinking places, drinks, and drinkers, and you’re lucky because said collection is coming out this month, and we’re having a big reading/party to celebrate. It’s going to be September 26th, at 3 pm, at Open Books here in Seattle (Open Books is at 2414 N. 45th St. Seattle, and the full reading listing is here).
Wait, though, jump back–I haven’t even told you the name yet. The anthology is called In Their Cups, and it features poets from hither and yon, poets who wrote in ancient times all the way up to poets who wrote a line yesterday. The whole idea behind the book (in a way) was to populate one giant bar with poets from throughout history, give them all some cocktails, and let them start spouting poems that would encompass the experiences of all drinkers. Did it work? You can find out by coming to the reading (or picking up the book, if you can’t make it). The reading will feature four of Seattle’s finest poets (and me) reading the poem they have in the book, plus a couple others from poets who couldn’t make it because they don’t live nearby, or don’t live at all anymore. The line-up includes:
Effervescent Emily Bedard
Action-packed Allen Braden
Jumpin’ jolly James Gurley
Awfully excited to be in such company A.J. Rathbun
One giant mystery guest
If you still aren’t sold, the full-on listing of poets who have poems on the pages of InTheir Cups is: A.J. Rathbun, Henry Aldrich, Thomas Bailey Aldrich, Guillaume Apollinaire, Emily Bedard, Bridget Bell, Allen Braden, Henry Carey, Richard Carr, Catullus, John Clare, Jaime Curl, Emily Dickinson, Philip Dow, Paul Laurence Dunbar, Stephen Dunn, Amy Fleury, Philip Freneau, Du Fu, Thomas Godfrey, Jeff Greer, James Gurley, Mark Halliday, Robert Herrick, Charles Fenno Hoffman, Oliver Wendell Holmes, Elizabeth Hughey, Richard Hugo, Christopher Janke, Jonathan Jonson, John Keats, J. Robert Lennon, John Lyly, William Maginn, Tod Marshall, Robert Hinkley Messinger, Dan Morris, Joseph O’Leary, William Olsen, Cesare Pavese, Li Po, Francesco Redi, Arthur Rimbaud, Ed Skoog, Gerald Stern, George Walter Thornbury, Chase Twichell, and Royall Tyler.
See you on the 26th friends and neighbors and local poetic drunkards.
Or at least he thinks he can in the below video. But he is challenging you to prove him wrong. So, if you’re tough enough, film yourself and then let him know. I’m just happy I can have an open beer served to me really darn fast (and without even having to break the bottle’s neck off with a rock. Which is what I usually do).
Cocktail to Cocktail Hour V2, Four, Baltimore BracerFebruary 06, 2012
Everyday Drinking--a new segment on the Cocktail to Cocktail Hour starts here! Where we look at problems everyday drinkers like you have, or like Ian McIan has, and solve them. Today's solution--the Baltimore Bracer.
Cocktail to Cocktail Hour V2, Three, Hot BrickFebruary 06, 2012
Arctic survival 101--Episode 3 of the Cocktail to Cocktail Hour features the drink Hot Brick, made with whiskey, cinnamon, butter, simple syrup, and hot water, a drink that will help arctic denizens, polar explorers, and you survive frigid conditions.
Cocktail to Cocktail Hour V2, They Shall Inherit the EarthDecember 17, 2011
Booze, singing, jollity--Episode 2 of the Cocktail to Cocktail Hour features cocktail They Shall Inherit the Earth, made with Benedictine, Cointreau, brandy and lemon juice, a drink featured in Ginger Bliss and the Violet Fizz.
Season two of the Cocktail to Cocktail Hour kicks off with the Ellipse Cocktail created and made by poet Ed Skoog. It's a poetic mix of Strega and bubbly and more, with lots of party talk mixed within the moments. C'mon on by.
