September 19, 2010

In Their Cups Week: John Keats, Lines on the Mermaid Tavern

With the release reading for In Their Cups: An Anthology of Poems about Drinking Places, Drinks, and Drinkers just around the corner (and by “just around the corner” I mean Sunday, September 26th, at 3 pm, at the almighty Open Books), I wanted to prime the proverbial poetic drunken pump with a couple choice selections from said book. To get things started, much like the book itself gets started, here’s Keats’ rollicking reverie to his favorite bar, the Mermaid Tavern. It’s somehow weirdly (well, maybe it’s not weird–what do you think, bar lovers?) reassuring to me that Keats had a favorite drinking spot in the early 1800s that he wrote about, and by his writing I think I might have enjoyed sitting there with pals having pints (and the occasional Dog’s Nose, as they did at the time). So, take a step back  with Mr. Keats before all this internet-y-ness, when folks actually did their talking and drinking face-to-face.

 

Lines on the Mermaid Tavern

 

Souls of Poets dead and gone,          

What Elysium have ye known,          

Happy field or mossy cavern,

Choicer than the Mermaid Tavern?   

Have ye tippled drink more fine               

Than mine host’s Canary wine?         

Or are fruits of Paradise         

Sweeter than those dainty pies          

Of venison? O generous food!          

Drest as though bold Robin Hood            

Would, with his maid Marian,           

Sup and bowse from horn and can.   

 

  I have heard that on a day   

Mine host’s sign-board flew away,    

Nobody knew whither, till             

An astrologer’s old quill        

To a sheepskin gave the story,           

Said he saw you in your glory,          

Underneath a new old-sign    

Sipping beverage divine,               

And pledging with contented smack 

The Mermaid in the Zodiac.  

 

  Souls of Poets dead and gone,        

What Elysium have ye known,          

Happy field or mossy cavern,       

Choicer than the Mermaid Tavern?

 

 

Lines on the Mermaid Tavern, John Keats

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July 27, 2010

Andrew B Can Open a Beer Faster Than You

Or at least he thinks he can in the below video. But he is challenging you to prove him wrong. So, if you’re tough enough, film yourself and then let him know. I’m just happy I can have an open beer served to me really darn fast (and without even having to break the bottle’s neck off with a rock. Which is what I usually do).

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July 23, 2010

A Bartender’s Life in One Panel

Another bartender showing up at your bar for a free drink after you had one at their bar? Check. A vest and bow-tie? Check. Giant hands getting ready to work out that shaker? Check. A little crankiness cause you’ve been slinging ‘em all day? Check. A super curvy redhead walking away from the bar and wearing a groovy shirt that you just can’t keep your eyes off of? Check. And that’s how the life behind the stick operates.

PS: I picked this panel up from the blog Warren Peace, in an article about the artist Steve Ditko (whose art I dig, especially in early Dr. Strange and old horror comics), coming out of panels from The Art of Ditko, edited by Craig Yoe, which is a full book of older Ditko. It almost should go without saying (cause those who read this blog occasionally will guess it already), but I found the Warren Peace blog via a link in a post on the otherworldly Neilalien site.

PPS: I’m not, any more, a professional bartender. But I know a lot of them. And this post is for them, especially the hard-working Andrew B who writes the hard-working blog Cask Strength.

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June 29, 2010

Drinks on the Road, NYC, Raines Law Room

I was recently in the big ol’ NYC, doing some glad-handing and jive-talking for my corporate overlords (sadly, today, I don’t get to spend every waking minute footloose and fancy free with drink in one hand, and the other hand working on putting together this Munsters model). I wanted to spend some time traipsing around the bazillion NYC bars and lounges and taprooms and dives that I have and haven’t been to yet, but sadly I only had one evening free, and not even much of that one. So, I went to the Raines Law Room. I’d mentioned Raines, and its friendly and writerly bar manager Meaghan Dorman before (here and here), and had been given a tour of Raines by her, but hadn’t actually stopped by when it was in full swing. Which made this stop a real treat, because the atmosphere in there is such an underground thing of beauty, all plushness and secret-y goodness. And the drinks? The drinks were heavenly. I had a bunch, but most of the photos didn’t turn out (due to a combination of user fumbling and dim lighting), but the below gives you at least a glimpse. And Meaghan was working, and can I say one thing: that girl’s a helluva shaker. Don’t take her on in a bar fight. Oh, the drink below is a (not sure how I forgot to mention this) Ragtime, which is Pernod absinthe, Ramazzotti Amaro, Rittenhouse 100 proof rye, Aperol and Peychaud’s. That’s a lineup of genius, which translated into layers of bitters and deliciousness. If you’re heading to NYC, be sure to put Raines on the “must visit” list–but get there early, cause it fills up quick.

