June 29, 2010
I was recently in the big ol’ NYC, doing some glad-handing and jive-talking for my corporate overlords (sadly, today, I don’t get to spend every waking minute footloose and fancy free with drink in one hand, and the other hand working on putting together this Munsters model). I wanted to spend some time traipsing around the bazillion NYC bars and lounges and taprooms and dives that I have and haven’t been to yet, but sadly I only had one evening free, and not even much of that one. So, I went to the Raines Law Room. I’d mentioned Raines, and its friendly and writerly bar manager Meaghan Dorman before (here and here), and had been given a tour of Raines by her, but hadn’t actually stopped by when it was in full swing. Which made this stop a real treat, because the atmosphere in there is such an underground thing of beauty, all plushness and secret-y goodness. And the drinks? The drinks were heavenly. I had a bunch, but most of the photos didn’t turn out (due to a combination of user fumbling and dim lighting), but the below gives you at least a glimpse. And Meaghan was working, and can I say one thing: that girl’s a helluva shaker. Don’t take her on in a bar fight. Oh, the drink below is a (not sure how I forgot to mention this) Ragtime, which is Pernod absinthe, Ramazzotti Amaro, Rittenhouse 100 proof rye, Aperol and Peychaud’s. That’s a lineup of genius, which translated into layers of bitters and deliciousness. If you’re heading to NYC, be sure to put Raines on the “must visit” list–but get there early, cause it fills up quick.
June 25, 2010
These days, everyone wants to go Hollywood (welcome to Hollywood, what’s your dream). Or is it Bollywood? I get confused now and again. Of course, I also picture Hollywood as filled with Carole Lombards and not a bunch of over-tanned floozies, so I may be a little out of touch. But no matter, because either way you serve it up, Wine Cocktails is making a summertime hit in the land of lovelies. Not via a Greyhound bus tour, as you might expect, but via a very nice article entitled “Cocktails bring the beach home” that was in the O.C. Register. The article, by the witty and friendly Cathy Thomas, isn’t just about the W.Cs., but does have a lot of drinks from it, as well as quotes from yours truly. So, why not transport yourself by going and reading it. Right now. Or very soon after now.
PS: I fully realize that Hollywood isn’t in the O.C. But how much fun would we have just had in the above paragraph if I would have started it by saying “These days, everyone wants to go to Santa Ana?” Not nearly as much.
June 22, 2010
After my below post about the Champagne of malt liquors, Champale, pal Philip (who writes a blog about the cutest girl in the world) was kind enough to send me a few choice Champale items he found, items which are now bound to be sitting atop yr holiday gift wish list. Because I know you love Champale. Admit it. You love it in the best way possible, which is by wearing this lovely Champale badge (I know I’ll be wearing one):
I especially like the smell lines coming off. And where better to wear your Champale-badged attire, then in your home bar, under your Champale light (I almost feel like I’m announcing a showcase showdown here):
Though really, that light is too modern for me. Give me the class of the oldies, the aged Champale, or at least this aged Champale light:
Now that’s classy. You know what’s best of all? You can buy both lights, and then have a whole Champale room, and, for that matter, buy a whole bunch of Champale badges and make a complete Champale outfit, and then send a picture of you in it, standing under your lights, to me, and I will post it here. Promise.
June 15, 2010
Betsy Karetnick is my favorite radio hostess (and host, for that matter). She currently hosts the “Morning Living” and “Everyday Food” shows for Martha Stewart Sirius Radio, and every time I’m in New York City I try and stop in to make a few drinks with her on the air and talk to callers about parties, cocktails, and anything else entertaining under the sun. She’s one of those hosts who really listens to callers, as well as having her own great ideas, and though she actually started as a finance journalist and a host of PBS’ “That Money Show,” shes’s now a full-on food and entertaining force. Best of all, it’s her birthday this Thursday, the 17th, and I’m going to be in New York, so I’m stopping by the studio to make her some birthday Bellinis during the “Everyday Food” show at 12:15 EST, using the delicious Perfect Puree white peach puree. If you have Sirius Radio, be sure to listen in (at noon), and hey, even call in if you feel like saying howdy. If you don’t have Sirius Radio, you can always sign up for a free trial and see what you think (and call in and say howdy). If you absolutely can’t get near a radio, then at least make a Bellini on Friday. Here’s the recipe (adapted a bit) from Good Spirits.
2 ounce Perfect Puree white peach puree
4 or 5 ounces Prosecco
White peach slice for garnish
1. Add two ounces of the peach puree to a Champagne flute. Slowly, while stirring, add the Prosecco. You must add the Prosecco slowly, integrating it into the somewhat removed peach puree throughout or a peach puree sludge might gather at the bottom of the glass.
2. Garnish with the white peach slice and a toast to birthdays and Betsy.
June 11, 2010
Though this book was eventually (and is, I suppose) better known as The Gracie Allen Murder Case, and made into a movie of the same name (starring, wouldn’t cha know, Gracie Allen), I love it that my copy is still called The Scent of Murder. Called such because at least three characters work in a perfume factory. I also love that the crime solver is named Philo Vance (played in the movies of course by William Powell, who plays a cocktailing and high class mystery solver better than anyone), and that he’s a bit of a dandy, though tough, too, but with a thoroughly rich, East-Coast-or-English, knows-his-wines-and-colorful-waistcoats-way about him. Really, though people die, this is a somewhat lightly and bubbly read. All that alone would lead to me wanting to drop this quote down for you. However, the real reason is that I think it should inspire you to sip some Chartreuse this weekend (I can’t think of better advice to give).
We had finished our coffee and were sipping our Chartreuse when Sergent Heath, looking grim and bewildered, appeared at the door leading from the main dining room to the veranda, and strode quickly to our table.
–S.S. Van Dine, The Scent of Murder
June 8, 2010
Produced since 1939 (originally in New Jersey), Champale is a malt liquor. I’ve got not a stitch of a problem with that (and heck, the way today’s going, I’d take two bottles right now and drain them at a gulp and like it. Then burp a lot). But the whole “poor person’s Champagne” seems like a poor advertising scheme (really, can you talk down to your audience more?), especially when you have a talking bottle and a talking coupe-style Champagne glass (which was, as an aside, supposedly the style of glass created by taking impressions of Marie Antoinette’s breasts. Though, sadly, this may not be really true, it’s true to me). That pathetic fallacy-ing just freaks me out a touch, cause I see where this is going: the Champale is either going to tip the glass of Champagne over, or the Champagne is going to get all snotty and start speaking French. Nobody wins in this set-up.
May 28, 2010
After the longish (or just plain long) Tom Waits post below, I thought I’d slip in a short couple of quotes from a book that almost echoes Waits (a book which is definitely the inspiration for the “ethics” scene in the Coen brothers’ film Miller’s Crossing, too), in that there are some shady and weird characters and everyone ends sad, dead, or drunk–a book called Kill and Tell. The first one’s about going into a bar, and the second about drinking at home (cause I wanted to cover the bases).
The bar was a fine old piece of imitation mahogany, and there was a fine old imitation Irishman in a white coat behind it.
We lifted our glasses to each other; the wine was cool and dry. I kept refilling our glasses while we ate, and when Jake brought the coffee Catherine asked him for some brandy. We were celebrating; each of us understood that.
“I think I’m drunk,” she told me.
“I’m drunk, too,” I said.
—Kill and Tell, Howard Rigsby
May 23, 2010
Okay, right up at the front of the stage, before the curtains go up, let me tell those readers who don’t know, what MxMo is (or at least give out what I know, which isn’t a whole barrelful of knowledge, since I’ve never had the pleasure of taking part before). Basically, it’s a bunch of bar-booze-drunken bloggers making up or bringing out a drink under a particular theme, on a Monday. So, mixology Monday I suppose. A different blog hosts every one (one a month, I believe), and they round up links to the posts about the theme on the day on their site, and send readers out and about and around the interweb to see those other posts about the theme. From what I’ve read when going boozing on the web on Mondays, the themes tend to be a particular spirit, liquor, or ingredient. However, when the really wacky bar blogger hosts, the theme may just be more, let’s say esoteric. Which is the case this month, as drink-slinger Andrew Bohrer who blogs at Cask Strength is hosting the MxMo, and he chose Tom Waits.