 

May 28, 2010

Cocktail Talk: Kill and Tell

After the longish (or just plain long) Tom Waits post below, I thought I’d slip in a short couple of quotes from a book that almost echoes Waits (a book which is definitely the inspiration for the “ethics” scene in the Coen brothers’ film Miller’s Crossing, too), in that there are some shady and weird characters and everyone ends sad, dead, or drunk–a book called Kill and Tell. The first one’s about going into a bar, and the second about drinking at home (cause I wanted to cover the bases).

The bar was a fine old piece of imitation mahogany, and there was a fine old imitation Irishman in a white coat behind it.

We lifted our glasses to each other; the wine was cool and dry. I kept refilling our glasses while we ate, and when Jake brought the coffee Catherine asked him for some brandy. We were celebrating; each of us understood that.

“I think I’m drunk,” she told me.

“I’m drunk, too,” I said.

 

Kill and Tell, Howard Rigsby

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May 15, 2010

Cocktail Talk: Death at the Bar

Ohh, that title just makes me shudder: Death at the Bar. Perhaps the worst thing possible (well, okay, that’s a bit much—there are, in life, much worse things, but this is just a drinks blog, so give me some leeway), especially if it was a jolly evening. Which, in this book, by Ngaio Marsh (Ngaio is pronounced /ˈnaɪoʊ/ if you were wondering, and is a lady), isn’t 100% true, as the evening at the bar (a little English town bar called the Plume of Feathers. Which is fantastic, especially as it’s not a disco), is a tad contentious, with old fiesty relationships, and reds (in the commie way), and an arrogant lawyer, and more.

 

But it’s still a pretty good night (as the below quote points out, though it also has a bit of foreshadowing), until they decide to play darts. Because one of the characters is killed . . . by a dart. Or is he? You’ll have to read the darn book to find out, because I’m no spoiler.

Watchman had already taken three glasses of Treble Extra and, although sober, was willing to be less so. Parish, suddenly flamboyant, offered to bet Able a guinea that the brandy was not Courvoisier ’87, and on Abel shaking his head, said that if it was Courvoisier ’87, damn it, they’d kill a bottle of it there and then.

 

Death at the Bar, Ngaio Marsh

May 11, 2010

An Alsatian Prayer, with Beer Accents

Was sent the accompanying photo (which I’m hoping was from outside a bar–I mean, it has to be, right?) from pal Pat Jalbert-Levine, who is the wonderful person that ensures that my books from Harvard Common Press get done up right and make it to the printers on time (as well as about a million other things). It happened to be a long day at the salt mines when I got it, so it made my day hugely better (she’s both a geting-books-done superstar and a makes-the-day-better person. That’s a sweet combo). Here’s what she said about it (she sent it to me and boy PR genius Howard Stelzer, who loves himself some beer):

 

“I don’t know why this made me think of you. Oh wait, yes I do! I’m working on In Their Cups right now, and I know someone who’s a beer fanatic…! My mother forwards “joke emails” she gets from her family in France, and a recent one contained this picture. You’d have to know how the Lord’s Prayer goes in French to really get the cleverness, but anyway, here’s my attempt at a translation which would do it justice in English:”

 

Our beer who art in vats

Hallowed be thy foam

Let thy glass come

Let thy distribution be done

On the table as it is in the bar

Give us this day

Our daily hops

And forgive us our hangovers

As we forgive those

Who drink coca-cola

Lead us not into temptation

But deliver us from thirst

For thine are the bubbles, and aroma, and freshness

Now and forever

Amen

 

Isn’t that swell? I think so, and if you do, too, be sure to raise a toast to Pat next time you’re quaffing a cold one (and for that matter, raise a toast to Howie, as well, and to all the folks worldwide who are also, at the moment, drinking a beer. Now isn’t that nice to think about?).

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March 2, 2010

I Miss the Days of Murderers in Bars

Okay, that’s just a catchy headline in most situations, because in most situations I like my bars safe and booze-y and full of cozy chums. But for some reason, the below panel, from a knockout Stan Lee / George Tuska comic called “Acid Test!” printed in the October 1973 issue of Tales of the Zombie #2, (though originally presented in the July 1953 issue of Menace #5 under the title “Nightmare!”–huge props to the amazing pre- and post-code horror comics site The Horrors of It All, which is where I found this, and where I visit every day to get my chill on) made me think of how some days you go to a bar to forget, or try to forget, the murdering you’ve done. That’s all right, too (even if for most of us it’s symbolic murder, one hopes). Especially when the bartender below is such a dead ringer for bartending pal Andrew B. Or is it bartending pal Andrew F? Now that I look at it, a bit of both. The fact that the bartender turns out to be a certain famous evil-doer has nothing to do with it, naturally.

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