Which actually makes fantastically fantastic sense, as Andrew talks about in his top MxMo post (right here), in story fashion, which Waits himself would enjoy, I think. See, at heart, going around the rumbling voice and the at times otherworldly instrumentation and the harlots and hard heads, Waits is a storyteller, a boozy troubadour, a chronicler of the forgotten nights and the railroad yards, of trombone funerals and waking up wearing bruises and regret in a hotel next to the railroad tracks, of lost and long- elapsed love, and of gospel music sung under a blistering sun when all you want is a glass of whiskey and s single ice cube and the time to drink the world down.
Of course, as the above going on and on probably demonstrates, and since I’ve mentioned him in cocktail recipe intros in pretty much every book I’ve written, I’m a Tom Waits fan. I have most CDs, and listen to him on a regular basis, and have sat up singing Tom Waits with pals and bourbon and brandy until 4 am multiple times, have sat in a parked car half drunk singing Tom Waits while the thunder hit the hood like a million fists, and have put Tom Waits songs on jukeboxes with a glass of gin in one hand in more bars, lounges, dives, and hole-in-the-walls then I can remember. But as I haven’t gotten to my drink yet, I’m gonna put a leash on my Waitsean ramblings and start pouring.
Oh, wait, give me another sec, to give a drink backstory. Though I enjoy all the Waits CDs I have (including those Andrew mentions, Closing Time, Small Change, and the rollicking live Nighthawks at the Diner), the one I go back to the most is Rain Dogs. From the opening “We sail tonight for Singapore” to the New Orleans horns playing the funeral out at the record’s end, Rain Dogs matches more moods and moodiness and must-have-a-drink-while-listening-to tracks to me than any other. And while I don’t have a “favorite” song on Rain Dogs (this makes a type of sense, since they go together like egg drinks and mornings), “Tango Till They’re Sore” is the song (don’t take this morbidly, by the way) I want played at my funeral. I just want folks there to have good music, to drink well, and to toast me relentlessly, and this song, which starts “Well ya play that Tarantela and the hounds they start to roar” does just that. Not to mention that the chorus goes:
Let me fall out the window
With confetti in my hair
Deal out jacks or better
On a blanket by the stairs
I’ll tell you all my secrets
But I lie about my past
So send me off to bed forever more.
Rain Dogs also has a dandy song called “Jockey Full of Bourbon” (which has the classic line, a line I can sympathize with, “I’m full of bourbon, I can’t stand up”), so I wanted my drink to have a bourbon base, and bourbon is also mentioned multiple times within the record. The only other spirit dropped in the album is brandy (in “Union Square”), so I decided to double up on base spirits a bit, and then I wanted to bring in some bitters, in honor of the line in “9th & Hennepin” that says “till you’re full of rag water, bitters, and blue ruin.” So, that got me to three, a magic number, but because Tom Waits is also an original, I wanted to bring another ingredient into the drink that isn’t mentioned in one of his songs (four can be a magic number too y’all), but that has at least a tangential connection, and so I went with St. Elizabeth’s Allspice Dram. For one, it tastes great. For two, St. Elizabeth’s could be an insane asylum. For three, it’s based on an older ingredient called “Pimento Dram” which I could see Waits-style sailors drinking on a leaking dingy. When mixed in the following way, these ingredients in honor of Tom Waits and Andrew Bohrer make The Hounds They Start to Roar:
2 ounces bourbon (I used Blanton’s)
¾ ounce St. Elizabeth’s Allspice Dram
½ ounce brandy (I used Grand Duke d’Alba cause I’m walking Spanish down the hall)
2 dashes Peychaud’s Bitters
1. Fill a cocktail shaker, mixing glass, dented top hat, or ladies leather boot halfway full with cracked ice. Add the whole bunch of ingredients. Stir well.
2. Strain into a cocktail glass or goblet. Garnish with a sad song.
PS: Feel this needs a garnish? I suggest an ice pick, a dented fender from a ’54 Ford, or a tattooed tear.
Tags: Andrew Bohrer, bourbon, Brandy, Cask Strength, cocktail recipe, Cocktail Recipes, MxMo, Peychaud's bitters, Rain Dogs, St. Elizabeth's Allspice Dram, The Hounds They Start to Roar, Tom Waits
Posted in: Almost Drinkable Photo, Brandy, Recipes, Whiskey
